legion

Departures Lounge C, Malaga-Costa del Sol Airport. 9.18am.

My adventure is drawing to a close. In a matter of hours I will be back in the familiar settings of my flat. Sometimes, at the end of a holiday, I’d be feeling glum at this point. There’s a bit of that right now – I’m never overly happy to leave this country behind. But it’s been such an incredible three weeks that I have no regrets whatsoever, so I’m going back home with a full heart and a nauseatingly broad smile. Not even the British weather waiting for me when I get home could take that away from me.

I was up early this morning to check in to my last pensión of the trip. Nowhere is open for check-in at 8 o’clock in the morning, but I was suspicious about the link I’d been sent asking for confirmation payment up-front, and wanted to dot the I’s and cross the T’s in person. I was right to be cautious: their Booking.com account had been hacked, asking customers for a down payment that “might not be the same as on the website” – in my case, a fare ten times the amount agreed. Thank God I went in person to sort things out. God helps those who help themselves, or so the saying goes, but I’d like to think that La Virgen del Rocío is still watching out for me.

With my mind at ease, I had my last chocolate con churros of the trip and then set out to see the Legion, who had just disembarked and were on their way to their casa de hermandad west of the river. Once again, I was lucky to find a space to stand, since by the looks of things the entire city had turned out to welcome the troops.

La Legión, also known as the Tercio, is one of the most famous wings of Spain’s military. Though modelled on the French Foreign Legion, a similarly fearsome fighting force, la Legión is not as foreign as its name might imply: Spaniards comprise the vast majority of its troops, with Latin American and citizens of other Spanish-speaking countries making up the rest. This was the unit that Francisco Franco commanded, a mighty and highly professional unit used with devastating effect against the Republican forces during the Civil War. My allegiance should be straightforward – my great-grandparents were Republicans, and my great-grandfather Mateo was a victim of the regime that La Legión helped to put into power – but even I have to admit that I thought them impressive as they paraded through the city, belting their battle hymn, El novio de la muerte, at the top of their lungs.

The past is the past. Hate has to find the hands that it knows, and I’m not one for grudges. I’m also a Catholic who bloody loves a good spectacle, and the Legión certainly provides.

In one last stroke of luck, when I came back to the pensión to check in, the receptionist asked if I would rather “dormir o ver la procesión”: somebody had cancelled just minutes before I arrived, and a balcony room had suddenly become available. As a good friend once said, “you can sleep when you’re dead” – so I snapped up the balcony room. My pensión of choice looked out over Calle Especería, which just so happened to be the primary conduit for all but one of the eight pasos making their way through the city. Not only would I be able to watch the processions from the comfort of my room, I would be able to do so without having to deal with the inevitable crowds, now at their greatest in number as Semana Santa reached its summit. I really couldn’t have been dealt a better card.

The first paso arrived shortly after half past five, at which point the street below became impassable. It’s just as well I had supplies, because one procession followed another – it would be past one o’clock in the morning before the last procession had come and gone, and the spectators walling the street with it.

From my vantage point on the second floor, I could see a lot of things I hadn’t noticed before. Like the old-fashioned jugs each paso carried with it, appearing suddenly from beneath the tronos every time the procession came to a halt to provide relief to the weary costaleros. As the night went on, the train on the dresses of the Virgin Mary got longer and longer, and many of the costaleros were entirely reliant on the sound of the llamador (the bell at the front of the trono) and the voice of the capataz (the man in charge of guiding the costaleros) to know when to stop and when to go.

The Legión arrived a great deal sooner than I expected. I’d just popped back inside for a drink when I heard the first verse of El novio de la muerte (literally, The Groom of Death) and had to double back. I must have only seen one of the four tercios (divisions) of the Legión this morning, because they seemed to have quadrupled in number. Led by their officers, the nazarenos of their brotherhood and a number of standard-bearers carrying golden flagpoles, it had all the trappings of a Roman triumph. I guess that’s part of the look they were going for. Either way, it was quite something to watch from on high – especially the way their marching steps fanned out in a perfectly synchronised wave from the left.

I experienced my first genuine saeta shortly before midnight. There is little that can compare to a proper saeta: it is, in essence, a religiously inspired solo piece, sung by a spectator who feels so moved by the emotion of the procession that they put their feelings into song. The origins of the saeta are unclear, but they’re thought to have derived from a fusion of Islamic calls to prayer and Jewish psalmodies with old Franciscan processional hymns. In Andalusia, the region most commonly associated with the practice, they have a strong connection to flamenco, which becomes immediately obvious when you hear the wailing style of the singer and their wild gesturing toward the paso, which must by tradition come to an immediate halt when a saeta begins.

