The Lost City

April 12, 2025 / Benjamin Barnabas / Leave a comment

Cerro del Sol, Granada. 12.56pm.

They call it the Cerro del Sol, but the sun is hidden behind a white haze of cloud. It covers the snowy peaks of the Sierra Nevada so indistinctly that it’s hard to see where the snow stops and the clouds begin.

It’s pretty quiet up here. There’s a general soar of traffic on the road up to the skiing station of Pradollano in the Genil valley below, but beyond that – and the occasional rev and growl of some larger engine – it’s just me, the butterflies and the birdsong up here. Mostly fritillaries, coppers and marbled whites, though I did see a beautiful swallowtail float by a moment ago, before I put my cardigan over my head to shield my eyes from the white glare of the sun. It shines brighter than the garden Star-of-Bethlehem at my feet. Such a beautiful flower – I’m not sure why I never noticed them before.

I’ve come up here to write – and to heal. I didn’t sleep well last night. Some wounds, it seems, take a long time to mend. So I’m up in the quiet of the dehesa, in the hills east of Granada, soaking in the best palliative that nature can offer. Herself.

The occasional buzz of a fly. The twitter of a pair of pallid swifts racing by. The summery buzz of a grasshopper and the chuk-chuk-chukar of a partridge somewhere in the scrub far below.

A couple of Sardinian warblers are engaged in a territorial dispute in the broom bushes below, rattling off their warnings like Gatling guns. And always and everywhere, I can hear the song of blackbirds – an ever-present symbol of Granada.

This is the Dehesa del Generalife. I suspect the Moorish sultan of old must have come hunting here with his retinue in the days of al-Andalus, as these hills are teeming with small game: wood pigeons, partridge and rabbits (I didn’t see the latter, but this is absolutely their kind of terrain). What a sight that must have been: the Moorish sultan and his hawks, looking up at the snowy peaks of the Sierra Nevada and across the Vega of Granada.

It’s far too easy to see why this place bewitched the Romantics and scores of travelers back in the day, before the modern tourist trade sank its teeth into the place. Well, here’s a corner of Granada they haven’t spoiled: quiet, ancient, magical. Sure, it’s an hour’s hike from the Alhambra, but some things are worth the trek.

On my way up here this morning, I paid a visit to the Capilla Real to see the tombs of Fernando and Isabel, the Reyes Católicos. I figured I’d made the voyage to El Escorial to see the other kings and queens of Spain, so I ought to pay my respects to the ones who started it all.

A surly security guard at the door gave me a long, hard look as he waved me in and warned me not to take any photos. I indicated the notebook and pencil in my hands and asked if I could sketch. He didn’t reply. His stoney expression might have been cast in the same marble as the sarcophagus behind him. I guess he didn’t see the joke.

It’s funny how some people get so uppity about tourists taking photos, but nobody ever seems to mind a sketchbook. I’ve stood on street corners for up to an hour sketching and nobody bats an eyelid, but whip your phone out in some places and there’s hell to pay.

I bought a couple books in the gift shop (I needed some reading material and they were relatively cheap, by Spanish standards) and climbed back up the Carretera Empedrada through the Alhambra forest, where I stopped to check in my flight for next week and sort out tomorrow’s bus to El Rocío. An enormous tour group of German pensioners ambled by. There must have been at least sixty of them, perhaps more. They were followed not too far behind by two outings from a Spanish private school – recognisable by the distinctive shade of blue uniform that is so popular with colegios privados out here.

That figure of eight thousand a day I heard yesterday really does seem more believable when you stop for a while and watch the tourist traffic.

A short amount of time in the wilderness was enough, so around midday I dusted myself down, left the swallowtails to their games and headed back the way I came. When I came to the Alhambra, I took the right fork this time, following the Cuesta del Rey Chico down along the Acequía Real. It’s a steep descent (and an even less forgiving ascent) but it follows one of the main water channels right down to the Darro, so you’re accompanied all the way down (or up) by the most beautiful sound of running water. The Alhambra’s watchtowers serve as waymarkers: the Tower of the Captive, the Tower of the Judge, the Tower of the Peaks, and the Tower of Comares, the seat of the Sultan of old. The Sultan and his family may be long gone, but their waterworks are still running as they did then, six hundred years ago.

