nazareno

Departures Lounge C, Malaga-Costa del Sol Airport. 9.18am.

My adventure is drawing to a close. In a matter of hours I will be back in the familiar settings of my flat. Sometimes, at the end of a holiday, I’d be feeling glum at this point. There’s a bit of that right now – I’m never overly happy to leave this country behind. But it’s been such an incredible three weeks that I have no regrets whatsoever, so I’m going back home with a full heart and a nauseatingly broad smile. Not even the British weather waiting for me when I get home could take that away from me.

I was up early this morning to check in to my last pensión of the trip. Nowhere is open for check-in at 8 o’clock in the morning, but I was suspicious about the link I’d been sent asking for confirmation payment up-front, and wanted to dot the I’s and cross the T’s in person. I was right to be cautious: their Booking.com account had been hacked, asking customers for a down payment that “might not be the same as on the website” – in my case, a fare ten times the amount agreed. Thank God I went in person to sort things out. God helps those who help themselves, or so the saying goes, but I’d like to think that La Virgen del Rocío is still watching out for me.

With my mind at ease, I had my last chocolate con churros of the trip and then set out to see the Legion, who had just disembarked and were on their way to their casa de hermandad west of the river. Once again, I was lucky to find a space to stand, since by the looks of things the entire city had turned out to welcome the troops.

La Legión, also known as the Tercio, is one of the most famous wings of Spain’s military. Though modelled on the French Foreign Legion, a similarly fearsome fighting force, la Legión is not as foreign as its name might imply: Spaniards comprise the vast majority of its troops, with Latin American and citizens of other Spanish-speaking countries making up the rest. This was the unit that Francisco Franco commanded, a mighty and highly professional unit used with devastating effect against the Republican forces during the Civil War. My allegiance should be straightforward – my great-grandparents were Republicans, and my great-grandfather Mateo was a victim of the regime that La Legión helped to put into power – but even I have to admit that I thought them impressive as they paraded through the city, belting their battle hymn, El novio de la muerte, at the top of their lungs.

The past is the past. Hate has to find the hands that it knows, and I’m not one for grudges. I’m also a Catholic who bloody loves a good spectacle, and the Legión certainly provides.

In one last stroke of luck, when I came back to the pensión to check in, the receptionist asked if I would rather “dormir o ver la procesión”: somebody had cancelled just minutes before I arrived, and a balcony room had suddenly become available. As a good friend once said, “you can sleep when you’re dead” – so I snapped up the balcony room. My pensión of choice looked out over Calle Especería, which just so happened to be the primary conduit for all but one of the eight pasos making their way through the city. Not only would I be able to watch the processions from the comfort of my room, I would be able to do so without having to deal with the inevitable crowds, now at their greatest in number as Semana Santa reached its summit. I really couldn’t have been dealt a better card.

The first paso arrived shortly after half past five, at which point the street below became impassable. It’s just as well I had supplies, because one procession followed another – it would be past one o’clock in the morning before the last procession had come and gone, and the spectators walling the street with it.

From my vantage point on the second floor, I could see a lot of things I hadn’t noticed before. Like the old-fashioned jugs each paso carried with it, appearing suddenly from beneath the tronos every time the procession came to a halt to provide relief to the weary costaleros. As the night went on, the train on the dresses of the Virgin Mary got longer and longer, and many of the costaleros were entirely reliant on the sound of the llamador (the bell at the front of the trono) and the voice of the capataz (the man in charge of guiding the costaleros) to know when to stop and when to go.

The Legión arrived a great deal sooner than I expected. I’d just popped back inside for a drink when I heard the first verse of El novio de la muerte (literally, The Groom of Death) and had to double back. I must have only seen one of the four tercios (divisions) of the Legión this morning, because they seemed to have quadrupled in number. Led by their officers, the nazarenos of their brotherhood and a number of standard-bearers carrying golden flagpoles, it had all the trappings of a Roman triumph. I guess that’s part of the look they were going for. Either way, it was quite something to watch from on high – especially the way their marching steps fanned out in a perfectly synchronised wave from the left.

