Three weeks of the summer holidays remain, which I must now try to fill somehow. Yesterday I went up to Bristol – for better shopping, primarily, but also because I’d never been, and there’s at least a couple of things in this city that I wanted to achieve: a new suit for work, and a close encounter with arguably one of the most famous statues in the country.
Bristol was not as busy as I expected, but then, with all this talk of protest in the air, perhaps that’s not surprising. Despite the official line from the police to the contrary, at least two shopkeepers warned me to get out of town before 6pm. They said that a mob was being gathered online to march on an immigration legal aid firm in the Old Market district, not more than five minutes or so from Bristol Temple Meads Station. I passed several shops with signs in the windows indicating an early closure, and I saw at least one being boarded up, just in case things got out of hand.
Part of me considered sticking around to see what went down, but for once, the rational part of my brain (which usually plays second-fiddle to the romantic up there) took charge and sent me home. Still, it was quite something to see a city preparing for potentially violent civil unrest, like a quiet siege. It was rather eerie. I’ve never seen anything like it before.
As it happens, there was a protest march that evening – but not the one that was expected. Nearly two thousand anti-racists staged a peaceful counter-protest in Bristol’s Old Market, where the anti-immigration rally was due to take place. My faith in this country has been restored, even if only by a little.

I visited the M Shed Museum in the Bristol dockyards, where the statue of Edward Colston can now be seen after it was recovered from the bottom of the harbour. Social media played a decisive role in mobilising the mob back then, too, albeit under very different circumstances.
Colston rests in a glass sarcophagus surrounded by a collection of placards borne by those who tore him from his plinth back in 2020. It looks almost like one of the stone effigies you might find in a cathedral, with homemade banners replacing the coats of arms.

Colston used much of the wealth that he accrued from his involvement with the Atlantic slave trade to philanthropic ends in Bristol and beyond, establishing almshouses and sponsoring schools. For more than two hundred years, he was even something of a local hero. But times have changed since the events of 2020, and a much-needed revision of the history books has shed a new darkness on men like Colston who, for all their good deeds, were active participants in a system which brought unimaginable misery, pain and slaughter to millions. Colston had many hats, but “slave trader” is usually the first title next to his name in most accounts.
I wonder if history will see modern “heroes” like Steve Jobs in the same light someday for their involvement in the rape of the Congo and its people for the coltan that powers our phones. We may be reliant on the damned things for just about everything these days, but that’s a poor excuse, when you think about it. After all, we used a similar excuse to justify the entire slave trade once upon a time.

I did a little window-shopping before popping into a second-hand vinyl store in search of a couple of albums for my wall. I’m in the process of making my house a really happy space, and I figured I’d take a leaf out of the book of my old bandleader (and great inspiration), Mr D, and frame a few LP sleeves. I was tempted by a couple of colourful Fela Kuti numbers, but in the end I came away with just the one LP: Marvin Gaye’s What’s Going On, one of “the Big Three” albums that changed my life, alongside MJ’s Thriller and The Corrs’ Forgiven Not Forgotten. I’ll hunt the other two down on eBay.
Until the next time! BB x





