As I came down the hill, a thought came to me that had come several times now since I arrived in Granada. Who would not defy the world for such a place? Who would not have fought off the very hordes of Hell itself to defend this paradise on Earth? And what greater heartbreak can there be than to be banished forever from a place that was more than just a home, to know in the very depths of your heart that you had lost the keys to Heaven itself?

It’s not hyperbole. I’m merely paraphrasing the laments of the Andalusian poets of old when Granada fell to the Christians in 1492. It puts my own petty broken heart into a much-needed broader context. There was a sense of loss here far greater than anything a single heart can withstand. I have felt the tremors of it before in Sevilla and Córdoba, but nowhere stronger than here, the last bastion of the Muslims in Spain. Such a raw outpouring of emotion leaves a mark. Ghost stories would spring from it in more credulous parts of the world. Here, it is an indistinct melancholy – something in the air that once was, and is lost forever in all but memory.

Writing two hundred years before Granada’s demise, al-Rundi’s lament for the fate of Sevilla captures the grief:

A pretty lady, splendid as sunlight,
Her beauty just like coral and jewels bright,
Dragged off by infidel for rape most vile,
Her heart perplexed, she’s crying all the while.

Abu al Baqa’ Al-Rundi, Ritha al–Andalus

I wonder how the Muslim tourists to the Alhambra feel upon seeing such a place? There do not seem to be as many as I remember.

One week remains. Tomorrow, I make for a place that has always been close to my heart: my Granada, my Jannah, my paradise on Earth. It looks like it will be a rainy weekend. But nothing could put a damper on the thought that I will see that place again, after all this time: El Rocío. BB x

Deep Song

April 11, 2025April 12, 2025 / Benjamin Barnabas / Leave a comment

Pensión Matilde, Granada. 22.58.

Like most days where I crammed far too much into one day, this one is going to be difficult to write about. I’ve had writer’s block for the last few hours just trying to get started. So I’ll try to go over the highlights.

This morning began with a side of churros con chocolate at Café Bar Bib Rambla, an old haunt of my mother’s when she was on her travels around Spain back in 1988. It was just as good as she described it. Churros are definitely a once-a-year treat – I can’t quite justify any more than that – but Spain’s fondness for warm liquid chocolate is definitely something I share. I needed to kill some time (and break down some paper money into loose change) between the wash and dry cycles in the laundromat, so it was good to kick back and relax in a café that has stood the test of time.

After wrestling with the laundromat and coming away with a clean load of washing (yay!), I went back into the city in search of my Alhambra ticket. Along the way, I dropped in on the Cathedral, hoping to see Fernando and Isabel – and completely forgetting that they’re not interred within Granada’s cathedral at all, but in the Capilla Real next door. There’s a separate entry fee of 7€ for each, coming to 14€ if you want to do both. Of course, if you have the Alhambra card (which I also completely forgot I had bought) then both are covered. So I felt a little bit gulled.

Granada’s cathedral is… well, I’ve heard it said that it’s one of Spain’s most beautiful, but I’m not convinced. So many of them look the same, and while it may have its merits, it suffers from the same problem as the Cathedral of Córdoba: it’s sitting in the shadow of something truly unique and far superior in style. Santiago de Compostela boasts a spectacular cathedral, as do Salamanca, Barcelona and León, but Granada… I won’t get on my high horse about it, as my feelings are rather strong.

I popped into the Palacio de los Olvidados, mainly to check out an exhibition on the Inquisition (a long-term interest of mine) but also to investigate their collection of colourful art prints of Federico García Lorca, Spain’s greatest poet. I don’t know his works nearly as well as I should, so I’ve bought a couple for my classroom to inspire me – and the kids, of course. There’s a good possibility that he and my great-grandfather knew each other, as both belonged to poetic circles in the same part of the country and espoused left-wing ideals at the beginning of the 20th century – before the regime got to them both.

That alone should give me cause to dig a little deeper, but it’s the revelation that he was a musician – this has come far too late for a self-professed Hispanophile like me – that has really stuck with me. I must read his Poeta en Nueva York when I get home.