I experienced my first genuine saeta shortly before midnight. There is little that can compare to a proper saeta: it is, in essence, a religiously inspired solo piece, sung by a spectator who feels so moved by the emotion of the procession that they put their feelings into song. The origins of the saeta are unclear, but they’re thought to have derived from a fusion of Islamic calls to prayer and Jewish psalmodies with old Franciscan processional hymns. In Andalusia, the region most commonly associated with the practice, they have a strong connection to flamenco, which becomes immediately obvious when you hear the wailing style of the singer and their wild gesturing toward the paso, which must by tradition come to an immediate halt when a saeta begins.

I’ve seen saetas before, albeit slightly less impressive – the kind where somebody stands in front of the church and reads from a score. Not this one. This came from the heart and soul of a man in his sixties, who was leaning half off his balcony and crying out to both El Cristo and La Virgen with every ounce of duende that his spirit could muster. It was really something to behold, and it had the whole street in silent rapture – which, with hundreds of people lining both sides of the street below, only made it all the more impressive.

There’s something about the music of Semana Santa that is fundamentally powerful. It could be the wailing solos played on the keyed trumpets with that quality of vibrato that is so ineffably Hispanic, often associated with bullfights and Mexican standoffs. It could be the way that the drumbeats make your very heart tremble within you as they reverberate off the walls of the narrow streets, or the way that one of the drumrolls is always delayed, producing an effect that is almost hypnotic. But I think a lot of it comes down to the fact that the music is modal – that is, a music form phased out by the Protestant Church as it was felt to be “too ornate” for worship.

You can say what you like about the quality of modern Christian worship music, but as far as I’m concerned, the moment that this kind of music was deemed “too distracting” was the moment that the decay set in. In the opinion of this author, there’s nothing that Hillsong and its ilk could ever do to even come close. Semana Santa is an endless replay of the last week of Jesus’ life, with all of the grief and pain and none of the vapid Jesus-we-love-you-ness that marks a lot of modern Christian music. That’s one of the reasons I have a thing for Gospel music, too: while it also indulges in giddying joy, it draws on the shared pain of its creators to delve into the dark heart of suffering in ways that Hillsong just can’t. There are three hundred and sixty days in the year to celebrate the joy of Jesus’ resurrection, but Semana Santa focuses the lens on the five days where he suffered most terribly. It’s a memento mori, a reminder of the relatable human mantle that Jesus took to suffer and die for the sins of mankind, and of the grief of a mother over the death of her son. Christ the Lord is Risen Today seems almost farcical by comparison (especially if you’ve seen the infamous John Daker video, which I have far too many times). By making worship music more accessible by simplifying its structure, they ripped out its soul.

Spain is a country that has experienced a tremendous amount of religious rage and repression, arguably more than any other in Europe if you factor in the tumultuous conquest and reconquest by Christian and Muslim overlords and the religious persecution that followed over a period of seven hundred years. So the suffering evoked by their saetas and processional marches is very, very real. In some parts of the country, the music isn’t enough: there’s a town in Extremadura where the penitentes bind themselves to crosses in a simulation of the crucifixion and do some of the procession on their knees, while the most devout Spaniards will even follow the processions with crowns of thorns of their own, or whip themselves as they march down the street. The suffering becomes as much a performance as the music itself. Church attendance may be on the wane here just as much as it is everywhere else, but in Semana Santa, you’d be forgiven for thinking that the official statistics were wrong.

La Virgen de la Esperanza and her bearers returned home shortly after seven o’clock in the morning, almost an hour before sunrise and just before I walked past on my way to the train for the airport, after a nine hour march through the city. In a few days it will all be over, and the city will return to normality until the whole process starts all over again in a year’s time. But I have bottled as much of the magic as I can and am returning to England with my head and my heart ringing with the rattle of snare drums and the wail of trumpets. I have been reminded in no uncertain terms that it is here in Andalusia that it all began, when my parents made that mad decision to move out here for a year, and my future was lashed forever to this wild and passionate corner of a wild and passionate country.

I’ll be back. So help me God, I’ll be back. BB x

I remember saying a couple of days ago that I was going to take it easy and travel less this year, beginning with Semana Santa. Predictably, that failed almost as soon as the words left my mouth. I’m now sitting at ease on the balcony of a cute little hostel in Córdoba, having spent the last four days traveling in a large triangle around Andalucía, from Matalascañas to the Great Mosque. It’s the Easter equivalent of last term’s ‘square puente’ to Lisbon, Aveiro and Salamanca. Only this time, I’m not alone, and it’s been a barrel of laughs from start to finish.

