My Most Treasured Possession

February 14, 2017 / Benjamin Barnabas / 2 Comments

My first dissertation extract is complete, and after three somewhat hectic days I can finally relax in the library and read whatever the hell I want for a little while. My field of research and my area of interest are closer than I could ever have imagined, but the very fact that I have to focus on them makes them a little less attractive than they were before. That’s natural, and it’s primarily why I’d never make a career out of art or music. The minute something you like becomes something you have to do, it loses a lot of the magic it once held, I find.

Perhaps the greatest roadblock to making great strides with my dissertation is the fact that, wherever I go, I carry with me a battered little red notebook chock-full of notes, sketches and observations from the last year and a half. I’m almost never apart from it. If it’s a knee-jerk reaction to years of being warned against electronic addiction, it’s a damned healthy one. And whilst it might have got in the way of focused academic research from time to time, it’s actually been responsible for guiding me to some of the most useful books for my degree this year.

Fresh from the Libreria Talia back in October ’15

At twenty-two, a one year old notebook seems like a strange object to consider my most treasured possession. You’d never know it was that young, looking at it now. It’s battered and bruised and dog-eared on all sides, and the binding holding it together has been heavily reinforced with generous layers of sellotape. But it’s been with me almost everywhere I’ve gone since I first tracked it down in a bookshop in Villafranca last year and, to me at least, it’s more than just a notebook. Leaving for Spain without a sketchbook was one of the more stupid things I’ve ever done, but the result is this absolutely priceless little book of memories. I wouldn’t trade it for the world.

The Red Book at the feet of Washington Irving, Granada

It’s been all over the place. It’s been carried over the holy ground of Moulay Abdessalam and watched the sunset over the Aegean Sea. It’s sat on the walls of the Alhambra, felt the sea breeze of the Atlantic from Cape Roca in Portugal and sampled tapas in Salamanca (with the olive oil stains to show). These days it contents itself with regular trips to and from the library, which is intellectually stimulating at the very least, but perhaps not what the Red Book was necessarily born for. I expect it’s just as hungry for another adventure as I am. The trouble is, there’s only thirty pages left until it’s all filled up, and with the rate at which I’m harvesting new ideas, Greece may have been my eternal companion’s last fling. When I stop to think about it, that’s more than a little bit saddening.

We’ve had some pretty special memories, the Red Book and I. But probably the most treasured of all was its first ever outing to the sanctuary mountain east of Cáceres where, as the sun set over the old city, I had an epiphany and decided to base my series of novels in Spain. And, suddenly, it all made sense. What had been for some fifteen years a mishmash of fantastical borrowings and cliché leapt out of the chrysalis into a vast historical saga. The moment was recorded with two simple words scrawled at the top of a heavily-smudged first page: it begins.

Full-page sketches like this one are not helping on the page-saving front…

Of those who have commented on my faithful travelling companion, the general opinion seems to be that I could get ‘so much money if I ever sold it one day’. Sacrilege incarnate. This little book and I have been on so many adventures now that it’d be like pawning off a loyal pet. But I suppose it’s more than that, because what the Red Book is, beyond a well-travelled journal, is an extension of my very soul. My whole world, the one I don’t tend to share with anybody, is stored within its pages in scrawled notes and sketches. Most of it wouldn’t make a jolt of sense to anybody else, but to me it reads like a map. I’ve kept a working notebook on me in various formats for the last five years – since I could hold a pencil, if you count the sketchbooks as well – but the Red Book is the prince of them all.

The sister notebook is already waiting, an equally eye-catching blue-and-gold journal of identical dimensions. It’s also a Paperblanks notebook. I swear by the things. It’ll be tough, starting afresh with a new book after all this time, like starting up a new relationship. Quite literally: all the memories I’ve stored in the Red Book are ours to share. The Blue Book will need new memories of her own. One day, many years from now, I’d like to think there’ll be a whole shelf of these things, tattered, bandaged and well-thumbed, but loved, and I’ll be able to take them down to explore them with my children, taking them into the worlds I have spent so many years creating.

