Malaga

For the Legion

/ Benjamin Barnabas / Leave a comment

Departures Lounge C, Malaga-Costa del Sol Airport. 9.18am.

My adventure is drawing to a close. In a matter of hours I will be back in the familiar settings of my flat. Sometimes, at the end of a holiday, I’d be feeling glum at this point. There’s a bit of that right now – I’m never overly happy to leave this country behind. But it’s been such an incredible three weeks that I have no regrets whatsoever, so I’m going back home with a full heart and a nauseatingly broad smile. Not even the British weather waiting for me when I get home could take that away from me.

I was up early this morning to check in to my last pensión of the trip. Nowhere is open for check-in at 8 o’clock in the morning, but I was suspicious about the link I’d been sent asking for confirmation payment up-front, and wanted to dot the I’s and cross the T’s in person. I was right to be cautious: their Booking.com account had been hacked, asking customers for a down payment that “might not be the same as on the website” – in my case, a fare ten times the amount agreed. Thank God I went in person to sort things out. God helps those who help themselves, or so the saying goes, but I’d like to think that La Virgen del Rocío is still watching out for me.

With my mind at ease, I had my last chocolate con churros of the trip and then set out to see the Legion, who had just disembarked and were on their way to their casa de hermandad west of the river. Once again, I was lucky to find a space to stand, since by the looks of things the entire city had turned out to welcome the troops.

La Legión, also known as the Tercio, is one of the most famous wings of Spain’s military. Though modelled on the French Foreign Legion, a similarly fearsome fighting force, la Legión is not as foreign as its name might imply: Spaniards comprise the vast majority of its troops, with Latin American and citizens of other Spanish-speaking countries making up the rest. This was the unit that Francisco Franco commanded, a mighty and highly professional unit used with devastating effect against the Republican forces during the Civil War. My allegiance should be straightforward – my great-grandparents were Republicans, and my great-grandfather Mateo was a victim of the regime that La Legión helped to put into power – but even I have to admit that I thought them impressive as they paraded through the city, belting their battle hymn, El novio de la muerte, at the top of their lungs.

The past is the past. Hate has to find the hands that it knows, and I’m not one for grudges. I’m also a Catholic who bloody loves a good spectacle, and the Legión certainly provides.

In one last stroke of luck, when I came back to the pensión to check in, the receptionist asked if I would rather “dormir o ver la procesión”: somebody had cancelled just minutes before I arrived, and a balcony room had suddenly become available. As a good friend once said, “you can sleep when you’re dead” – so I snapped up the balcony room. My pensión of choice looked out over Calle Especería, which just so happened to be the primary conduit for all but one of the eight pasos making their way through the city. Not only would I be able to watch the processions from the comfort of my room, I would be able to do so without having to deal with the inevitable crowds, now at their greatest in number as Semana Santa reached its summit. I really couldn’t have been dealt a better card.

The first paso arrived shortly after half past five, at which point the street below became impassable. It’s just as well I had supplies, because one procession followed another – it would be past one o’clock in the morning before the last procession had come and gone, and the spectators walling the street with it.

From my vantage point on the second floor, I could see a lot of things I hadn’t noticed before. Like the old-fashioned jugs each paso carried with it, appearing suddenly from beneath the tronos every time the procession came to a halt to provide relief to the weary costaleros. As the night went on, the train on the dresses of the Virgin Mary got longer and longer, and many of the costaleros were entirely reliant on the sound of the llamador (the bell at the front of the trono) and the voice of the capataz (the man in charge of guiding the costaleros) to know when to stop and when to go.

The Legión arrived a great deal sooner than I expected. I’d just popped back inside for a drink when I heard the first verse of El novio de la muerte (literally, The Groom of Death) and had to double back. I must have only seen one of the four tercios (divisions) of the Legión this morning, because they seemed to have quadrupled in number. Led by their officers, the nazarenos of their brotherhood and a number of standard-bearers carrying golden flagpoles, it had all the trappings of a Roman triumph. I guess that’s part of the look they were going for. Either way, it was quite something to watch from on high – especially the way their marching steps fanned out in a perfectly synchronised wave from the left.

