Storm Clouds over Soho

I got the train up to London today with a view to getting my hands on a decent pair of shoes, since I’m told the Italians can be a little snobbish when it comes to standards of dress. With the Northern Line under repairs, it took a little longer to get up to Bloomsbury, so I took a leisurely ride on the Circle Line from Blackfriars and indulged in a favourite pastime: sketching commuters on the Underground. There’s an art to it (no pun intended) – you’ve got to be quick, since most of them only travel a few stops before getting off. And now that face masks are a minority affair, it’s a lot more enjoyable a practice than it was.

Predictably, I got waylaid in Gower Street’s Waterstones en route to the shoe shop. Ever on the hunt for new additions to my Spanish library, I thought I’d do some digging at one of London’s finest bookstores, since it’s been quite a long time since my last visit. I managed to exercise a considerable amount of restraint this time, leaving behind two case studies on the Inquisition from the antiques section in the basement and Minder’s The Struggle for Catalonia… though I’ll be back for that one eventually. Giles Tremlett has brought out a new book on Spain which looks like it will pump out a lot of material I can use with my A Level Spanish students, which is my way of justifying that purchase. The only book I didn’t question was an account of Walter Starkie’s Camino. Starkie wrote so vividly about his journeys as a minstrel across Spain in Spanish Raggle Taggle and peppers his writing with old verses all over the place, so I had to salvage that one.

I wandered down towards Oxford Street in search of a decent pair of shoes, but I couldn’t find anything that jumped off the shelves at me, so I decided to make do what I have (a fine piece of advice at the best of times, which I wantonly ignore whenever I should be near a bookshop) and cut across town back to the river through Soho.

I’ve either forgotten how luridly seedy Soho is, or I haven’t properly explored the place before. What looked like a shortcut led me down a dark alleyway with shady adult stores on either side. The noise of Oxford Street seemed to die in the distance, like the record player in the Waterstones’ basement, stifled into silence by a wall of books… only now by grimy bricks and a mere sliver of sunlight through a gap between the buildings above. I almost collided with a stocky man in a big puffer jacket with a cough came lumbering out of a film store, stuffing something under the sleeve of his coat. Two Arabs stopped talking and gave me a funny look as I passed, clutching my journal in one hand and one strap of my rucksack with the other, humming the tenor line from Ola Gjeilo’s Northern Lights to myself. I guess Soho isn’t on the tourist trail.

Leaving Soho behind, I wandered through the crowds in Chinatown and came out onto Trafalgar Square, where a large crowd had gathered on the steps. Unsurprisingly, it was a rally against the war in Ukraine. Blue-and-yellow flags fluttered high above the throng, joined here and there by Polish and Hungarian partisans adding their colours to the mast. One woman, the tryzub emblazoned on her cape, stood defiant at the front of the congregation, fist raised in a powerful salute for most of the half-hour I stuck around to watch.

Boycott Russia.
Arm Ukraine.
Stop Putin, stop the war.

Those were the chants, coming around and around before the crowd. The main speaker apologised for the necessity of being so blunt, before decrying the rape of Ukrainian women by Russian forces and the slaughter of its children. An Englishman spoke slightly hesitantly about the need to support Ukraine’s disabled and elderly refugees, and a Ukrainian began to sing a national lament as the sky darkened overhead and the sun faded from sight. I’ll admit I half expected there to be a police van lurked nearby, its officers on standby for any disruption, but I couldn’t find a visible copper for love nor money.

The last time I saw a demonstration like this was back in October in Madrid’s Puerta del Sol, as I walked back to my hostel with one of my cousins. “They’re always here,” he told me, “and so are they,” indicating the loitering policia who hang back just shy of the crowd, silent, hands on their truncheons, watching the Republican flags flying in the night air. The crowd was surprisingly mixed: an old man in a flat cap stood shouting his passionate support in the centre of the throng, while two girls shared an equally passionate and equally political moment on one of the bollards. The policia watched on, silently.

Puerta del Sol, October 2021

On my way back to the station, I stopped at the traffic lights and looked back to Trafalgar Square. Lord Nelson and a mounted Charles I stared southwards over my head, silhouetted against the clouded sky: two men who got personally involved in European wars and paid a physical price for their efforts. Little wonder, then, that the European powers are so reluctant to send any troops into open battle to defend the Gateway of Europe.

