Keep the Faith

April 1, 2022April 1, 2022 / Benjamin Barnabas / Leave a comment

Last night, in a return to pre-COVID tradition, we celebrated Tenebrae in the Abbey Church. With the latest wave of infections sweeping the staff and students, I’ll admit I had my doubts I’d be able to go up and sing as I used to with a house to run, but my housemaster very kindly stepped in, allowing me to bolster the tenor line. It’s hard to overstate the importance of making music in my faith: singing is an act of worship. Perhaps that’s why I didn’t go to Mass when the churches opened last year, while the ban on singing was still in place – how could I practice my faith without lips to speak? I remember saying as much to one of the school’s youth chaplains once, who remarked that I ought to rethink my approach to faith. Was he right? I don’t think so. I think everyone’s path to God is individual. Mine just happens to be through music, which, all things considered, is hardly surprising.

I spent a great deal of my childhood in and out of churches. My mother played the organ for the village church when I was very young, and I remember sitting (probably not so quietly) next to the pedals, listening to the growling hum of the organ long after the last notes faded into the stone walls. Later, during my short spell at a prep school, I spent two nights a week up in the organ loft of Canterbury Cathedral while my father sang for the cathedral choir. What was undoubtedly an incredible privilege became routine – that is, until a Victorian-minded parishioner who happened to look up one week decided that children were better “seen and not heard” and my brother and I were unceremoniously ousted, forced to sit in the quire thereafter.

Perhaps that was God’s will, because twenty years later, I still jump at the chance to stand in just such a stall and tangle with some sacred music. There’s really nothing quite like it.

I have a somewhat unorthodox relationship with God. If it were a Facebook status, I might just go for “It’s complicated”. Somewhere deep within, my spiritual compass spins toward Israel. Maybe it’s the stories my mother brought me up with or the belief we both share that our ancestors were among the many thousands of Spain’s Jews who converted to hide from the Inquisition, many hundreds of years ago. It would go some way towards explaining the ferocious proclivity for the arts borne across the generations by my ancestors, at a time when intellectualism was unwise and even dangerous. Millán-Astray’s battle cry of “muera la inteligencia” in 1936 – around about the time my grandfather was born – hardly seems out of place for a country where, for hundreds of years, it was better to hacer mala letra than open your mouth and betray your wits. Our own Michael Gove gave us an uncomfortable reminder of this dark past when he claimed the British had “had enough of experts” in the lead-up to Brexit.

I can hold my head up high every day as a teacher knowing that I am the next in a long line of teachers, all of whom dabbled in music and poetry and art. Were they really Jews, though? I’d like to think so – I really would – but I have no proof of that. I have barely enough solid proof of my connection to my grandfather, never mind a connection to a Hebrew ancestry that may or may not have ever existed. The silver Star of David I sometimes wear beneath my suit is no heirloom, but rather a keepsake from a Jewish silversmith in Cordoba; a reminder of the terrible fate suffered by the Chosen People in a land far from home that was once their paradise. Will I ever know for sure? I doubt it. But some things you see with your eyes, others with your heart. This is one of those things the heart sees. Something you have always known or believed with little to no provocation. I believe because I cannot be sure. It’s the weakest of arguments, the merest of threads. But about such threads, Faiths are often weaved into being.

So why am I a Catholic? With such silent conviction, how can I stand there in the darkness, singing Christian verses and watching the candles going out to mark the extinguishing of Jesus’ light and life from the world, a little under two thousand years ago?

I am a Catholic because I would make the same journey as my family. Whether or not my ancestors found their way to the Christian God through awe or terror, I would take that road that they took. And there is something fundamentally grounding about faith. Standing as one with my students and singing songs that have been sung for hundreds of years… you feel a power, there, echoing down the generations. It’s all the more powerful when you see the date at the top of the copy reaching back to the middle ages. One imagines one’s voice reaching up to the heavens and mingling with the voices of those who came before you on its journey across the stars. Perhaps that’s what the choir of Heaven is: the echo of thousands of years of collective prayer through song. I’d like that.

I might also point out that the Catholic church represents an important bastion against the foe, since modern Christian music is, to my ears, quite possibly the wettest, most uninspiring drivel ever produced. It clearly works wonders for some, but it does nothing for me. Give me plainchant any day. A colleague once joked that one of his greatest fears was that he should reach the pearly gates only to find that Mozart and his kin are nowhere to be found, and Hillsong reigns triumphant. It’s a joke (and a nightmare) I share. But that’s a story for another time.