I experienced my first genuine saeta shortly before midnight. There is little that can compare to a proper saeta: it is, in essence, a religiously inspired solo piece, sung by a spectator who feels so moved by the emotion of the procession that they put their feelings into song. The origins of the saeta are unclear, but they’re thought to have derived from a fusion of Islamic calls to prayer and Jewish psalmodies with old Franciscan processional hymns. In Andalusia, the region most commonly associated with the practice, they have a strong connection to flamenco, which becomes immediately obvious when you hear the wailing style of the singer and their wild gesturing toward the paso, which must by tradition come to an immediate halt when a saeta begins.

I’ve seen saetas before, albeit slightly less impressive – the kind where somebody stands in front of the church and reads from a score. Not this one. This came from the heart and soul of a man in his sixties, who was leaning half off his balcony and crying out to both El Cristo and La Virgen with every ounce of duende that his spirit could muster. It was really something to behold, and it had the whole street in silent rapture – which, with hundreds of people lining both sides of the street below, only made it all the more impressive.

There’s something about the music of Semana Santa that is fundamentally powerful. It could be the wailing solos played on the keyed trumpets with that quality of vibrato that is so ineffably Hispanic, often associated with bullfights and Mexican standoffs. It could be the way that the drumbeats make your very heart tremble within you as they reverberate off the walls of the narrow streets, or the way that one of the drumrolls is always delayed, producing an effect that is almost hypnotic. But I think a lot of it comes down to the fact that the music is modal – that is, a music form phased out by the Protestant Church as it was felt to be “too ornate” for worship.

You can say what you like about the quality of modern Christian worship music, but as far as I’m concerned, the moment that this kind of music was deemed “too distracting” was the moment that the decay set in. In the opinion of this author, there’s nothing that Hillsong and its ilk could ever do to even come close. Semana Santa is an endless replay of the last week of Jesus’ life, with all of the grief and pain and none of the vapid Jesus-we-love-you-ness that marks a lot of modern Christian music. That’s one of the reasons I have a thing for Gospel music, too: while it also indulges in giddying joy, it draws on the shared pain of its creators to delve into the dark heart of suffering in ways that Hillsong just can’t. There are three hundred and sixty days in the year to celebrate the joy of Jesus’ resurrection, but Semana Santa focuses the lens on the five days where he suffered most terribly. It’s a memento mori, a reminder of the relatable human mantle that Jesus took to suffer and die for the sins of mankind, and of the grief of a mother over the death of her son. Christ the Lord is Risen Today seems almost farcical by comparison (especially if you’ve seen the infamous John Daker video, which I have far too many times). By making worship music more accessible by simplifying its structure, they ripped out its soul.

Spain is a country that has experienced a tremendous amount of religious rage and repression, arguably more than any other in Europe if you factor in the tumultuous conquest and reconquest by Christian and Muslim overlords and the religious persecution that followed over a period of seven hundred years. So the suffering evoked by their saetas and processional marches is very, very real. In some parts of the country, the music isn’t enough: there’s a town in Extremadura where the penitentes bind themselves to crosses in a simulation of the crucifixion and do some of the procession on their knees, while the most devout Spaniards will even follow the processions with crowns of thorns of their own, or whip themselves as they march down the street. The suffering becomes as much a performance as the music itself. Church attendance may be on the wane here just as much as it is everywhere else, but in Semana Santa, you’d be forgiven for thinking that the official statistics were wrong.

La Virgen de la Esperanza and her bearers returned home shortly after seven o’clock in the morning, almost an hour before sunrise and just before I walked past on my way to the train for the airport, after a nine hour march through the city. In a few days it will all be over, and the city will return to normality until the whole process starts all over again in a year’s time. But I have bottled as much of the magic as I can and am returning to England with my head and my heart ringing with the rattle of snare drums and the wail of trumpets. I have been reminded in no uncertain terms that it is here in Andalusia that it all began, when my parents made that mad decision to move out here for a year, and my future was lashed forever to this wild and passionate corner of a wild and passionate country.

I’ll be back. So help me God, I’ll be back. BB x

Rain On Your Parade

/ Benjamin Barnabas / Leave a comment

Plaza de la Merced, Málaga. 21.13.