Back at Blackfriars, the rally seemed a world away. I missed the early train by a whisker and had to wait twenty minutes for the next one. A Catalan girl sat on a bench nearby, a red-and-yellow skiing jacket from Cerdanya proudly displaying her winter colours. I instinctively reached for my face, but my usual rojigualda facemask was at home: I’d opted for a less nationalistic face covering today. Away to the east, the sun broke through the clouds over the Thames, lighting up Tower Bridge against the rainclouds rolling in from the south. London seems to go on forever, whatever happens to the rest of the world, and yet it’s Rome that holds the title of the Eternal City. I’m looking forward to seeing it with my own eyes and reading such stories as I can find in its people and its streets. BB x

Pygmalion

Yesterday was International Women’s Day. If you hadn’t noticed, you probably have a much healthier relationship with your devices than I do. Being naturally cautious when it comes to writing about trending topics – and keeping a wary eye on the growing stack of marking on my desk – I wasn’t originally going to write anything on the matter. In previous years I might have jumped on the bandwagon and sang the praises of women from history who I find inspirational, but that muse didn’t find me today.

It only occurred to me after a couple of hours’ highly productive procrastination on the novel last night that there’s one woman who I’ve been writing about since I first got bit by the writing bug, now twenty years ago. A divisive woman who has been at times a distraction, at others a channel for my doubts, but always a polestar, burning bright, night after night, though the other stars around her blink in and out of the darkness.

This is Leonor. And this her story.

I’ll be twenty-eight this summer. For no less than twenty of those years, the red-haired princess has been living rent-free inside my head. Whether she was inspired by a childhood friend, the Little Mermaid or a double-page cartoon from an Art Attack! magazine, I don’t suppose I’ll ever be certain. Like as not, she sprung into being as a combination of the three. One thing I know for sure: of all the cast and characters of the books I’ve spent the greater part of my life writing, she’s been the one constant. The world has shifted beneath her feet several times, sometimes drastically, but she has weathered every storm, survived every crush unaltered and resisted every rewrite. When I brought the book over to Spain a few years ago, she was the final frontier, the last character to trade in her name for a nombre.

Leonor in her “Stephanie” days, back in ’04

Without giving too much away, I’ll introduce you. Leonor is one of the two central characters in the story, though arguably it’s her story that’s the one being told. The princess of Meridia, she’s playful, sharp-witted and short-tempered, with a sense of duty almost equal to her stubbornness and pride. Descended from two legendary heroes from our own timeline, she is catapulted into the role of Queen by a series of tragic events and, amid the fires of war and personal tragedy, she becomes one of the greatest rulers Meridia has ever known, captaining the sinking ship of her doomed kingdom to its final hour.

She’s an avatar of hope and a rallying flag in human form for her people. And yes, I’m sure I play into the “fiery impetuous redhead” stereotype more than once.

My little princess grew up so fast…! ’18

In the saga’s early days, when the concept was still very much a fantasy/sci-fi adventure, I had her imbued with magical powers. These days her greatest power is her charisma: in a saga filled with reluctant rulers, ambitious bureaucrats and silver-tongued servants, Leonor comes into her own as a woman who stands her ground in a man’s world: adored by her subjects, respected by her contemporaries and feared by her enemies. It’s no surprise that in recent years I’ve looked to two other fierce red-headed rulers to bolster her character: Boudicca of the Iceni and Elizabeth I of England.

Now here’s the question. Am I in love with my own creation?

Of course not. For one thing, I wouldn’t dream of playing the third wheel to my hero! But you’d be surprised how much of a flashpoint it’s been in the past. Two previous girlfriends have challenged me about my attachment to her. Try to put yourself in their shoes. I suppose it’s not all that different to inviting a partner over, only for them to discover objects left behind by a former lover. As I’ve tried to explain before, if you want to get jealous about one of my characters, you might as well take it out on the rest of the cast – I have no less love for my other creations.

And yet the fact remains that, by the age of twenty-eight, I’ve had a longer and arguably closer relationship with my central characters – Leonor included – than I have with anybody I know, outside of my family. I wonder whether that’s why I’ve always been so comfortable with my own company. It’s easy to handle solitude when you’re never really on your own.

She’s not my idealised woman by any stretch of the imagination, though it’s possibly due to my long connection to her that I’ve always had a weakness for dark eyes and red hair. She’s no imaginary friend, anymore than Desalma is a shadow that haunts my dreams. I neither love the women I conjure out of the air, nor do I fear the monsters I create. She is a figment of my imagination, and though she’s found her way into journals, homework diaries, used envelopes and maths book margins over the years, if I were to disappear one day, so would she. Perhaps that’s why I’ve never stopped trying to tell her story.

