gitano

Pensión Matilde, Granada. 22.58.

Like most days where I crammed far too much into one day, this one is going to be difficult to write about. I’ve had writer’s block for the last few hours just trying to get started. So I’ll try to go over the highlights.

This morning began with a side of churros con chocolate at Café Bar Bib Rambla, an old haunt of my mother’s when she was on her travels around Spain back in 1988. It was just as good as she described it. Churros are definitely a once-a-year treat – I can’t quite justify any more than that – but Spain’s fondness for warm liquid chocolate is definitely something I share. I needed to kill some time (and break down some paper money into loose change) between the wash and dry cycles in the laundromat, so it was good to kick back and relax in a café that has stood the test of time.

After wrestling with the laundromat and coming away with a clean load of washing (yay!), I went back into the city in search of my Alhambra ticket. Along the way, I dropped in on the Cathedral, hoping to see Fernando and Isabel – and completely forgetting that they’re not interred within Granada’s cathedral at all, but in the Capilla Real next door. There’s a separate entry fee of 7€ for each, coming to 14€ if you want to do both. Of course, if you have the Alhambra card (which I also completely forgot I had bought) then both are covered. So I felt a little bit gulled.

Granada’s cathedral is… well, I’ve heard it said that it’s one of Spain’s most beautiful, but I’m not convinced. So many of them look the same, and while it may have its merits, it suffers from the same problem as the Cathedral of Córdoba: it’s sitting in the shadow of something truly unique and far superior in style. Santiago de Compostela boasts a spectacular cathedral, as do Salamanca, Barcelona and León, but Granada… I won’t get on my high horse about it, as my feelings are rather strong.

I popped into the Palacio de los Olvidados, mainly to check out an exhibition on the Inquisition (a long-term interest of mine) but also to investigate their collection of colourful art prints of Federico García Lorca, Spain’s greatest poet. I don’t know his works nearly as well as I should, so I’ve bought a couple for my classroom to inspire me – and the kids, of course. There’s a good possibility that he and my great-grandfather knew each other, as both belonged to poetic circles in the same part of the country and espoused left-wing ideals at the beginning of the 20th century – before the regime got to them both.

That alone should give me cause to dig a little deeper, but it’s the revelation that he was a musician – this has come far too late for a self-professed Hispanophile like me – that has really stuck with me. I must read his Poeta en Nueva York when I get home.

By the time I got up to the Alhambra, the brilliant blue skies of the morning had been concealed behind a glaring white haze. Thank goodness I got my winning Alhambra photos years ago, or I’d have been really quite miffed. No, this time, I relied upon my sketchbook. I spent almost half an hour in the Mexuar, the modern entryway to the Nasrid palace complex, sketching the stucco archway overhead.

A neat trick to carrying a sketchbook is that you can listen in on guided tours without looking like you’re obviously listening in. Another neat trick I have up my sleeve is that language is no barrier: in the half-hour that I spent in that spot (and another half-hour by the reflecting pool) I got the drop on an Italian tour, two Spanish tours, a French school group and their guide and a couple of English tours. I didn’t catch a word of the Polish tour, but six out of seven isn’t bad.

Did you know that the Alhambra receives – on average – around eight thousand visitors per day? That makes it not just one of Spain’s most popular tourist attractions, but an incredibly difficult job for the palace’s restoration team. Given proper care, floor tiles can last up to a hundred years until they need replacing. But let’s face it, your average tiled kitchen floor isn’t being manned by eight thousand new cooks every single day of the year.

In times gone by, men like Washington Irving had to step in to stop tourists from chipping tiles and plasterwork off the walls to take home. These days, it’s all the security guards can do to stop the school groups and Korean selfie seekers from leaning against the pillars and posing against the walls, rubbing away pieces of the past with every vanity shot.

Seriously – the number of peace-sign poses that some of the tourists were throwing… You’d think they were wandering around a Comic Con event rather than a medieval Islamic treasure.

Once, this place was even brighter. The faded beige stucco on the walls would have been covered in a rainbow array of colours, some of which can still be seen in the cracks in you look close enough. The lavish gold leaf and furnishings are, of course, long since gone, stolen by treasure hunters from the time of the Sultanate right up until the late 1800s. There were once carpets and drapes all over the place, too, but these were removed by the conquering Spanish as a fire hazard in an early concern for health and safety. I remember reading somewhere that they also had the floor lowered as the windows were too close to ground level, but don’t quote me on that. The Alhambra has been restored and modified so many times since its construction that it’s probably a far cry from what it originally looked like: a ship of Theseus or Washington’s axe, depending on which take on that metaphor you prefer.