I’ve told you about El Rocío. Let’s start with Seville. Seville is one of those cities that I’ve always thought rather overrated. It’s the Spanish equivalent of Frozen; people come back from it raving about what they’ve seen to such an extent that by the time you get around to going to see it yourself, it’s difficult not to be disappointed. Unlike Frozen, however, it’s worth digging in and opening your eyes a little.

No, I’m not the biggest fan of Frozen. Something to do with Elsa’s dumbstruck ‘of course, love!’ remark, as though love were entirely alien to a Disney film and its target audience… and let’s not forget that ubiquitous Let it Go.

I’m sidetracking. As usual. I’ve been very blasé about Seville all year, using it largely as a transit between Villafranca and other southern destinations – mainly Olvera – and never visiting the city for its own sake. Mistake. If you can find a place to stay for the night in Seville, do. Especially in Semana Santa. Having the freedom to see the city by night as well as by day is a treat not to be overlooked.

In my current adventures I’m joined once again by fellow traveler/blogger Brocklesby, spending half of her Easter holidays down south. Traveling with a companion can be infinitely more entertaining than going solo, especially when you’re both new to the place, but it’s been super-helpful acting as a kind of lemming-guide. I’m something of an old hand with Sevilla and Córdoba, having spent about a month apiece in each of them when you add up the days, so – with the fifty-fifty assistance of the Arch Deceiver aka HERE Maps – I’ve been acting as a guide. It’s a lot of fun to introduce somebody to all of your favourite spots, as well as the main sights, but best of all you get to try things out that you never quite found the gumption to do alone, like this museum or that ice cream parlour. It’s a blast and I should travel in twos or threes more often.

Travelers to Seville in Semana Santa should be warned: bring a compass, a map and/or plenty of patience. Navigation is made almost impossible by the processions. In most of the smaller towns, these are usually nocturnal affairs of some eighty metres in length that take five or six minutes to pass, and good seats can be had by simply racing ahead by several streets and waiting by the side of the street.

Not in Seville. Not only is everyone in town in on the secret, so is the tourist population, both of which are immense. On top that, the processions themselves are enormous, trailing as many as three streets at a time and taking all of an hour and more to pass – and there can be as many as six happening simultaneously across town.

Understandably, this turns something as simple as crossing a street into a labour of Heracles. It’s a circumstance where shortcuts really do make long delays, and itinerant penitants and busy streets make the heart sink. I distinctly remember saying that ‘if you see Jesus, you’re screwed’; blasphemous, perhaps, but in accurate reference to the fact that the float bearing Jesus is almost always followed by the Virgin Mary some thirty minutes later, meaning that Jesus marks the very epicentre of the gridlock. Thanks Jesus.

That being said, it’s something you have to watch at least once. And whilst it may not be all that much fun to watch the tips of the penitents’ colored hoods sailing by over the heads of a pushy multitude, if you can get yourself to the front, it’s surely one of the human wonders of the world to behold.

I’m not a pushy person. I think I’m too English. So it would take a miracle to get me to the front of the queue. But God, or Fate – or an unusually benevolent Murphy – had other plans tonight. Having said that it would be ironic if we ended up walking down a street and coming face to face with a procession headed in our direction, that is exactly what happened, and with the grand finale, no less. We tried to duck out of the way through a gap in the multitude, but the Guardia closed it off and shoved us unceremoniously back into the crowd – which put us, quite by accident, right at the front. It suited us just fine, but it must have bothered those who’d been there long before us something awful.

It might not have been as soul-stirring as the Olvera madrugada procession – which goes on all through the night and involves no small amount of mountain-climbing – but it was a genuine privilege to behold from such a premier position.

I’ll be back next year. Most certainly. A lot of Spaniards claim to be rather impassive on the subject of Semana Santa, but their dogged adherence to an age-old tradition far more authentic than any search for chocolate eggs says otherwise. I, like Hemingway and Irving before me, am yet another foreigner hopelessly entranced by the magic of it all; only, I’ve at least a quarter of Spanish blood in me, so I’m not a total stranger. I’d like to think that counts for something. BB x