Shuffling Along

I’m sitting in the rest area at Bristol Parkway Station, watching the blinking lights of cars cruise around below me in circles like so many coloured beetles in the darkness. If I’d made my original train, I’d be at my mum’s place by now. But there was an incident on the 20.35 from Bristol that the authorities had to deal with, so a twenty minute delay has turned into an hour’s setback as I missed my changeover. I’d chalk it up to some Friday night jollities from some of my ruddy-faced countrymen in the next carriage. The only highlight was the very comical collective groan from the other passengers when the announcement came through. Can I still use the term passengers? It’s been recently outlawed by National Rail, who apparently fear it sounds “too formal” – what has the world come to?

So, I’m stuck here for another half hour. I’ve wolfed down a meal deal and am now watching the world go by with my Spotify on shuffle. The holidays are here at last, so I guess it’s time to blow the dust off the blog and flex my rusty writing arm with a little exercise. I’ll use the first five songs on shuffle as a jump-off point and see where we go from there.

Stronger – Kanye West

Ah, the latter days of 2007. After largely eschewing popular music, my brother and I were simultaneously introduced to modernity with Now That’s What I Call Music! 65 around Christmas 2006, our first away from home during our short-lived attempt to up sticks and move to Spain. Maybe it was because it was a link back to the world we’d left behind, but I leapt upon the novelty, and it’s fairly safe to say that my awakening as an explorer started with that CD. I used to get almost all of my music from those Now! compilations. Thank goodness Spotify came along and broadened my horizons!

It was a good time for music, anyway. Rihanna was still pumping out hit after hit (Don’t Stop the Music had just hit the scene), Ed Sheeran was unheard of, and Kanye was famous for his beats and his bars, and not his antisemitism or his (now ex) wife’s rather large bottom. Those were happier times.

Bailando – Enrique Iglesias

Wind the clock forward around ten years. Durham’s Music Society released the theme for the summer concert (Around the World) and the Northern Lights – then in the early days of our ascendancy – hit the books to find a suitable number to fit the bill. I wasn’t anywhere near as talented as some of my peers (at least four of whom have gone on to moonlight as professional musicians since) so this was my one chance to take the reins with a song where I might be able to do something the others couldn’t – that is, singing in another language.

By that point, aged 22 and fresh from the year abroad, I was spoilt for choice. But let’s face it, it would have been a tall order to get an English a cappella group to sing the Arabic smash hit M3allem, and all the sevillanas I had committed to memory were much too demanding, even for those who could speak a little Spanish. Luckily, Enrique Iglesias was famous enough to provide a bridge between the two languages, and after some negotiation with my musical director, I managed to get Bailando onto the set. I put my heart and soul into my Grapevine arrangement, but I honestly had a lot more fun performing Bailando with the gang, not least of all on account of the choreography.

Mammati – Willie Mohlala

Somewhere at my dad’s place is a little red memory stick containing a number of MP3 files: mostly obscure Ugandan pop and folk music, with a few Dolly Parton numbers sprinkled in for a little variety. That playlist was the soundtrack to the various marathon road trips of my time in Uganda, since the full playlist was never enough to span the enormous distances we used to travel. Shazam still struggles to identify the greater part of that playlist, and since Willie Mohlala was one of the only artists labelled on the tracklist, he was one of the few to travel with me out of Africa. Him and Dolly, of course, though quite how she wound up in central Africa beats me.

AM to PM – Christina Milian

Given my guilty pleasure for early noughties R&B, I’m surprised it took me until the summer of 2024 to discover this banger. I have vivid memories of boogying to this one in a club in town with a girl I’d met on Hinge, the first of several attempts to move on from my American heartbreak. It didn’t come to anything. None of my dates have since. But I did pick up this little number, so I did manage to take something away from the experience. I’ve been using the same excuse to justify traveling more than four thousand miles to discover AC/DC’s Thunderstruck, but since that electric anthem has catapulted itself into my top ten, I’ll allow the hyperbole.

Get Me Home – Foxy Brown ft. Blackstreet

I did a Spotify audit the other day and found I’d amassed about 97 playlists. More than half of them (52, to be precise) are ones I made myself. One of them is definitely a ‘mood’ collection, staffed by Missy Elliott, Blue Six and the legendary Foxy Brown. It’s not one that gets an awful lot of airtime, but it is seriously groovy.

I Go to the Rock – Whitney Houston (with the Georgia Mass Choir)

The London Community Gospel Choir did a school visit to the girls’ school over the road when I was around fifteen. This was back before they were a big deal – and back when there was such a thing as the subject specialist initiative in schools that provided money for that sort of thing. I Go to the Rock was the song they taught us that day.

Like so many of the greats in the music industry of old, gospel was where I truly learned to love singing. It was a true release from years of staid hymnals – which I look back on fondly, but not with the same awesome power that gospel provided. It felt like singing from the deepest reaches of my soul. It’s probably no great leap to say that I wouldn’t have launched myself at the funk band if I hadn’t had that crucial awakening through gospel.

It’s a shame that global politics prevented me from sharing that pivotal joy for so many years. I will always carry that scar, I suppose. At least these days I am in a more tolerant establishment that understands the importance of offering diversity through music. I dread to think where the other road leads. I don’t doubt the talents of Taylor Swift and Ed Sheeran, but if that’s what people like me will be limited to in years to come, my music tastes will be so much the poorer for it.

For the Love of Money – The O’Jays

Well, would you look at that. When I started writing this post, I was shivering in the upstairs waiting area at Bristol Parkway. I’m now inching closer to the rammed check-in desk at Gatwick Airport. Turns out most everyone on this flight has the same problem: directed to the check-in desk to collect their boarding pass, due to the sheer number of people on board. I could have dodged this by buying priority, maybe. But with prices up everywhere (the Alhambra visit is costing me nearly £100!) I decided to dodge the £8 priority add-on this time. That’s on me!

Money is the root of all evil – do funny things to some people. Spain is in the throes of an anti-tourist rebellion, centred on Barcelona, Mallorca and the Canary Islands. And not without reason: the tourist trade has been allowed to run rampant in some parts of the country, to the point where it has utterly destabilised life for the locals, forcing a dependence upon tourist money that only comes but a few times a year. Unlike Santa Claus, however, it doesn’t seem to be spreading much joy. Some protesters vented their frustration last year by hosing down tourists at cafés along Las Ramblas with water pistols.

I’m hoping to investigate this blight a little during my adventures over the next three weeks. I appreciate the irony of doing so as a tourist, but I’d like to think that by avoiding resorts and foreign hotels, I’m doing my part to contribute to the local economy in parts of the country that aren’t necessarily overrun. Speaking Spanish helps.