Pilgrim

That’s the first time I’ve ever walked twenty kilometres to get home after a night out. Suffice to say, I also sincerely hope it’s the last. Talk about a walk of shame…

Why did I do it? Because I could? Very possibly. I think it was more the thought of sitting shivering in the dark until the nine thirty bus that made me decide to walk the distance. It certainly wasn’t stinginess on my part; the Almendralejo bus fare is a paltry 1,31€. Perhaps I thought I could beat the earliest bus back to Villafranca on foot. That’s vaguely logical… in a very roundabout-Ben-way-of-thinking. But then, it was five forty-five in the morning. I don’t think I had any real sense of what I was doing. I just remember saying to myself “Alright, let’s do this” before marching off into the darkness like a low-budget Leeroy Jenkins.

As the crow flies, it’s just under twenty kilometres from Almendralejo to Villafranca. I had to take a detour to cross the motorway, so I reckon I clocked just over that. At night the distance looks deceptively close; the twinkling orange lights of the polígono merge with those of the hospital in the middle of the two towns, presumably so situated for industrial accidents in the field. Most of it is traced by the Via de la Plata, the pilgrim road to Santiago from Seville, so it wasn’t exactly a challenging hike. It’s also probably the first time I’ve been sincerely grateful for the vast, empty flat of the Tierra de Barros: navigation is as easy as pie when the nearest hills are a good forty kilometres behind your destination. 

The whole walking-at-night bit didn’t bother me in the slightest. I’d put that down to a six a.m. lack of awareness too, but then, it never has. Of all the things that frighten and frighten horribly in this world, I’ve never been afraid of the night. I learned a long time ago to consider night as just another shade of the day. It’s the same world, only somebody turned off the lights. No deep-seated fears of a shadowy assault or mugging either: I do believe that even the dullest criminal mind would have more sense than to be lying in wait in the countryside in the small hours. The countryside is safety. It always has been, in my eyes. In fact the only mildly unsettling thing in the whole walk was the occasional startled growls of the caged dogs in the farmsteads that dotted the early stages of the route. Alsatians, most of them. It’s a popular breed here. I remember saying to myself “Why can’t you people just keep cats?” and not for the first time. 

Besides the dogs, the soundscape of the early morning Tierra de Barros was really quite magical: roosters crowing, ravens croaking, the tinkle of a pipit overhead and, from somewhere far across the plains, the lonely cry of a stone-curlew. All of this as the sun rose dim and yellow into the clouds on the horizon. My feet might be punishing me two days later, but I don’t regret that walk for an instant. I just don’t think I’ll be repeating it all that soon. It’s a bit like that Spain north-to-south adventure of mine a few years back: it was there, it had to be done, and I did it. Now I can move on.

I don’t think I even stopped for one second to consider what I’d do if it started to rain. The forecast for the weekend was set to bucket it down. I guess I forgot all about that. That I will blame on my fatigue. If it had rained, I’d have been well and truly drenched, and in my best clothes, no less. Why is it that I’m always wearing my best clothes when I set out on these ridiculous adventures? At any rate, it did; a royal thunderstorm hit on the following night, sheet rain, lightning and all the works. Luckily by then I was holed up in my apartment with a cola cao and The Mummy: Tomb of the Dragon Emperor on TV. Someone up there likes me.

I’d like to think that it’s due to foolish misadventures like this that I get to see a side of Spain that most modern travelers simply pass over. You could be forgiven for thinking that Spain, like much of Europe, was fully humanised a long time ago: the sweep of olive plantations and vineyards in the Tierra de Barros certainly gives that impression. But all you have to is close your eyes and listen: the world survives on the fringes. The stone-curlews of these tilled fields and the mournful plovers that ply the once-pristine sands of the raped Costa del Sol hark back to an older Spain, one more ancient than even the oldest of the moorish forts that dot the distant hills. It puts me back in touch with that world to hear them again, just as though I were playing a record from a forgotten world.

