Chefchaouen

There are some places that you come across that feature on almost everybody’s wish list. The pyramids of Giza, the lost city of Machu Picchu and the Great Wall of China, the name a few of the standout examples. Ask for more and you might encounter a few more classics, like New York’s Central Park and the bustling canals of Venice. Extend the list a little further and you’ll probably find a small Moroccan town nestled deep in the Rif mountains of some forty thousand inhabitants. Why? Because a large part of the old town is painted powder blue. Introducing Chefchaouen, the blue pearl of Morocco.

I should point out, it’s currently under scaffolding in anticipation of its upcoming designation as a UNESCO World Heritage site. Just like the Fes tanneries last year, that’s another visit hamstrung by the UNESCO beetles. Fortunately, I’ll be a mere hour away all summer, so I’ll be back when they’re done. It promises to be spectacular.

It’s a strange experience, wandering along an entirely blue street. The whole medina looks like something out of a picture book. You can almost hear the suspicious mutterings of the locals when the first travelers stumbled upon the town a century or so ago; a four hundred-year old refuge from the zealous rage of Castile. There are some doorways and passages that are instantly recognizable from the travel guides and Instagram accounts, and with good reason: they practically scream out for a photo.

And that’s where the trouble begins.

Chefchaouen is, at the same time, a photographer’s dream and nightmare. Not only have you got some of the most beautiful colours to play around with that architecture can provide, but the villagers themselves are extremely photogenic and set off any street scene like saffron – if you feel like risking it.

Chaouen has been in the mainstream tourist trade for some five years now and it’s inhabitants have had plenty of time to develop their own opinions about being posted all over the global social media on a daily basis. Being the cautious type, I’d rather avoid trouble and settle for those unoriginal empty street shots, taking proper dioramas only when all backs are turned. But even that, it seems, is sometimes a little too much to ask.

‘No photos! No photos!’ cries an old woman, rounding a corner just as I press down the shutter on what was mere seconds previously an empty street. I hastily stow away my camera as she grumbles to herself in Arabic about the likelihood of it cropping up on Facebook tomorrow morning. True to self, I’m left feeling so guilty for taking that snap one second too late that I end up doing the rest of Chaouen sans apareil. Thanks for that, jaddatii.

A common joke bandied about by Moroccans – aimed almost exclusively at people like me, I shouldn’t doubt – is the ‘no paranoia’ jibe, reserved for all those travelers who assume indifference when hailed in the street. I had this two or three times after my run-in with the camera-shy abuela, when I bemused a few stallholders by passing by a gorgeous Chaoueni door without reaching for my camera.

I tried my luck again the following morning, having recovered from that little stumble, only to run into exactly the same problem when I was quite innocently photographing a lantern. ‘No! No!’ says a villager, climbing the stairs towards me. ‘No photos!’. Jesus, Chaouen, what am I allowed to photograph?

The result? I spent the entire day sketching instead.

Sketching appears to be harmless. I’m not entirely sure what the difference is between a sketch and a photograph – a true craftsman puts just as much work into both – but people don’t seem to mind you standing on a street corner and scribbling away for twenty minutes or so. You’d think after a couple of minutes that it’s fairly obvious that you’re the subject of a doodle when the artist in question keeps stealing a casual glance over your shoulder to the mountains behind, and that that might bother some folks… but apparently not. It even has curious passers-by stop and talk to you.

Perhaps that easily-offended old Chaoueni did me a good turn after all. It’s all too easy to become lost behind a camera.

I have mixed feelings about Chaouen. On the one hand I do admit that it is rather gorgeous, as Moroccan towns go. For me it’s not a scratch on the more authentic Taroudant or Imoulas, but that has more to do with the thriving tourist traffic than the town itself. My main problem with it, it must be said, is what I term the Petra effect: when something receives so much hype that the reality can’t help but disappoint. It’s unfair to say that you shouldn’t rave about an especially beautiful place, but sometimes I’d rather make my own discovery than find the path trodden down before me by the world entire and the locals already soured by thousands of camera-toting holiday-makers. One almost misses the hippies.