An ode to a notebook… Well, it was a strange post for Valentine’s Day, I’ll give you that, but with all the time, care and attention I’ve lavished on this little book over the last year and a half, perhaps today’s a fitting day for such a post after all. BB x

The Lion, the Witch and the Wardrobe

October 26, 2016October 26, 2016 / Benjamin Barnabas / Leave a comment

100 Days of Writing: Day Three

Me and my wardrobe. It’s probably the best love affair I’ve ever had. Twenty-two years of bad ideas, gaudy shirts and triple denim disasters. Is it any wonder I change up my style every year or so? No matter what I wear, it always seems to be something… different. But that’s the beauty of clothes: the way you look is entirely up to you. If birds could change the colour of their feathers at will, I’m almost certain they would.

In my time I’ve favoured yellow dungarees, corduroys and camouflage (for birdwatching purposes), waistcoats and neckerchiefs, denim jackets and oversized t-shirts, peacoats and puffer jackets and, notoriously, Joe Browns shirts. Each and every one had its day and faded away (with no small amount of motherly relief) but it’s the latter that I’m probably the most well-known for, since it was the phase that kicked off in my first week at university and the trait for which I became known. Two years ago I could have been identified at a distance of a hundred yards from my shirts alone. These days I’ve opted for a more modest outdoor look. I daresay it’s a good deal more than possible that there’s a reflection of my ego there.

Clothes are a bit like food. There’s really no need to wear anything more than what is necessary, just as you don’t need to eat a mouthful more than what fills you up – but since when did anybody ever have any fun working on the basis of sufficiency alone? It’s taken me a long time to find a style that’s really my own, one that I feel comfortable wearing; one that I wear for myself, and not for the rest of the world. That, I think, is the cut-off point. Naturally, hispanophile that I am, it’s a certain range of Spanish wear that I’m into at the moment, and it’s one that I feel immensely comfortable wearing – and that despite the fact that most Spaniards would have me down as a foreigner for wearing them, because it’s simply not the thing that young people wear these days. But if that means hanging up the jackets, shirts and chinos for a sporty-looking set of leggings and a hoodie, excuse the pun and jog on. I know what I like and it suits me.

You might also have noticed that in all the ridiculous fashion trends I’ve tried, shorts don’t feature once. That’s still a thing. I wouldn’t be seen dead in them.

The clothes I tend to go in for these days are the high-maintenance kind. That is, I have an awful lot of shirts, and these need careful washing and regular ironing. Fortunately, I have no problem taking the time to do either of these things. True, it’s a longer-winded process this year than it was in Spain – you can’t just hang your shirts out over the balcony and expect them to dry in an hour up north – but I give it my best shot. If you can be disciplined with your wardrobe, you can be disciplined in your other affairs, I find.

In short, clothes are important. They’re essential to non-verbal self-expression. They can be great conversation starters (especially my infamous London Underground shirt – to this day, probably my best acquisition ever). They can make you curse in the morning as you mull over what to put with what and smile when something works out – and even more when it really doesn’t, especially in retrospect. And even if I could go back in time and beg my younger self to lay off the triple denim, I think I’d still let him go through it all. Because whatever I decided to wear in the future, I don’t think I could possibly go any worse than that.

That or the yellow dungarees.

Love out of Love

October 24, 2016October 26, 2016 / Benjamin Barnabas / Leave a comment

100 Days of Writing: Day Two

It’s been a long time now since I was in the vicious grip of infatuation. And long may it be until it gets me again! I don’t remember ever feeling so free or so happy over the last few years, and I suspect it’s got a lot more to do with me growing up than anything else. Today’s topic would have been easy enough to tackle, but the stipulation was that it had to be in verse…

Now I’m not a massive fan of poetry, even good poetry. And poetry about love is seldom good. Reading some of the tripe you came up with in younger years is gut-wrenching, to say the least, but if you thought that was hard, trying writing it when that’s all in the past… The words don’t come to you as quickly as they did then, when a bleeding heart makes for an endless inkwell (with the verbal talents of a stroppy teenager). And isn’t there something about the very art of love poetry which belies imbalance?

Nevertheless, orders are orders. So here’s Day Two: The Unrequited Love Poem.

Chasing Cars was playing
As we stepped into the light
And we went our separate ways.
I went up the road
And she went down.

There’s no easy method
To describe a broken heart
When the breaking is so soft.
‘Let’s be friends’
Hurts much more than it should.