I am also a Catholic because Faith is a journey of forgiveness. Noli mortem peccatoris. Those were the words of power that spoke to me last night, as the last of the candles were snuffed out. I do not want the death of the wicked. I bear no ill will against those shadows who persecuted my people, because there is too much hate in the world already. I wept on the shores of the Dead Sea years ago at the sight of the sun going down over the Holy Land, knowing I was not yet ready to see it with my own eyes. Jerusalem evades me still: the last time I tried to make that journey, a little hiccup called Covid-19 came thundering in.

Finally, I am a Catholic because of what it stands for. Katholikos. Universal. It chimes with me in much the same way that the Arabic expression ahl al-Kitaab – people of the book – called out to me in my Arabic studies, many years ago. The world is immense and no two people are the same, and I think it’s as foolish to expect everyone to share the same faith as it is to expect to find two identical grains of sand on a beach: the closer you look, the more you’ll find yourself doubting. But I have built my faith upon doubt rather than surety, because that, to me, is what faith is all about. Believing in the light when all the world is darkness because your heart tells you to do so. Fate may be the master builder of the temples of our lives, but hope is the cement that holds the stones together. I believe in that light and in that hope. And in my heart I know I would go on hoping, though every light in the world were extinguished as they were last night, one by one.

In three days’ time I set out for Italy on my first solo adventure in a long time. Venice will inspire, no doubt, but it’s Rome I’m especially excited to see. I hope I can catch some music there during my stay. I could use some of that ancient magic after what has been quite a long term. BB x

Quote Unquote: ORIGIN by Dan Brown

October 7, 2019October 8, 2019 / Benjamin Barnabas / Leave a comment

Image result for origin dan brown

This week’s attempt at escapism was even lazier than usual, since it required no actual reading on my part but rather dipping in and out of the Audible app on my phone during the emptier moments of the day. You might call it “tactical” escapism, though I suspect it’s still just another tired synonym for procrastination. This week I decided to go for a writer I have somehow managed not to read thus far, that being Dan Brown, author of the best-selling Da Vinci Code. What can I say? The film came out before I got around to reading the book, and Dan Brown doesn’t exactly cut to the chase. Origin, one of his more recent works, does not yet have a film adaptation in the works, so it was one that had to be read. The fact that it takes place in Spain had nothing to do with it.

And on that humongous white lie, let’s dive in. Oh, and before you read on, I might add ***SPOILER ALERT*** (because it’s not an easy book to pick apart without giving away some pretty critical spoilers).

If you’ve read/seen The Da Vinci Code or Angels and Demons, you’ll already be familiar with Brown’s clever plots. Expect the same in Origin. In fact, expect a lot of what you’ve seen before: a highly suspicious bishop, a strong, silent-type hit-man with an agenda, a glamorous female sidekick, a mind-blowing secret that you have to wait until the end to discover, and Doctor Who levels of sci-fi explanation. Edmond Kirsch, a billionaire futurist and Elon Musk by another name (Musk even gets a nod at one point), announces to the world that he is going to change what it means to be human (another moment Doctor Who fans might be familiar with), but is shot by a hidden assassin before he can make his ground-breaking reveal. It’s up to Robert Langdon, Kirsch’s one-time mentor, and the director of the Guggenheim Museum and future queen of Spain, Ambra Vidal, to finish the job, racing against the clock to deliver Kirsch’s discovery to the world. Perhaps the most interesting feature of the novel is Kirsch’s supercomputer, a sentient AI known as Winston, who guides the protagonists towards their goal with godlike success.

I’ll admit, I expected a little more from Origin than I got. I wasn’t actually all that bothered by the familiarity of the storyline, but for a book dealing with religion on Spanish soil, I couldn’t help feeling a little disappointed when the Muslim and Jewish characters were killed off early on and nothing was made of this. Fair enough, Spain is a primarily Catholic country, but Angels and Demons made such an exciting use of the spectre of the Illuminati that I went into Origin expecting some dark vestige of Spain’s bloody history to raise its head. Instead we got the Palmarian Church – an innovative introduction to most of us, but given its role in the story, hardly the most threatening or thought-provoking of obstacles. All the same, I enjoyed Brown’s modern, pop-culture-imbued writing style, as it is so far-removed from my usual material, which I am increasingly coming to see as verbose and out of touch (though the travel writings and adventure novels of the late 1800s and early 1900s will always hold a position of glory in my heart for the lexical skill of their writers).