By the time I got up to the Alhambra, the brilliant blue skies of the morning had been concealed behind a glaring white haze. Thank goodness I got my winning Alhambra photos years ago, or I’d have been really quite miffed. No, this time, I relied upon my sketchbook. I spent almost half an hour in the Mexuar, the modern entryway to the Nasrid palace complex, sketching the stucco archway overhead.

A neat trick to carrying a sketchbook is that you can listen in on guided tours without looking like you’re obviously listening in. Another neat trick I have up my sleeve is that language is no barrier: in the half-hour that I spent in that spot (and another half-hour by the reflecting pool) I got the drop on an Italian tour, two Spanish tours, a French school group and their guide and a couple of English tours. I didn’t catch a word of the Polish tour, but six out of seven isn’t bad.

Did you know that the Alhambra receives – on average – around eight thousand visitors per day? That makes it not just one of Spain’s most popular tourist attractions, but an incredibly difficult job for the palace’s restoration team. Given proper care, floor tiles can last up to a hundred years until they need replacing. But let’s face it, your average tiled kitchen floor isn’t being manned by eight thousand new cooks every single day of the year.

In times gone by, men like Washington Irving had to step in to stop tourists from chipping tiles and plasterwork off the walls to take home. These days, it’s all the security guards can do to stop the school groups and Korean selfie seekers from leaning against the pillars and posing against the walls, rubbing away pieces of the past with every vanity shot.

Seriously – the number of peace-sign poses that some of the tourists were throwing… You’d think they were wandering around a Comic Con event rather than a medieval Islamic treasure.

Once, this place was even brighter. The faded beige stucco on the walls would have been covered in a rainbow array of colours, some of which can still be seen in the cracks in you look close enough. The lavish gold leaf and furnishings are, of course, long since gone, stolen by treasure hunters from the time of the Sultanate right up until the late 1800s. There were once carpets and drapes all over the place, too, but these were removed by the conquering Spanish as a fire hazard in an early concern for health and safety. I remember reading somewhere that they also had the floor lowered as the windows were too close to ground level, but don’t quote me on that. The Alhambra has been restored and modified so many times since its construction that it’s probably a far cry from what it originally looked like: a ship of Theseus or Washington’s axe, depending on which take on that metaphor you prefer.

I’ll tell you what was jolly nice, and that was seeing the Court of Lions. It was under heavy scaffolding when I last came here in 2011, so it was the only first-time experience I had on the tour. This enigmatic feature of the Alhambra really stands out, especially as depicting the physical form is usually proscribed in Islam. The fountain and its accompanying lions have long been a symbol of the Alhambra, though they were a late addition to the complex. It’s thought that they weren’t Islamic in origin at all but rather Jewish, as the fountain is believed to have come from the house of the Jewish poet Yusuf ibn Nagrela. The logic checks out: there are twelve lions in all, one for each of the tribes of Israel, and two bear the triangular insignia of the tribes of Judah and Levi on their heads.

It is, at least, an interesting theory.

My visit was cut short by the fact that I’d booked myself in for a tablao flamenco at the Palacio de Olvidados – yes, I caved in. And I am so very glad I did. I was worried that I’d find a lot of half-baked flamenco in town, but this was nothing short of spectacular.

There’s a depth to flamenco that just isn’t there in a lot of other folk music forms from around Europe: a heart-rending, wailing passion that can only be truly understood by the descendants of a people cast out and rejected everywhere they went. This is the soul of the gypsy on full display: naked, passionate and rebellious.

You could argue that the same case means white people can’t sing gospel music. I’d listen. Goodness knows I’ve had to table that argument before. But just because you don’t belong to a culture that produces a certain kind of music, that doesn’t mean it can’t move you.

I’ve no gypsy blood at all – as far as I know !but Flamenco moves me. It had always moved me. For whatever reason, Flamenco shoots straight to my heart and draws tears from my eyes. There’s a rawness to it, a gutsy, authenticity to its passion that is hard to find elsewhere. The voices of the singers tremble and fragment like a scream or a wail, and sometimes that’s exactly the point.