I’ve seen saetas before, albeit slightly less impressive – the kind where somebody stands in front of the church and reads from a score. Not this one. This came from the heart and soul of a man in his sixties, who was leaning half off his balcony and crying out to both El Cristo and La Virgen with every ounce of duende that his spirit could muster. It was really something to behold, and it had the whole street in silent rapture – which, with hundreds of people lining both sides of the street below, only made it all the more impressive.

There’s something about the music of Semana Santa that is fundamentally powerful. It could be the wailing solos played on the keyed trumpets with that quality of vibrato that is so ineffably Hispanic, often associated with bullfights and Mexican standoffs. It could be the way that the drumbeats make your very heart tremble within you as they reverberate off the walls of the narrow streets, or the way that one of the drumrolls is always delayed, producing an effect that is almost hypnotic. But I think a lot of it comes down to the fact that the music is modal – that is, a music form phased out by the Protestant Church as it was felt to be “too ornate” for worship.

You can say what you like about the quality of modern Christian worship music, but as far as I’m concerned, the moment that this kind of music was deemed “too distracting” was the moment that the decay set in. In the opinion of this author, there’s nothing that Hillsong and its ilk could ever do to even come close. Semana Santa is an endless replay of the last week of Jesus’ life, with all of the grief and pain and none of the vapid Jesus-we-love-you-ness that marks a lot of modern Christian music. That’s one of the reasons I have a thing for Gospel music, too: while it also indulges in giddying joy, it draws on the shared pain of its creators to delve into the dark heart of suffering in ways that Hillsong just can’t. There are three hundred and sixty days in the year to celebrate the joy of Jesus’ resurrection, but Semana Santa focuses the lens on the five days where he suffered most terribly. It’s a memento mori, a reminder of the relatable human mantle that Jesus took to suffer and die for the sins of mankind, and of the grief of a mother over the death of her son. Christ the Lord is Risen Today seems almost farcical by comparison (especially if you’ve seen the infamous John Daker video, which I have far too many times). By making worship music more accessible by simplifying its structure, they ripped out its soul.

Spain is a country that has experienced a tremendous amount of religious rage and repression, arguably more than any other in Europe if you factor in the tumultuous conquest and reconquest by Christian and Muslim overlords and the religious persecution that followed over a period of seven hundred years. So the suffering evoked by their saetas and processional marches is very, very real. In some parts of the country, the music isn’t enough: there’s a town in Extremadura where the penitentes bind themselves to crosses in a simulation of the crucifixion and do some of the procession on their knees, while the most devout Spaniards will even follow the processions with crowns of thorns of their own, or whip themselves as they march down the street. The suffering becomes as much a performance as the music itself. Church attendance may be on the wane here just as much as it is everywhere else, but in Semana Santa, you’d be forgiven for thinking that the official statistics were wrong.

La Virgen de la Esperanza and her bearers returned home shortly after seven o’clock in the morning, almost an hour before sunrise and just before I walked past on my way to the train for the airport, after a nine hour march through the city. In a few days it will all be over, and the city will return to normality until the whole process starts all over again in a year’s time. But I have bottled as much of the magic as I can and am returning to England with my head and my heart ringing with the rattle of snare drums and the wail of trumpets. I have been reminded in no uncertain terms that it is here in Andalusia that it all began, when my parents made that mad decision to move out here for a year, and my future was lashed forever to this wild and passionate corner of a wild and passionate country.

I’ll be back. So help me God, I’ll be back. BB x

Calle Especería, Málaga. 16.40.

There’s no two ways about it. I’m a total Semana Santa junkie. If it wasn’t for Semana Santa falling within the school holidays for the first time in years, I probably wouldn’t be here at all. Given the choice, I’d be nowhere else for Holy Week. Spain – and especially Andalusia – simply does Easter like nowhere else in the world. The only reason I haven’t followed a procession all night this time around is on account of being in a swarming city. One day, if God should see fit to grant me that privilege, I should like to take my uncle up on his offer and serve the family’s cofradía as a costalero. That would be the only way to put a seal on my obsession with this phenomenal custom.

I was only half an hour off the bus back from Gibraltar when I was back out on the streets to catch the Wednesday night pasos. I didn’t have to go far: the Brotherhood of Nuestro Padre Jesús “El Rico” y María Santísima del Amor had just left their parish and were looping back around the Plaza de Merced. The rank and file nazarenos were dressed in robes of deepest blue, but some of them wore white cloaks emblazoned with the red badge of the Order of Santiago.