Everything always looks better in the light of a new day. It also always feels better after a decent night’s sleep, which – bar a brief episode where the street sweeper went by at 4am this morning and woke everyone up – I most definitely had. With my inner city blues no longer making me want to holler quite like they did the day before, I set out into Málaga in search of somewhere green and quiet.

The street sweepers were still at work as I wandered across the old town, scouring the slabs outside the cathedral. There’s two reasons for this: one, to remove the wax from the dripping candles of the processions, and two, to remove the gum spat out by the thousands of spectators (especially the younger ones – almost every other guy and girl was chewing something last night).

I see a fair amount of gum-chewing as a teacher, but nowhere near as much as I do here. Spanish kids seem to be hooked on the stuff.

Gibralfaro is the antidote to the crowded streets of Málaga. An island of green in the busy seafront city, it allows for a rapid escape from the noise. Stick to the nature trails and you’ll leave even the rest of the foreigners behind. It might seem hard to believe, but there are corners of Gibralfaro where you can sit and imagine what this place was like a hundred years ago, before the coast was swallowed up by the leviathan of modern day tourism.

I came here looking for chameleons, primarily. They’re one of a number of strange African animals that can be found in Spain, alongside the genet, the mongoose, the Barbary macaque and the crested coot – all but the last of them introduced by the Moors, in all likelihood, though there is fossil evidence to indicate that some inhabited the Iberian peninsula in ancient times.

Looking for chameleons was something of a personal quest when I was a boy. They’re notoriously hard to spot, being both small in size and famously good at camouflaging themselves to blend into their surroundings, but that only made it more exciting. My parents took me on at least two abortive attempts along the coast of Cádiz, once to Barbate and once again to some other location whose name escapes me. Even with the knowledge that they have a preference for white broom bushes (perhaps on account of the insects they attract), they always managed to elude me.

It wasn’t until my last few days left in Spain, when my brief but life-changing year in Andalucía came to an end, that I finally struck gold. Hiding within the branches of a broom bush near the cliffs of Barbate, and not much longer than the span of my hand, was a chameleon. I had done it – I could leave Spain in peace.

It was, looking back, the first of the ‘great quests’ that I have set for myself. Finding a chameleon was the fulfilment of a boy’s dream just as finding my Spanish family was the accomplishment of an older, wiser wish.

Most of my ‘great quests’ have centred on Spain. I suspect that they will continue to do so as long as my heart beats in time with the magnetic pulse of this beautiful country.

Well, I didn’t find any chameleons this time. They’re quite numerous in the Axarquía, the verdant sierras that stretch east along the coast from Málaga, but while there are supposedly a few to be found on Gibralfaro, I didn’t see any. Still, it was a fun way to kill some time and step back into the shoes of a younger version of me whose passion for Spain was only just beginning to burn.

I did have a couple of encounters with the mountain’s red squirrels, though. Like most of the mammals that inhabit the Iberian peninsula, their fur is streaked with darker colours to better match the terrain around them. The only obvious shades of red can be seen in their fingers and toes.

The invasive American grey squirrels that have driven our native reds almost to extinction in the United Kingdom are not to be found here in Spain, so the reds are a lot less fearful than they are back home. They do, however, seem to possess the same fiery temperament that is often associated with humans of their colouring, and are quick to sound the alarm when they sense a threat.

One species that has invaded Spain in the last century – almost as obviously as the tourists – is the monk parakeet. This South American species fulfils the same niche as the Asian ring-necked parakeet in the south of England, albeit with a much wider range: monk parakeets can be found in larger cities from Barcelona and Valencia all the way along the Mediterranean coast to Málaga and Cádiz, and even as far inland as Madrid.

They’re impossible to miss by even the briefest visitor to Spain’s cities, not least of all on account of the racket they make as they fly around the parks and gardens in search of fallen fruit, dried or otherwise. They made such an impact on the Spanish cityscape that the Japanese developers of the most recent Pokémon games, Scarlet and Violet, modelled an aggressive parrot-like Pokémon on them: Squawkabilly, whose appearance (and Pokédex description, for that matter) matches them exactly.