Do you know what I’d like? If I should be lucky enough to have a daughter of my own one day, I’d love to tell them her story. To bring them up to tales of her courage, her unflinching hope in the face of overwhelming odds. To show them that, though she wasn’t perfect, though her pride got her into trouble, she kept on fighting for what she believed in.

She’s not my Galatea, but she is my muse, my inspiration, and her story needs to be told. That’s why I write. That’s why I’ve always written. After all, it’s hard to say no to a princess. BB x

My Most Treasured Possession

My first dissertation extract is complete, and after three somewhat hectic days I can finally relax in the library and read whatever the hell I want for a little while. My field of research and my area of interest are closer than I could ever have imagined, but the very fact that I have to focus on them makes them a little less attractive than they were before. That’s natural, and it’s primarily why I’d never make a career out of art or music. The minute something you like becomes something you have to do, it loses a lot of the magic it once held, I find.

Perhaps the greatest roadblock to making great strides with my dissertation is the fact that, wherever I go, I carry with me a battered little red notebook chock-full of notes, sketches and observations from the last year and a half. I’m almost never apart from it. If it’s a knee-jerk reaction to years of being warned against electronic addiction, it’s a damned healthy one. And whilst it might have got in the way of focused academic research from time to time, it’s actually been responsible for guiding me to some of the most useful books for my degree this year.

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Fresh from the Libreria Talia back in October ’15

At twenty-two, a one year old notebook seems like a strange object to consider my most treasured possession. You’d never know it was that young, looking at it now. It’s battered and bruised and dog-eared on all sides, and the binding holding it together has been heavily reinforced with generous layers of sellotape. But it’s been with me almost everywhere I’ve gone since I first tracked it down in a bookshop in Villafranca last year and, to me at least, it’s more than just a notebook. Leaving for Spain without a sketchbook was one of the more stupid things I’ve ever done, but the result is this absolutely priceless little book of memories. I wouldn’t trade it for the world.

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The Red Book at the feet of Washington Irving, Granada

It’s been all over the place. It’s been carried over the holy ground of Moulay Abdessalam and watched the sunset over the Aegean Sea. It’s sat on the walls of the Alhambra, felt the sea breeze of the Atlantic from Cape Roca in Portugal and sampled tapas in Salamanca (with the olive oil stains to show). These days it contents itself with regular trips to and from the library, which is intellectually stimulating at the very least, but perhaps not what the Red Book was necessarily born for. I expect it’s just as hungry for another adventure as I am. The trouble is, there’s only thirty pages left until it’s all filled up, and with the rate at which I’m harvesting new ideas, Greece may have been my eternal companion’s last fling. When I stop to think about it, that’s more than a little bit saddening.

We’ve had some pretty special memories, the Red Book and I. But probably the most treasured of all was its first ever outing to the sanctuary mountain east of Cáceres where, as the sun set over the old city, I had an epiphany and decided to base my series of novels in Spain. And, suddenly, it all made sense. What had been for some fifteen years a mishmash of fantastical borrowings and cliché leapt out of the chrysalis into a vast historical saga. The moment was recorded with two simple words scrawled at the top of a heavily-smudged first page: it begins.

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Full-page sketches like this one are not helping on the page-saving front…

 

Of those who have commented on my faithful travelling companion, the general opinion seems to be that I could get ‘so much money if I ever sold it one day’. Sacrilege incarnate. This little book and I have been on so many adventures now that it’d be like pawning off a loyal pet. But I suppose it’s more than that, because what the Red Book is, beyond a well-travelled journal, is an extension of my very soul. My whole world, the one I don’t tend to share with anybody, is stored within its pages in scrawled notes and sketches. Most of it wouldn’t make a jolt of sense to anybody else, but to me it reads like a map. I’ve kept a working notebook on me in various formats for the last five years – since I could hold a pencil, if you count the sketchbooks as well – but the Red Book is the prince of them all.

The sister notebook is already waiting, an equally eye-catching blue-and-gold journal of identical dimensions. It’s also a Paperblanks notebook. I swear by the things. It’ll be tough, starting afresh with a new book after all this time, like starting up a new relationship. Quite literally: all the memories I’ve stored in the Red Book are ours to share. The Blue Book will need new memories of her own. One day, many years from now, I’d like to think there’ll be a whole shelf of these things, tattered, bandaged and well-thumbed, but loved, and I’ll be able to take them down to explore them with my children, taking them into the worlds I have spent so many years creating.

An ode to a notebook… Well, it was a strange post for Valentine’s Day, I’ll give you that, but with all the time, care and attention I’ve lavished on this little book over the last year and a half, perhaps today’s a fitting day for such a post after all. BB x