Don’t forget: the gypsies weren’t just ostracised, they were actively hunted as subhumans for years. Spain’s gitanos were the subject of hatred, scorn and outright violence since they arrived in the peninsula shortly before the fall of Granada. Being beyond the law, as it were, they were frequently targeted for enslavement, either in the mines or as galley slaves, which was essentially a death sentence in all but name.

In 1749, King Fernando VI organised the Gran Redada – the Great Gypsy Round-Up – with the express purpose of wiping out the country’s gypsies once and for all. Though not a genocide in the strictly modern sense, as the plan was to imprison rather than execute, the Redada’s stated aims of separating the male and female Roma and thus preventing them from “bringing about another generation” amount to the same thing.

And that’s just Spain. Holland and some German territories held heidenjachten (literally “human hunts”) until at least the 18th century, showing just how far the dehumanisation of the European gypsy could stretch.

Small wonder, then, that there is so much pain and anguish in the voice of the gitano. There’s centuries of agony to draw on.

Not to be dismissed is their footwork. Flamenco is as much a dance as it is a music form, and perhaps more so. There is no stately rhythm to follow, no pattern to predict: flamenco flows like water, where every drop runs its own course to the finish. Here, the dancers seem to lead the musicians. The eyes of the singers and the guitarist were on the dancers’ feet at all times, anticipating their every move.

I was enthralled. I adore flamenco. I love its maddening rhythms, its utter freedom, its unpredictability. Perhaps that’s the naturalist in me: it’s nature in musical form. I wouldn’t be the first to compare flamenco to a wild bird or beast and I won’t be the last.

Right – that’s quite enough for one day. Time to go and explore some book shops before they close. BB x

Memory Lane

April 10, 2025 / Benjamin Barnabas / Leave a comment

AVLO Carriage 4, Loja. 17.40

Andalucía hurtles by a in a blur of olive green and marbled brown. I’ve never seen it so green: all that rain Spain must have had last month has completely transformed the place, turning the golden fields of my memory into a paradise on earth. I could hardly ask for a better welcome home to the land of my childhood.

Landmarks sail past the windows like ships with friendly colours. There’s the jagged spires of El Torcal, high above Antequera, the first place that genuinely inspired me to write a book set in Spain. There’s the Peña de los Enamorados, a lonely bluff rising out of the fields where, legends tell, a Christian knight and a Moorish princess hurled themselves to their deaths rather than live divided by their warring faiths. There’s the limestone massif of Loja, crowned with wind turbines, their blades motionless in the afternoon air. And there’s the reason why they’re stood so still, standing in awe: the Sierra Nevada, dwarfing all the other sierras for miles around, covered in a vast blanket of snow. If the sunset is good, I will try to snag a spot at the Mirador de San Nicolas at just the right moment tonight, when the setting set sets the snowy peaks of the Sierra ablaze behind one of the most beautiful buildings in the world: the Alhambra de Granada.

Mirador de San Nicolás, Granada. 21.01.

How should I describe it – coming home? I never lived in Granada itself, but between coming here at least three times before and a year living over the sierras to the west, this place feels… so familiar, compared to the other places I’ve been on this trip, anyway. The accent, the noise, the simple fact that the music playing over car radios as they pass is flamenco and not reggaeton… This is the Spain that captured my heart many years ago, when I was just a boy.

Things have changed since then, but not by much. There’s a lot of anti-tourist graffiti around, but then, perhaps I’m actively looking for it now. Here, in one of the most popular tourist destinations in Spain, that anger is directed at the American corporate AirBnB, an alternative accommodation method for the experience-minded traveler, which is currently being relentlessly advertised on TV with the tagline “don’t end up surrounded by a hotel”.

That’s all well and good, but much of Spain relies on the tourist industry to survive. In 2023, tourism accounted for an astonishing 12.3% of the country’s GDP, making it one of the most tourism-oriented countries in the world – and the numbers have only increased since then. Much of Granada, including Sacromonte – the formerly rundown gypsy neighbourhood beyond the city walls – has been given a makeover in the last twenty years to draw in as many tourist dollars as possible, and in its wake, a lot of the former pensiones – Spain’s traditional accommodation option, consisting of spare rooms rented out to travelers – have been replaced by glitzy “experience-oriented” AirBnBs. It’s an economy for the young and enterprising – or the international – and much of Spain simply can’t keep up. Adapt or die. And when the old ways are sacrificed on the altar of progress, some of the identity that made that place so special is lost. Eventually, even the tourists will realise this and stop coming, leaving these areas high and dry.