It was supposed to rain today, but it didn’t come down until late. Rain isn’t unheard of in Semana Santa. In fact it’s quite common, common enough for every hermandad to have a backup plan. And several backup plans were required this afternoon, as the heavens opened to a brief but torrential downpour.

I stayed inside for the worst of it, following the rescue attempts live on TV, and then set out to find a space in the brief respite provided by the rains – and, morbidly, perhaps, to see what damage had been done.

There’s usually the odd outpouring of grief from the spectators during the processions, sometimes in the form of a beautiful and spontaneous saeta (the traditional songs sung to the pasos, which requires the procession to come to an immediate halt), but there were a lot more tear-stained faces than usual. For some Catholics in Spain, this is the high point of the Christian calendar: publicly demonstrating their faith summa cum laude with their friends and family in the hermandad. When the conditions are just too poor, some pasos will be rained off entirely.

I counted at least five nazarenas in floods of tears being consoled by their families after dressing their best, only to be soaked to the skin and unable to continue their procession.

I’ve often wondered if the reason the Andalusians take Semana Santa to heart so much more than the other regions of Spain is that they once had far more to prove: being the region of Spain held longest by the Muslims, theirs was the shakiest of Christian bloodlines, and thus it must have behoved them to make twice as much of a show of being good Christians than their co-religionists in the north. It would go some way to explaining the unrestrained force of duende in the hearts of many an Andaluz costalero.

It’s just a theory, but I think it might have some grounding in truth.

Despite the threat in the clouds, the rain never returned. Jesus and Mary were taken out of the protective plastic coverings that had been hastily applied, the ornate candle-holders were emptied of all the water they had accumulated and those processions that had already made a start have now jumped the gun to make good for lost time. They will go on late into the morning, with the latest finishing around half past four. The crowds will be with them all throughout the night, but I need some sleep. Tomorrow brings another grand adventure – the last of this grand tour. I hope my legs are in good shape! BB x

The Captive

/ Benjamin Barnabas / Leave a comment

Plaza de la Merced, Málaga. 21.30.

I’ve arrived at the final destination of my journey: Málaga, ancient port city of the Phoenicians, Carthaginians and Moors and holiday hotspot of choice for thousands of guiris. It’s an odd place for a self-professed country boy like me to end the trip, but there’s a method to my madness: Spain’s foreign legion comes to town to accompany the Semana Santa processions on Thursday, which is a mighty spectacle, and what better a place to wind up my unofficial investigation into Spain’s mass tourism blight than in than the place where it all began, decades ago?

Doñana feels a long way from here. It’s quite easy to walk down a street in Málaga and hear no Spanish whatsoever. I set a timer and managed to clock a maximum of seventeen minutes before I heard a sentence in Spanish on my way to my accommodation: of the foreign languages in town, German was by far the most common, followed closely by Dutch and English.

The simple explanation might well have been that the locals had better things to do this afternoon than mosey about the high street: Holy Week begins in earnest today, and those Spaniards I did see were dressed in their Sunday best, or carrying musical instruments, white peaked caps or wire cones for the hoods of their capirotes.

Málaga, together with Sevilla and Jaén, draws in the largest number of spectators for its Holy Week processions: last year, the additional income from Semana Santa alone was an eye-watering 393 million euros in the space of a week. As it stands, around 80% of the city’s accommodation options are at full capacity. Some of that is down to the fact that Holy Week coincides with the school holidays in the UK, but a great many of those tourists will be Spaniards, for whom the processions are far more than just a spectacle.

For the average tourist (or even the irreligious Spaniard), Semana Santa can be something of a headache, both literally and logistically. The passage of the nazarenos and their enormous floats, numbering as many as six hundred penitents, can prove an unorthodox and lengthy roadblock, with the longest processions taking more than thirteen hours to conclude. You have to admire the zeal of the nazarenos for such a stakeout, especially those who do the whole thing blindfolded, barefoot or dragging chains, but it does have the effect of turning the streets of the old town into a live action render of the Snake game on the old Nokia phones: time it wrong and you can end up trapped between the undulating tail of two processions at once.