It’s not a purely avian nostalgia. As I arrived on the fringes of Villafranca I saw another scene from a bygone age: a muddle of tents positioned about a small campfire where a couple of ragged-looking men stood cooking a light breakfast. Spain’s native gypsies (if such a term is not a misnomer) are a heavily romanticized lot and were mostly squeezed out if their old ways by government programs decades ago, but this new generation of travelers – Romanians, mostly – have taken their place. When I say tents I don’t mean the bright canvas of a modern traveler, nor the UNICEF-stamped donations you might encounter in a war-torn country. These ones might have been cut out of a picture book from the 1930s. Situated on the very fringes of the town, hidden from sight by the town’s waterworks, it’s the very definition of a gypsy encampment. And I thought such echoes had long since faded into history.

You don’t see them in Villafranca proper. The only encounters I’ve had with them so far have all been in Dia supermarket, where they are instantly recognizable by their clothes, by their language and by their complexion; a rich, ochre-brown, marbled like the soil. I’d like to get to know them, to know why they’re here, where they came from and what other stories they might have brought with them, but the townsfolk only have dirt to say on their account. And in my propensity for romanticising the underdog, am I really any better?

Seeing the Romanian encampment made me think of home for some reason, but I was really too tired by then to dwell on it for long. It was purely because I was still moving that I didn’t collapse from fatigue; on the two occasions I paused to get my bearings my head began to spin and I very nearly dozed off. It was only later that night, when sorting through my music collection and The Land Before Time‘s Whispering Winds came on, that my thoughts took me home again. I cried. Profusely. I always do when I hear that one. Damn you, Don Bluth, for producing a film that still brings tears to my eyes some twenty years later. Damn your genius.

Many auxiliares use the holidays to go home to be with their families. Some of my closest friends out here have done just that. It’s a very sensible move, but it’s only when I stumble over such memories that I remember how vulnerable and human I really am. Whispering Winds is on my iPod for exactly that reason; 1608 times around I can put my weaknesses aside and soldier on alone, but there’s that 1609th song that’s there to remind me that neither home nor family is ever truly put aside.

I won’t be seeing home until August. I won’t have time to do so until then, since the third and final leg of my year abroad across the Strait begins almost as soon as I’m done here. Fortunately my parents are coming out to visit me in a couple of weeks, so I don’t have to. I won’t deny that I’m looking forward to having a car at my disposal – being in Europe’s bird capital and relying on public transport is nothing less than tortuous – but more than that, I miss my parents. And there’s absolutely nothing wrong with that. Sometimes I need to remind myself of that. There’s only four of us left; my family is precious to me, no matter what impression my aloofness might give.

A lot of things have happened over the past year. Some good, some not so good. Now that I’ve got the time, I’m retreating for a couple of days to the one place in the whole world that makes me truly happy. It’s a place that has answers… of a sort. My rock, my cradle, my very own Shangri-La. BB x

Necessarily Childish

Would you believe it? There are clouds over Amman today – real, genuine clouds. Yes, I really am getting excited about clouds. So tell me I’m crazy; I already know that. I just miss the sight of a sky that isn’t a brown shade of blue, that’s all.

We’re coming to it now, the end of my stay in Jordan. Just three days of class remain, and then a whole week and more to do whatever before our return flight takes us home – via a day’s sojourn in Kiev, provided the airport authorities allow us to pop out for a visit between flights! (Those twelve hours sure will drag if they don’t…) Way back in May when Kate, Katie, Andrew and I booked our flights, we had no idea we were going to get almost all of our traveling done before the end of term. Well, here we are at the end, and I’ve already seen the abandoned desert castles, seen the sun set over the Promised Land from the bitter waters of the Dead Sea, wandered the Roman ruins of Jerash, swam with triggerfish at Aqaba, trekked Dana, gawped at Petra by day and night and watched a veritable storm of shooting stars over Wadi Rum. Somehow I’ve managed all of that in our weekend breaks, and in retrospect, it’s as well that I did so; had I stuck to my guns in leaving some sights for next year, I’d have missed out for good on sights like Petra and the reefs of the Red Sea. Though Amman itself may have crushed this little country mouse, I can’t recommend Jordan highly enough. That’s always been my stance.