In their train was a group of women in black, wearing the traditional mantilla, a gesture of solidarity with the grief of the Virgin Mary. Known as manolas, they are a relic of a time before women were allowed to participate in the usual Easter celebrations, such as wearing the capirote or carrying the pasos. Until as late as 1987, it was forbidden for women to don the hood, and it wasn’t until some time after that it became common practice for them to do so. These days, wearing the mantilla is something of a badge of honour for young women, knowing that they are keeping an ancient tradition within a tradition alive.

I allowed myself an hour’s respite – mostly to charge my phone – before heading back out into the night to see the processions by candlelight, when they truly come into their own. I was lucky to get a spot at all. Being such a major annual event, many malagueños know to stake out a spot early to get a good seat – quiet literally, in fact, as a number of the principal routes were lined with foldable deckchairs from eight o’clock in the morning!

Málaga’s guiris don’t seem to be huge Semana Santa junkies. By nightfall, they had mostly retreated to their hotels, leaving the streets to the locals. As such, with a couple of exceptions during the night, the dominant language in the street was that wonderfully ebullient andaluz, best spoken a gritos. My mother likes to collect sugar packets from cafés, and Spain has a quaint habit of decorating theirs with quotes. The only one that has always stuck with me is the incredibly Spanish ‘lo que vale la pena decir se dice a gritos’ (whats worth saying is worth shouting), which is probably one of the most Andalusian statements around. And to think I once found their accent impenetrable and annoying…! Heresy. Now it’s nothing short of music to my heart.

Another beautiful tradition of Semana Santa is that of the bola de cera. As the sun goes down, the nazarenos light their long candles – hardly necessary in a city as well-lit as Málaga, but an essential part of the spectacle. They need to be long to last the night, and it’s for this reason that the nazarenos all wear gloves, to stop the hot wax from dripping onto their hands.

In Andalucía, there’s another layer to it. Every time the procession comes to a halt, children run out into the street and ask the nazarenos for the wax from their candles.

They collect it on little sticks with a coin attached to the end – or using last year’s wax balls, if memory serves – and compete to see who can get the biggest ball of wax by the end of the night. It’s an old way of keeping the younger children entertained during the long hours of the processions, which usually go on well past midnight.

Honestly, it’s just incredibly endearing to see how wholesome this little game is. Sure, Spanish kids love their mobile phones just as much as (if not more than) English kids, but you don’t see a lot of English kids collecting wax or playing with spinning tops in the streets. I still have very fond memories of playing dodgeball and pilla-pilla in the streets with my friends when I was growing up out here. There’s just a bit more variety in the games that Spanish kids play. I want that world for my kids, if I should be so lucky to have children of my own someday.

There was a bit more of the behavioural policing tonight that I’m used to seeing in the pueblo: silver-staffed nazarenos striding over to give a ticking off to younger penitents who might have broken rank for a moment to gossip or talk with friends and family in the crowd. I’m always amazed by how quickly the nazarenos are recognised by their peers in the street, but then, if a ewe can tell its own lamb from its call alone, is it is so hard to imagine that a mother can tell their child from their eyes or gait? Perhaps not. We may not have the heightened senses of some of our animal friends but we are mighty indeed.

The one transgression that wasn’t being quite so closely monitored was the clustering of nazarenos around the glow of a screen at every stop – particularly in front of the Irish bar, where a large telescreen was playing the Real Madrid/Arsenal game. One nazarena was accompanied by her boyfriend, her black robes and his hoodie bathed in green light by the game on his phone, while a cluster of six nazarenos stopped to catch up on the replay, courtesy of one of the costaleros.

It was obviously an important game (what do you expect when Real Madrid are playing?) and it ended in a crushing 2:1 defeat for Real Madrid, but thanks to the greater task at hand of the procession, you wouldn’t have noticed. That said, I suspect that a Spanish victory might have been very noticeable: Spaniards don’t celebrate in silence.

To round out the night, a wing of the Spanish Army – specifically its Almogávar paratroopers – paraded by, accompanying their image of the Virgin Mary on her journey through the city. Lots of Spaniards come to town to see the Legion, but the Almogávares were a bloody good warm-up act, performing a number of impressive drills and acrobatics with their weapons as they marched.

Like a lot of military terms – including our own admiral – the word almogávar is Arabic in extraction, deriving from the word al-mughāwir, a light infantry raiding unit used by both the Moors and the Spanish during the Reconquista. Spain owes a lot to its Islamic past, from saffron and stirrups to rice pudding and the police. Slowly, I think the country is starting to appreciate its coloured past a bit more.

I’d better leave it there, or I’ll have bored you stiff with Semana Santa stuff – and I’ve still got one more night’s work to report! So stick around – the best is yet to come! BB x