That’s why the phrase “AirBnB mata el barrio” (AirBnB kills the neighbourhood) is scrawled all over the place.

Fortunately, the magic of Granada continues to shine through the crisis. There might be a lot more of the American drawl on the street than there used to be, but it’s shouted down by the happy hubbub of the locals. Wandering along the Darro toward Sacromonte, I came upon a noisy group of youths on its banks, enjoying a picnic in the shadow of the Alhambra as their kind has done for centuries.

They weren’t too happy about a tourist family flying a drone nearby and threw a couple of colourful insults of the verbal and non-verbal kind at the buzzing menace as it passed overhead.

Sacromonte has hurled itself at the tourist trade as never before. Every other house seems to have decked itself out as a “tablao flamenco” where you can catch a live Flamenco show. Marketed as the “home of flamenco” – a title more appropriately applied to Sevilla’s Triana district, though the zambra certainly comes from here – Sacromonte was Granada’s former gypsy quarter, whose inhabitants lived in cave dwellings beyond the city walls since they were not permitted to live inside the city.

The heat of the summer is one reason they retreated into the rocks, and the zealousness of the Spanish is the other: this “pariah district” served to accommodate the unwanted, the unclean and the un-Christian – which amounted to the same thing for much of Spanish history. It even housed some of the city’s Jewish and Muslim population following the fall of Granada in 1492, as they were gradually driven out of the city by the conquering Christian warlords.

When my mother came here in the 1980s, this was not really a district you’d want to find yourself in after dark. Nowadays, that’s precisely the time the locals want you around, as that’s when the flamenco shows take place. I’m still considering whether to check one out. I’m hoping for something authentic, but I feel that star may have descended a long time ago.

Up above, the Mirador de San Nicolás remains as busy as ever at sunset, with throngs of in-the-know tourists and locals waiting to see the spectacle of the Alhambra and the Sierra Nevada beyond bathed in red light. It was cloudy tonight, so a few of them ambled away disappointed. That at least meant I snagged a spot on the wall to sit and draw the mountains for a while. I didn’t take the camera. No need. I got the “famous” sunset photos years ago, and besides – there’s a fair bit of ugly scaffolding on the Alhambra now that wasn’t there before.

The Mirador de San Nicolás is a funny place. I imagine it’s raved about in all the guidebooks as the secret is most definitely out. There’s still a bunch of musicians here plying their trade as there were ten years ago, asking for “collaborations with the music” on the back of the guitar after every song. They’re not quite as tuneful as I remember. The men had a fair amount of duende but the girls singing along were absolutely tone deaf, which took away from the magic a little.

But not as much as the large number of folks on the wall with their backs to the Alhambra, staring gormlessly at their phones.

I must have been there for at least half an hour, because when I was finished sketching the moon was up, the Alhambra illuminated and the city lights twinkling away in the gloom of the vega below like velvet. I relinquished my spot on the wall and set off for my pensión.

On my way back, I was stopped by the piping call of a scops owl. I haven’t heard one in years, nor seen one even once, for that matter, so I set out to track it down. They’re master ventriloquists, especially in a city of infamously winding streets where their voices seem to come from all directions at once, but I did manage to follow its call to the Placeta Cristo Azucenas, where I spotted the diminutive creature as it took flight as a noisy van hurtled past. Hopefully I’ll see it again before my time here is up.

Well, it’s now 8.23am of the morning after. I’d better head into town, find a laundromat and get some breakfast. I’ve got a lot of things to see and do today – not least of all, the Alhambra herself. BB x

Veils and Cartwheels

March 7, 2016March 8, 2016 / Benjamin Barnabas / 1 Comment

Another weekend, another adventure gone by. My weekend travel budget is capped at 90€ wherever I go, for which I’ve managed Cantabria, Lisbon and now Granada. Not bad from Extremadura. I’d like to say I’m entering economy-mode after this, for the end-of-year adventure’s sake, but that’s unlikely what with Semana Santa around the corner. So let’s just say I’m going to be even more budget-savvy than usual from now on. But that’s hardly going to stop me from going searching for more adventures.