Trees, people! Trees……..!

We took an hour and a half of class today out in the sunshine in the Jordanian University grounds. They’re on vacation at the moment, so the grounds were deserted of students and we had the run of the northern campus. I’ve never felt more focused in all my time out here; just a little dose of sunshine, the warbling trill of a sunbird from one of the cedar trees and the taste of air that hasn’t come from a fickle conditioner… I was speaking more fluently than ever before. I guess that drives home this morning’s debate on students being more attentive if given access to green spaces in school. Now that’s something I can agree with! If only we could visit the university more often… It’s a bummer, living right next to the only green space in Amman, and not being allowed to enter it except on official business.

Class dismissed

To keep the engine going in the last hurdle, I’ve been making liberal use of Youtube. Specifically, two animated films from my childhood: Kenneth Grahame’s The Wind in the Willows (the 1988 Burbank version) and Don Bluth’s The Secret of N.I.M.H., based on the 1971 book Mrs Frisby and the Rats of NIMH by Robert C. O’Brien. If there’s one thing I’m seriously into, it’s obscure cartoons. The ones that fell by the wayside, in a manner of speaking. I guess that has something to do with growing up with Freddie as F.R.0.7., the obscurest of the lot, but there’s something magical about trawling through all of these hidden gems. Jaded as it sounds, they just don’t make films like ’em these days. Dreamworks and Pixar paved the way for a new era of animation with works of genius like the Shrek films and Finding Nemo, but since then, it’s just been one furry animal film after the other, as far as I can tell. I’d say I’m getting too old for such things, but that’s a complete lie; I still get the same kick out of The Lion King that I did when I was a five year-old sitting ten inches from the television in the back room. Preach.

But Don Bluth… oho, now we’re talking. They’re just so… dark. Tell me you didn’t feel afraid when you first watched The Land before Time – those jagged landscapes and bubbling swamps, and all the death…! Littlefoot’s mother died onscreen. Disney could do it too: The Lion King was extraordinary because you saw Mufasa die onscreen. Powerful stuff. But the best Disney offers up these days is one of a thousand villains falling to an offscreen demise (my sincerest apologies, Clayton). Not so with Don Bluth. The wise Nicodemus is crushed beneath a mountain of scaffolding. Rasputin’s soul is sucked out of him by the forces of Hell itself. The guy even had a hand in the original Sleeping Beauty, so you know he knew what he was doing. His style is also truly iconic; those stark, jagged landscapes from The Land Before Time follow you through American TailThe Secret of NIMH and Thumbelina; truly, a world apart from the sugar-coated Disney kingdom.

Derek Jacobi, is that really you?

Not that I have anything against Disney. I love it. Even some of their new stuff is great. I thought Wreck-it-Ralph was going to be dismal from the premise, but it blew me away. I just find myself wishing that the Paperman project had pulled through. Hand-drawn animation just smacks of my childhood and I covet it dearly.

Don Bluth, you really did have a thing for glowing eyes…

If you remember any of these classics, I’ll point you towards some even more obscure titles that you may not have heard of. Give Ralph Bakshi a try if you haven’t already: I’m thinking Cool World and Fire and Ice. Or there’s Nelvana’s niche Rock and Rule. Equally trippy, but worth the ride. And don’t forget the darkest of them all, the one that gave an entire generation nightmarish images they would never forget: Rosen’s 1978 adaptation of Watership Down. So… much… blood…

This, of course, has next to nothing to do with Jordan, or even Arabic for that matter. But it’s a damned good healing technique. I’m quite ready to go home, even though eleven days still remain, but the memory of these animated gems will keep me soldiering on. Ah, to have been alive in the sixties and seventies when these wonders were being created… I might have thrown caution to the wind and gone for a career as an animator. What a different life that might have been! BB x