We’re into the third day of recording this wedding present for Grace’s friend and that means the bedroom’s been turned into a makeshift recording studio once again. If that doesn’t raise a few eyebrows, try to picture it: we’ve opened the cupboard and rested the two mattresses against it, draping a duvet over the top as a mock-up boom and shut all the windows and doors. The result is actually pretty decent – as far as mattress-fort recording studios go. Grace is in the cupboard recording hers now so I’m in the next room with Rimsky-Korsakov’s Scheherezade in my ears, trying to quell my recurring bouts of city angst. Replacing one noise with another can only do so much good, but I think I found a better solution.

Bit by bit I’m building a clearer idea of where I want to make my next adventure, and funnily enough it’s not a remake of Archie’s enviously-exciting Central American backpacking adventure. That ship has sailed. If the chance arises again one day, I’ll take it of course, but somehow I doubt it will. Lightning never strikes twice. As for me, I have my eyes on somewhere else, a place I’ve been orbiting, as it were, for the last seven years: South Africa.

Did that come out of left field? Probably not. The more you know me, the more rational a conclusion it is. For starters, this Cairo to Cape Town jaunt I’m so obsessed with was always going to end there. The only stage I’ve ever really been able to envisage is the last leg, cresting the veld and staring, at last, at the crystal waters of the Indian Ocean after a year or so on the road. I see myself throwing off my rucksack and racing into the water to fall, knees first, in the sand. That would be worth all the mileage, border bullies and nightmarish bureaucrats that’ll plague me along the way. It’s a scene that’s been playing on-and-off in my mind’s eye for years. That’s one reason.

I’d like to say Haggard started this. I’ve been reading one book of his after the other and I’m hooked. But it goes further back than that. My first girlfriend was half-Afrikaner. That’s where it really all began, I guess. Yes, it must have been; I remember talking to her aunt about her time as a game driver and falling in love with the place through words alone. Sure, that didn’t all pan out so well in the end, but like a flower in the ashes, I stumbled upon Bryce Courtenay’s The Power of One (the film) a week after the breakup. No other film has ever affected me so strongly. It could have been the music, it could have been the red-haired heroine, or just as easily the people and the places. More likely than not, a combination of the lot – but especially the music. There’s something otherworldly about it. Amazulu – from the Heavens. How about Ukuthula, the Zulu spiritual that never fails to move me to tears? Or Miriam Makeba’s African Sunset, which is playing in my ears right now? Don’t forget the Circle of Life. I put so much of my heart and soul into the Zulu solo with the Northern Lights that I go weak at the knees whenever I hear that one, too. Fun fact: I was born just four days before The Lion King came out. It’s a sign, baby! At least, I’d like to think so.

I could point the finger at so many other reasons: a family connection to Steve Bloom; the film, Zulu; the Drakensberg; the Zulu language itself. Yeah, by this point I’m pretty damn-near decided. The main question is when and how. I reckon I should have saved up enough after next year’s teaching. If only I were going to Morocco and not Jordan next summer; I could save so much money towards it (quit complaining about Jordan and just deal with it, kid). It also means I can dedicate myself to learning Zulu on the side next year. I’ve always wanted to learn an African language. Arabic is just a means to an end. Zulu – now we’re talking. We’re talking Africa and talking Africa is the surest way to my heart. And it always will be. BB x