I made a promise to a few friends from Durham to pay a visit whilst they were lodged in the gorgeous Moorish stronghold of Granada. That promise was, however, dependent on the arrival of the first snows in the high peaks of the Sierra Nevada. That little proviso caught me out, as it only began snowing in earnest around Carnaval weekend, by which point most of the Durham crew had long since left Granada for their next destination. Still, a promise is a promise and I’m a man of my word, so off I went. It just so happens that I have a couple of Spanish friends based there anyway, so I wasn’t heading for another solo weekend.

I’m now a total convert to BlaBlaCar; if not for the drastically lower price tag and journey time (16€ for a four-hour ride from Zafra to Granada is pretty fantastic) then for the conversation practice. In a funny, roundabout kind of way, I remember complaining that it was exactly this kind of taxi-practice that bothered me in Jordan. I suppose that was because it felt like the only window of opportunity at the time. Here, it’s just one of many, and I’ve made some really interesting acquaintances through the system. One day, if just for the ease of going wherever I want, I really should learn to drive.

The real boon of BlaBla’ing it to Granada was getting there in time for sunset. It was gone half past six o’clock when we got there and the sky was already a gorgeous yellowy-pink, so I had a bit of a run to the Mirador de San Nicolas to get what I – and the rest of Granada – was after: that unforgettable view of the Alhambra, surely one of the world’s most beautiful buildings, set against the backdrop of the salmon-pink snows of the Sierra Nevada. I’ve never seen the Mirador so busy, and the views explain it all.

To the outsider, the presence of a gypsy troupe breaking into song and the chatter of Arabic in the crowd might seem too good to be true. There’s often flamenco up here, according to my local sources, but the Arabic is new to me – perhaps because this is the first time I’ve been in Granada since I started learning Arabic, and therefore I’m tuned to listen out for it.

Flamenquin

The trouble with working a British Council assistantship on your year abroad is that it royally screws over your second language. Had I more brain than heart, I would have prioritised Arabic over Spanish, being nearly fluent in the latter before I set out anyway. But it’s never that simple with yours truly, and the prospect of spending eight months and more in my grandfather’s country was just too good to turn down. That I could have gone for a similar placement in Chile, in Argentina or Ecuador but didn’t is testament to just how much I adore this country.

As a result, I’m none too confident with my Arabic right now. Oh, it’s probably still all up there, buried deep beneath my Amman angst, but I haven’t really given it much thought since I packed my bags and left Jordan last summer. Seeing the Alhambra reminded me why I chose to study it in the first place. The sad truth of the matter is that it’s not the Middle East that interests me (at least, not the contemporary one), but North Africa. The Moors. Al-Andalus. This is what drove me to study Arabic; so that I might understand this ancient world a little better. That’s why I have so much love for Morocco and why I was in such high dudgeon about being sent to Jordan last year. My heart is here, in this part of the world, and I always follow my heart.

Take one look at that view and tell me I’m a fool for falling in love.

It was quite a fiddly weekend on the outset. The group gathering I’d planned on fell through straight away because one of the girls went to Seville for her best friend’s birthday, after which the others pulled out, leaving me high and dry with my hostel and ride already booked. It only dawned on me then that most of the other Durham students had already left Granada, and when my only remaining card said she’d probably be busy all weekend with a project anyway, I thought I’d have a rather lonely city break on my hands. Because, Granada being Granada, you can’t just stroll up to the Alhambra. It’s usually fully booked at least two months in advance at the weekends and on public holidays, so by the time the girls let me know they weren’t going to be there, it was far too late for a flying visit.

Understandably, I was feeling pretty let down.

Nevertheless, Fate is a most unpredictable woman, and as it turned out she dealt me a very fair hand indeed. The weather was impeccable, and I spent a gorgeous sunny morning with the albayzin – Granada’s labyrinthine Moorish quarter – pretty much to myself. I was mainly in town for inspiration and I found buckets of it. My sketchbook came back at least five or six pages more full than before, so I call that a success.