Looking back is easy
From the freedom of release
When the world is more than two.
You can see
When you were blind before.

The traffic light is blue
The battle flag is waving
But it’s painted all in white.
There are no rules
All’s fair in love and war.

—–

Her every word is wisdom
And her laugh is summer rain
And hearts, parts and cupid’s darts
All blind you to the pain.

I’ve heard that nice guys finish last
Or something of that kind
That romance died off years ago
And love is hard to find.

The front row of the theatre
The poems she shared with you
They all mean next to nothing
If that’s what a friend would do.

Pity is a murderer
Luck does not keep giving
Fate is just a child’s word
Hope is unforgiving.

—–

It saddens me to think that when you’re young and love’s the end
The worst thing you could bear to hear is to be called her friend.

—–

I’ve said it before and I’ll say it again. I am not a massive fan of poetry. Unless it’s Arabic poetry. I can totally dig that. BB x

Reflections from a Little Window

October 23, 2016 / Benjamin Barnabas / Leave a comment

Since I’m no longer abroad (for the time being), the primary function of this blog is somewhat defunct at the moment. Even so, since it’s been such a crucial tool for keeping me writing this year, I see no reason why I should just leave it there for a year. So, to keep the old writing muscles flexed, I’m taking on the 365 Day Writing Challenge and using this blog as the medium. They won’t be especially long entries, but hopefully they’ll be good reading, and better still, good warm-ups for the essays I’m due to be writing over the course of the year, not least of all my twelve-thousand word dissertation.

So, without further ado, here’s Day One: Outside the Window

Mine is a little window. Perhaps that’s just as well, as it looks straight across the road to the girl in the house opposite. She’s been working flat out since eleven o’clock this morning, and if she were to look up from her studies, she’d have a pretty good view of my bedroom. But when I sit down at my desk to work, I’m invisible to the outside world. I like that. I might not be the shy, retiring figure I used to be, but I haven’t lost my fondness for disappearing from time to time.
The local jackdaw brigade is out in force. There’s a roost nearby, I think, maybe in the trees over on the Avenue. It’s nice to have something wild close at hand this year, but I don’t half miss the kites, or the storks and swallows I used to see every day from my balcony in Villafranca. The trade-off is regular rain, which is something I find myself curiously attached to.
It’s raining now, as it happens.
There’s nobody out and about on my street at the moment. I suppose that’s because it’s a Sunday afternoon. Everybody who’s not at the library or the gym is inside, wrapped up snug in their rooms and noticing, like me, that we’ve already reached that time of year when your breath comes out in a cloud, inside or out. Sooner or later I’ll have to stock up on hot chocolate.
I walked home in the rain the other night. It was after midnight, and the rain was coming down hard. It’s hard to say exactly how it felt, walking over Palace Green in the half-dark getting gradually soaked in my hoodie, with the mighty cathedral and its scaffolding-crown towering overhead. It’s not the first time I’ve seen rain since I got back from Morocco, but it was probably the first time I really thought about it. I always used to think that standing outside in the rain was something to be shared, something intensely romantic. Now that the six-year blinkers are off I see things a good deal more clearly. It’s a feeling as personal as a diary, and every bit as important. And if we really are sixty percent water, there must be something naturally therapeutic about getting soaked in the rain.
I’ve missed it.
It’s not raining anymore, and the sky is still light, in that English yellow-streaks-through-grey kind of way. The slate tiles on the roof across the road are proof enough that it has been raining, though, and that’s something beautiful to see.
The girl in the window opposite isn’t there anymore. She must have taken a break, and about time too. That’s what Sundays are for. Quite by accident, I’ve been working flat-out this week, all the while duping myself that I was ‘merely helping out with a few things’. I guess I just can’t help myself. When it comes to spare time, there’s only one day of the week when I can forgive myself for doing nothing.
The sky’s opened up. Through the fifty shades of grey in the clouds above there’s a break of blue up there, and the sunlight on the trailing edges of the breach is a brilliant golden-white. It’ll be gone again by the time I pen this down, but whilst it was here, it was one of those fleeting little moments of beauty you just have to stop and watch.
Bit of a reflective first run, this one. I’ll play around with style and voice over the next few and we’ll see where this takes us.