I couldn’t get anywhere near the Gitanos, one of the city’s most spectacular processions, as the crowd was five or six lines deep against the barriers, so I sought out the Estudiantes gathering outside the cathedral instead. Dressed in red and green, indicating their affiliation with Christ or the Virgin Mary respectively, the Estudiantes are the youngest of Málaga’s brotherhoods, drawing on the city’s youth for its members.

That much was plain from the behaviour of the nazarenos, who seemed a little less austere than I’m used to, popping up their hoods to drink from plastic bottles and waving at family members in the crowd. Perhaps it detracted from the magic, but then, my previous experience of Semana Santa is largely a small-town affair, where the sacred traditions of uniform anonymity are usually taken very seriously indeed. I’ve seen nazarenos scolded by their leaders for so much as looking into the crowd.

Málaga is notorious throughout Spanish history for its rebelliously liberal nature, so perhaps it’s unsurprising that their take on the Holy Week processions is a little more familiar.

If I had a euro for every time I’ve had to explain away the comparison between the nazarenos and the villainous Ku Klux Klan – to students and Americans – I could probably afford another couple of nights of this holiday. The comparison seems far more obvious when the colour of their costume is white, of course – and I’ve seen unprepared American tourists jump out of their skin at the sight of the procession.

The simple answer is that Klan, among their myriad other crimes, purloined the outfit from here. The actual origins of the capirote are arguably darker still: they were originally known as sambenitos and were worn by the victims of the Spanish Inquisition, or rather, those victims granted the “mercy” of a quick death by strangulation for recanting their heretical ways and accepting Jesus. Those who didn’t were burned alive.

The different colours of the hermandades or brotherhoods may have originated in the designs on the sambenitos of the accused, indicating the crime they had committed or the fate for which they were destined. It’s believed that the Spanish started to make a connection between anonymity, penitence and overt professions of faith, and adopted the sambenito for use by those seeking to make penance during Holy Week as early as the 16th century. Certainly, by the middle of the 17th century, its use had become widespread, developing steadily into the tradition we now see today.

That makes the sambenito somewhere between two and three hundred years older than the robes of the Klan, who only officially adopted the ceremonial white robes under their reorganisation as the Second Klan in 1915.

So hopefully that puts the matter to bed.

I’ve never been troubled by their appearance, having encountered the nazarenos long before I learned about the KKK at school, but the procession isn’t without its issues for me. Something I’ve had to face here is my aversion to crowded spaces. It’s not agoraphobia, but it’s probably not far off.

In many ways, I feel more Spanish than English, but in one I am on the other side of a cultural gulf: I cannot stand the hustle of a crowd for the life of me. Spaniards seem to enjoy the hypersocial element of a giant conglomeration: there’s a thousand possible conversations to be had, a hundred new friends or connections to be made, and always the chance to enjoy something together – be that food, music, a joint or a spectacle. While an Englishman’s home is his castle, the Spaniard’s natural environment is in good company.

Good company is fine, but I have my limits, and it isn’t my idea of fun to be pushed, jostled and elbowed about by a massing crowd for the best part of a couple of hours. Semana Santa has always been a sombre, intimate affair in my previous encounters in Olvera, Villafranca and Villarrobledo. Here in Málaga, it is anything but.

The omnipresence of the police – all of them armoured and heavily armed – is a constant reminder of just how big the crowds are. They flank the processions, pushing the milling crowds back when they step out of line to take a selfie in front of the pasos (an affliction which, though it pains me to say, is very much a Spanish trend). One couple just kept trying, leaning into the paso as it passed so close that the costaleros – already carrying more than five thousand kilos on their shoulders – had to actively sway more to the right so as not to collide with them.

Crowds have a nasty habit of getting to me, as does selfishness, and it all got a bit much. Hemmed in by the processions, however, I had no choice but to either wait it out or duck into a restaurant until the way was clear. I chose the latter option.

I’ll have another shot at the processions tomorrow. I have gone from zero to sixty in the blink of an eye, coming from the total quiet and solitude of Doñana to… this. It will simply take a bit of getting used to, that’s all.

Until then, I have my books. Far too many of them. Thank goodness for extra bags on flights! BB x