I must have spent at least two hours just sitting and sketching at Washington Irving’s feet on the garden walk up to the Alhambra, where six or seven costumed students asked me to photograph them beside the Son of the Alhambra. I think there was a treasure hunt or competition of some kind going on. I’m still not entirely sure. Saturday, I’m told, is when all the bachelor nights and hen nights take place, and these usually start in sunlight hours – visible, and often audible, at quite a distance. It could have been one of those… minus the phallic straws, of course.

My luck turned whilst I was people-watching atop the Alcazaba and a message came pinging through, telling me that the one Durham student left in Granada had not gone to Cordoba as planned due to a heavy night on her flatmate’s account and was game for some exploration. Hallelujah for you, Violet! It was getting infuriating sitting by the Alhambra and watching the hundreds pouring in and out in the knowledge that I couldn’t get in if I tried, so it did me a world of good to be called down from the heights and back into town.

There was a loud, booming sound as I wandered back down the path which I put down to construction work, but the closer I got, the more rhythmic it sounded, until it sounded much too upbeat to be a pneumatic drill. The Plaza Nueva was packed and, at the centre, I was met with something I really hadn’t expected to find: a samba band.

Accompanying the band was a veil-dancer, not unlike the one I saw in Caceres back in November, only this one had more of a gypsy’s flair to her style than the lithe Arabic movements of her predecessor.

The veils this dancer wielded streamed off the blades of the twin red fans in her hands. Needless to say it was something beautiful to watch and I was mesmerized, for how long I don’t know. When you see a thing of beauty, you really have to look.

That wasn’t the only attraction in town. Barely five minutes after the samba band had packed their things and left, another street artist took their place.

What looked quite commonplace to begin with quickly turned out to be anything but.

Was it acrobatics? Was it dance? Was it mime? Something of a mixture of all three, I think. The girl turned wheel after wheel about the square, casually stepping out of the hoop every so often to wiggle about for a bit before stepping in for another spin.

Violet’s still new to the place, but she did a fine job showing me about the place nonetheless. All I ask is good conversation and she delivered, and how. She even led us straight into a free-for-all tango, which may or may not have consisted of no staff or professionals whatsoever. It’s so hard to tell in this country, where almost everybody can dance when it comes to the crunch.

It’s really quite something to see the oldies really going for it, and practically flooring the youngsters whilst they’re at it.

If the technique is all in the feet, then the passion is all in the face. Oh, to be able to dance with the passionate restraint of these deities!

We found a decent place to tapear outside the touristic district where I made a beeline for my Achilles’ heel – croquetas – which were of a very high quality, I must say, and further story-swapping, which was of an even higher quality. I could hardly ask for more. Thanks Violet!

Now, somebody up there must have been smiling on me, because Ana, my Olvereñan friend, managed to wrap up her project for the afternoon and turned up to pick me up from lunch. Ana’s a gaditana through and through but she’s been in Granada for some time now, so she knows the place better than I ever could. She took me to a gorgeous café under the Mirador de San Nicolas with a killer view of the Alhambra. They didn’t have Arabic tea, but they did have Pakistani tea, which was a damned good substitute. And what better could I ask for: two fascinating, challenging conversations in two languages with such good company all afternoon! I’m truly spoilt.

There was better to come. This is where knowing a local really comes in handy. Ana found her cousin up at the mirador and after we’d been chatting with them for a while, they left and we got their space on the wall. It’s a fiercely contested wall, for obvious reasons, and Ana and I got all of an hour with that unbeaten view as the sun set and the lights were turned on. The Alhambra looks spectacular at any time of day, but by night the snows on the mountaintop are a deep blue and the castle walls seem to glow golden in the torchlight. It’s overdone, it’s clichéd and some might say it’s even cringe-worthy, but for me, it’s nothing more and nothing less than the most beautiful building in the world.