I’ll tell you what was jolly nice, and that was seeing the Court of Lions. It was under heavy scaffolding when I last came here in 2011, so it was the only first-time experience I had on the tour. This enigmatic feature of the Alhambra really stands out, especially as depicting the physical form is usually proscribed in Islam. The fountain and its accompanying lions have long been a symbol of the Alhambra, though they were a late addition to the complex. It’s thought that they weren’t Islamic in origin at all but rather Jewish, as the fountain is believed to have come from the house of the Jewish poet Yusuf ibn Nagrela. The logic checks out: there are twelve lions in all, one for each of the tribes of Israel, and two bear the triangular insignia of the tribes of Judah and Levi on their heads.

It is, at least, an interesting theory.

My visit was cut short by the fact that I’d booked myself in for a tablao flamenco at the Palacio de Olvidados – yes, I caved in. And I am so very glad I did. I was worried that I’d find a lot of half-baked flamenco in town, but this was nothing short of spectacular.

There’s a depth to flamenco that just isn’t there in a lot of other folk music forms from around Europe: a heart-rending, wailing passion that can only be truly understood by the descendants of a people cast out and rejected everywhere they went. This is the soul of the gypsy on full display: naked, passionate and rebellious.

You could argue that the same case means white people can’t sing gospel music. I’d listen. Goodness knows I’ve had to table that argument before. But just because you don’t belong to a culture that produces a certain kind of music, that doesn’t mean it can’t move you.

I’ve no gypsy blood at all – as far as I know !but Flamenco moves me. It had always moved me. For whatever reason, Flamenco shoots straight to my heart and draws tears from my eyes. There’s a rawness to it, a gutsy, authenticity to its passion that is hard to find elsewhere. The voices of the singers tremble and fragment like a scream or a wail, and sometimes that’s exactly the point.

Don’t forget: the gypsies weren’t just ostracised, they were actively hunted as subhumans for years. Spain’s gitanos were the subject of hatred, scorn and outright violence since they arrived in the peninsula shortly before the fall of Granada. Being beyond the law, as it were, they were frequently targeted for enslavement, either in the mines or as galley slaves, which was essentially a death sentence in all but name.

In 1749, King Fernando VI organised the Gran Redada – the Great Gypsy Round-Up – with the express purpose of wiping out the country’s gypsies once and for all. Though not a genocide in the strictly modern sense, as the plan was to imprison rather than execute, the Redada’s stated aims of separating the male and female Roma and thus preventing them from “bringing about another generation” amount to the same thing.

And that’s just Spain. Holland and some German territories held heidenjachten (literally “human hunts”) until at least the 18th century, showing just how far the dehumanisation of the European gypsy could stretch.

Small wonder, then, that there is so much pain and anguish in the voice of the gitano. There’s centuries of agony to draw on.

Not to be dismissed is their footwork. Flamenco is as much a dance as it is a music form, and perhaps more so. There is no stately rhythm to follow, no pattern to predict: flamenco flows like water, where every drop runs its own course to the finish. Here, the dancers seem to lead the musicians. The eyes of the singers and the guitarist were on the dancers’ feet at all times, anticipating their every move.

I was enthralled. I adore flamenco. I love its maddening rhythms, its utter freedom, its unpredictability. Perhaps that’s the naturalist in me: it’s nature in musical form. I wouldn’t be the first to compare flamenco to a wild bird or beast and I won’t be the last.

Right – that’s quite enough for one day. Time to go and explore some book shops before they close. BB x

AVLO Carriage 4, Loja. 17.40

Andalucía hurtles by a in a blur of olive green and marbled brown. I’ve never seen it so green: all that rain Spain must have had last month has completely transformed the place, turning the golden fields of my memory into a paradise on earth. I could hardly ask for a better welcome home to the land of my childhood.

Landmarks sail past the windows like ships with friendly colours. There’s the jagged spires of El Torcal, high above Antequera, the first place that genuinely inspired me to write a book set in Spain. There’s the Peña de los Enamorados, a lonely bluff rising out of the fields where, legends tell, a Christian knight and a Moorish princess hurled themselves to their deaths rather than live divided by their warring faiths. There’s the limestone massif of Loja, crowned with wind turbines, their blades motionless in the afternoon air. And there’s the reason why they’re stood so still, standing in awe: the Sierra Nevada, dwarfing all the other sierras for miles around, covered in a vast blanket of snow. If the sunset is good, I will try to snag a spot at the Mirador de San Nicolas at just the right moment tonight, when the setting set sets the snowy peaks of the Sierra ablaze behind one of the most beautiful buildings in the world: the Alhambra de Granada.

Mirador de San Nicolás, Granada. 21.01.

How should I describe it – coming home? I never lived in Granada itself, but between coming here at least three times before and a year living over the sierras to the west, this place feels… so familiar, compared to the other places I’ve been on this trip, anyway. The accent, the noise, the simple fact that the music playing over car radios as they pass is flamenco and not reggaeton… This is the Spain that captured my heart many years ago, when I was just a boy.