Like Petra before it, I’d heard so very many enticing anecdotes and seen so many beautiful photos of Chaouen that I wasn’t as bowled over as I probably should have been. I will, however, be back. There’s more to the town than I had time to see… and I have all summer. BB x

‘You want taxi, my friend? No? What, you no want talk to me? Why you travel if you no want talk to people? You all the same, you think you are better than us, but you are wrong. We are better than you.’

Welcome back to Morocco, I suppose.

Goodbye Tarifa!

There’s something endlessly enchanting about waking up in a new country. It breaks up the monotony of the everyday. It sends gears spinning that had until recently been lying dormant. It also comes with a change in breakfast too, which is never a bad thing.

Bang in the centre of the medina and all you can eat for 10 euros a night…

On one of those fantastically last-minute whim decisions which I have been known to make , I decided to take up the offer of two of my English department colleagues to spend the puente de Mayo in Morocco. Four days isn’t nearly enough to enjoy Morocco – each town deserves a full day and night’s exploration to even begin to get a taste of the area – but when it’s so close that you can see the cars from the other side of the sea, it’s impossible not to feel the tug of the south. I’m not very good at saying no to anything, but when it comes to adventure, I find it exceedingly difficult to say no. So here I am, on the 12 o’clock bus to Chefchouen, saying yes – and loving every second of it.

Getting Bourne Ultimatum vibes…

The last time I was in an Arab country was Jordan. Let’s not go over that again. Jordan’s going to be a bug-bear of mine for a very long time. It’s a name which carries greater fear for me than Syria, Korea and the Democratic Republic of Congo ever could. It wasn’t so much the country as it was the fact that I simply didn’t want to be there. Backed into a corner as I was with my commitments to the British Council, I wasn’t given a choice. And in that frame of mind, as always, I was defeated before ever I got on the plane. It wasn’t in my interest… And as my parents will know only too well, if something is not in my interest, the chance of me doing well is next to zero.

The Rif: b-e-a-utiful

Not so Morocco. Maybe it’s the green hills and the icy rivers flowing down from the mountains and into the sea. Maybe it’s the jaw-dropping kasbahs of the desert south or the quiet, homely feel of the melting-pot medinas of the north. Maybe it’s even the simple fact that this is Africa. But I think that the real reason I have so much love for this country is because I want to be here. It’s a minor difference, but it changes everything.

Waking up with the dawn chorus in the middle of a city sounds ridiculous, especially when there’s a complimentary alarm service courtesy of the mosques at four in the morning, but in Tangier it’s easily done, and the soundscape is just as fantastic a mix as the city itself. There’s the warbling calls of flocks of roving bulbuls, that ever-present feature of Arab towns; on top of that you’ve got a chorus of roosters crowing at the dawn, interspersed with the occasional bubbling note of a laughing dove, two quintessentially African sounds; and then there’s the aggressive cackle of the gulls, which smacks more of Europe than anywhere else. Even the repetitive wi-tu wii-twii-tu wii-twii-tu of the house buntings echoes the sales pitch of the taxi driver, yelling the name of his destination over and over as though it were an object to be bought or sold.

Spot the six species of bird in this picture (better still, imagine them)

And that’s just the naturalist in me. The linguist side of me is in his element: this is a place where I could be using all four of my languages – English, French, Spanish and Arabic – at any given moment. Across Morocco, but especially in Tangier. It’s like something out of a dream, and we haven’t even got to Chefchaouen yet.

Tangier’s Kasbah is actually a lot more impressive than it is made out to be

But for a less-than-welcoming start thanks to a jilted taxi tout lying in wait at the dock entrance, it’s been so good to be back. And as I’m the only Arabist in tow, this time it’s up to me alone to do the talking – and that’s a huge plus right off the bat. I hope there may soon come a time when it’s safe enough to study Arabic anywhere, from Western Sahara to the Sudan, from Yemen to Iraq; to excel, I need to be on my own. And that’s what this year has been all about. I’ve learned from my mistakes in Jordan. Moroccan Arabic won’t be any easier than Jordanian, if not harder, but I’m going to tackle it head-on and alone – and better still, in a willing state of mind. I can’t wait. BB x