I’ll finish off the tale in another post tomorrow. Y’all need breathing space, I think. As do I – I’ve a private class in twenty minutes and I can’t be dilly-dallying around! BB x

Fingers Crossed

May 22, 2015May 24, 2015 / Benjamin Barnabas / 1 Comment

Pillars in the Court of Lions, Alhambra, Granada, Spain (2011)

Today is D-Day. Destination Day, that is. In a matter of hours (hopefully) I’ll have a province, one from either Andalucía, Extremadura or Cantabria, three equally stark, inspiring and beautiful regions of the Iberian peninsula. The BC asks you to specify which one you’d prefer and I wasted no time in putting Andalucía right at the top of the list, but I ranked ‘environment’, another of their categories, higher up the list, so it’s still anyone’s guess where I’m headed. In light of that, I’ll see if I can’t lay down my reasons for choosing each one. When I applied for university, I just went straight for Durham – twice – and filled the other four spaces with names I plucked out of the air. Not this time.

Cantabria

I’ve been to Cantabria twice: once on a school trip, and the second as the landing stage of my solo adventure across Spain back in ’13. Spain’s north coast is unquestionably beautiful, in a manner so very far-removed from the magic of the south. The north smacks more of Ireland, only a wilder, more impressive Ireland, where the people speak Spanish. Oh, and there are still a few bears left in the mountains – not that you’d be likely to see them. The jagged spine of the Picos de Europa rivals the Alps in magnificence – especially Picu Urriellu – in sunshine or in rain. Though speaking from experience, Cantabrian rain is not something to be trifled with. When it rains, it doesn’t just pour, it buckets it down in Biblical fashion. One of my most enduring memories of Cantabria is of sitting under the shelter of a covered well wearing several layers of plastic bags, feeling soaked to the skin and utterly miserable. But it was also a warm and friendly place and the food – especially the quesada pasiega but also the region’s black pudding, morcilla – was to-die-for. That and I feel like pulling out early because of the flood warnings has left the area ‘unfinished’ in my books. I’ll be going back someday, for sure.

Extremadura

Extremadura, alongside Galicia, La Rioja and Valencia, is one of the few regions I haven’t yet had the pleasure to visit. Perhaps that’s because it’s so far off the beaten track for most excursions that you’d be better off based somewhere like Andalucía to have a wide range within driving distance. But there’s no two ways about it: Extremadura is a hidden gem. Often overlooked in favour of its southern neighbour, it’s a vast stretch of rolling steppe, craggy river valleys and endless cork oak forests flooded with flowers in the spring. It’s about as rustic as you can get it, if you know where to go. Of course, it’s also about as unforgiving as the plains of La Mancha in high summer, and it has a reputation – Cortes and Pizarro were born here – but if you can look past that, you’ll understand why I’m almost hoping that my gamble with valuing environment over region will have the BC place me here. I’ve criss-crossed most of Andalucía already. Extremadura is still vast, unexplored and full of adventure.

Andalucía

Three people have told me now that if I should apply to Andalucía via the BC, I should be careful not to wind up in Cadiz, because of the miserable weather, the isolation and the impenetrable accent. Trouble is, I can’t help my heart. I grew up in Cadiz. The accent I can vouch for – it’s Bwindi-level impenetrable – but as far as isolation and miserable weather is concerned, that’s not the Andalucía I know and love. Far from it. If you’ll forgive me an almighty head-over-heels moment, Andalucía is and always has been the greatest love of my life. Granada and its Moorish echoes to the east. Cordoba’s flowerpot streets and the magnificence of the Gran Mezquita to the north. The godforsaken terrain of El Torcal and the Sierra de Grazalema to the south. And last but not least, the sweeping marshlands of Doñana to the west. Not to mention the enduring horse culture, flamenco, the vulture-filled blue skies and, of course, the dark-eyed beauty of the people. Andalucía has everything. Honestly, if it weren’t for Andalucía, I might have been braver and gone for a BC post in South America. But the way I see it, turning down a chance to spend another eight months in my old homeland would be one of the greatest mistakes I could make. That’s why Andalucía tops the list.

But we’ll see how things pan out, shall we? I’d better head on down to Elvet Riverside to pick up that last Arabic essay. Slightly dreading the results, since it was another late night work, my third this year, and my first genuine all-nighter. And three is, and always has been, a dangerous number. I’ll get back to you later! BB x