Things have changed since then, but not by much. There’s a lot of anti-tourist graffiti around, but then, perhaps I’m actively looking for it now. Here, in one of the most popular tourist destinations in Spain, that anger is directed at the American corporate AirBnB, an alternative accommodation method for the experience-minded traveler, which is currently being relentlessly advertised on TV with the tagline “don’t end up surrounded by a hotel”.

That’s all well and good, but much of Spain relies on the tourist industry to survive. In 2023, tourism accounted for an astonishing 12.3% of the country’s GDP, making it one of the most tourism-oriented countries in the world – and the numbers have only increased since then. Much of Granada, including Sacromonte – the formerly rundown gypsy neighbourhood beyond the city walls – has been given a makeover in the last twenty years to draw in as many tourist dollars as possible, and in its wake, a lot of the former pensiones – Spain’s traditional accommodation option, consisting of spare rooms rented out to travelers – have been replaced by glitzy “experience-oriented” AirBnBs. It’s an economy for the young and enterprising – or the international – and much of Spain simply can’t keep up. Adapt or die. And when the old ways are sacrificed on the altar of progress, some of the identity that made that place so special is lost. Eventually, even the tourists will realise this and stop coming, leaving these areas high and dry.

That’s why the phrase “AirBnB mata el barrio” (AirBnB kills the neighbourhood) is scrawled all over the place.

Fortunately, the magic of Granada continues to shine through the crisis. There might be a lot more of the American drawl on the street than there used to be, but it’s shouted down by the happy hubbub of the locals. Wandering along the Darro toward Sacromonte, I came upon a noisy group of youths on its banks, enjoying a picnic in the shadow of the Alhambra as their kind has done for centuries.

They weren’t too happy about a tourist family flying a drone nearby and threw a couple of colourful insults of the verbal and non-verbal kind at the buzzing menace as it passed overhead.

Sacromonte has hurled itself at the tourist trade as never before. Every other house seems to have decked itself out as a “tablao flamenco” where you can catch a live Flamenco show. Marketed as the “home of flamenco” – a title more appropriately applied to Sevilla’s Triana district, though the zambra certainly comes from here – Sacromonte was Granada’s former gypsy quarter, whose inhabitants lived in cave dwellings beyond the city walls since they were not permitted to live inside the city.

The heat of the summer is one reason they retreated into the rocks, and the zealousness of the Spanish is the other: this “pariah district” served to accommodate the unwanted, the unclean and the un-Christian – which amounted to the same thing for much of Spanish history. It even housed some of the city’s Jewish and Muslim population following the fall of Granada in 1492, as they were gradually driven out of the city by the conquering Christian warlords.

When my mother came here in the 1980s, this was not really a district you’d want to find yourself in after dark. Nowadays, that’s precisely the time the locals want you around, as that’s when the flamenco shows take place. I’m still considering whether to check one out. I’m hoping for something authentic, but I feel that star may have descended a long time ago.

Up above, the Mirador de San Nicolás remains as busy as ever at sunset, with throngs of in-the-know tourists and locals waiting to see the spectacle of the Alhambra and the Sierra Nevada beyond bathed in red light. It was cloudy tonight, so a few of them ambled away disappointed. That at least meant I snagged a spot on the wall to sit and draw the mountains for a while. I didn’t take the camera. No need. I got the “famous” sunset photos years ago, and besides – there’s a fair bit of ugly scaffolding on the Alhambra now that wasn’t there before.

The Mirador de San Nicolás is a funny place. I imagine it’s raved about in all the guidebooks as the secret is most definitely out. There’s still a bunch of musicians here plying their trade as there were ten years ago, asking for “collaborations with the music” on the back of the guitar after every song. They’re not quite as tuneful as I remember. The men had a fair amount of duende but the girls singing along were absolutely tone deaf, which took away from the magic a little.

But not as much as the large number of folks on the wall with their backs to the Alhambra, staring gormlessly at their phones.

I must have been there for at least half an hour, because when I was finished sketching the moon was up, the Alhambra illuminated and the city lights twinkling away in the gloom of the vega below like velvet. I relinquished my spot on the wall and set off for my pensión.

On my way back, I was stopped by the piping call of a scops owl. I haven’t heard one in years, nor seen one even once, for that matter, so I set out to track it down. They’re master ventriloquists, especially in a city of infamously winding streets where their voices seem to come from all directions at once, but I did manage to follow its call to the Placeta Cristo Azucenas, where I spotted the diminutive creature as it took flight as a noisy van hurtled past. Hopefully I’ll see it again before my time here is up.

Well, it’s now 8.23am of the morning after. I’d better head into town, find a laundromat and get some breakfast. I’ve got a lot of things to see and do today – not least of all, the Alhambra herself. BB x