I haven’t mentioned the role played by the Royal Family of Spain, largely because it is so insignificant to the main plot that it might as well have been a soap opera flickering away on a TV in the background. The ghost of Franco was conjured up – but for just a moment. Barcelona loomed into view – but nothing was made of the Catalans. The Spanish Inquisition was mentioned several times, and a terrorist attack on Spanish soil was explicitly detailed – but there was only ever one religion truly under fire all along. Brown has always been good at misdirection in his plots, and he was subverting expectations in Origin like Rian Johnson did with the new Star Wars movies.

The big reveal? Not as mind-blowing as I anticipated, I guess – but then, Kirsch set the stakes very high. When the truth came out at the end, I was surprised it unsettled the Parliament of the World’s Religions so much that they considered prematurely sabotaging his discovery before it could go public. I’m not all that firm a believer myself, but I didn’t find myself questioning my faith once: Kirsch’s expositions on the seventh kingdom and the origins of mankind were insightful, but not exactly earth-shattering. By this point in our history, a future where we share the world with, or perhaps even cede it to the silent sentience of artificial intelligence is more or less inevitable. What started out as a plot device for a 1970s sci-fi nightmare is now almost a matter of fact. My question is, why should that kind of knowledge shake the foundations of the faithful?

My journey with Catholicism is still in its infancy. That comes from growing up in a country which threw off the “shackles of the papacy” a long, long time ago. Though I live and work in a Catholic enclave, it is precisely that, an enclave. It’s easy to forget that, beyond the bubble, most of my countrymen don’t go to Mass on a Sunday, meatless Fridays aren’t the norm, and many of the rules and expectations that seem so normal seem out of date if not alien. Everybody has their own take on their own religion. For me, it’s a family affair. It’s my way of reaching out to my grandfather, a man I never knew, and to my cousins, uncles and aunts in Spain. It’s a way of sharing in that rich and beautiful legacy of ages. Futurists and scientists like Brown’s Edmond Kirsch take great delight in tearing down the temples of the ancients, but what are they doing if not building glass temples of their own in their stead, just as humans have delighted in doing for all time? Religion isn’t about rules and false truths. It’s about love.

My experiences as a student at a Kent grammar school, where daggers-drawn atheism was almost a state religion, actually gave me more of an appetite for a faith of my own. Ironically, my highly opinionated contemporaries pushed me towards God more readily than any beaming, hot-chocolate touting, guitar-strumming Christian Union friends ever did. I suppose what I objected to more than blind faith and the endless four-chord songs about some heavily distorted Western Jesus was the hostile rejection of hope, which has ever been my most treasured of core values (there’s a modern buzzword if ever there were one). And yes, in case it isn’t clear already, modern Christianity and I aren’t exactly a match made in heaven. Somebody once put it to me that Christian music adapted to suit a modern audience. Call me old-fashioned, but I’d take a hymnbook over guitar worship any day. I appreciate the staggering irony in that statement as a devotee of Gospel music, and I’m afraid I’ll have to hold up my hand as an all-too-human hypocrite on that count. For me, Gospel music has never been about a white Jesus who loves everybody, rather about bridging the gap between worlds and reveling in the rage, the sadness and the hope together with the joy of faith. Because that’s what faith is: perseverance in the face of insurmountable adversity. Kirsch, like many characters from my own past, went head to head with the world’s believers with a smug smile, believing he could sweep away the dark religions so that sweet science could reign. In doing so, he betrays his humanity: there are many for whom the most bitter of blows fall like rain upon their faith. Faith is not founded on facts. It comes from a deeper well.

I am one of those for whom the great questions – where do we come from? Where are we going? – have never held all that much interest. For most of our history, mankind has sought to make itself master of all things, seeking the logic and the reason behind everything in an attempt to bend it to his will, to subjugate it, for knowledge is power. And while I love to learn new things, I am no Kirsch. For me, the real beauty of faith is in the great mystery. There are some things that will forever be beyond my understanding. And I’m ok with that. It’s not so much “Jesus, take the wheel”. It’s more of a “I’m mysterious, folks. Deal with it.” Sometimes – as Rowan Atkinson’s character says in the 2005 film Keeping Mum – all we need is a little grace.

Favourite scene:

The chase scene in the Sagrada Familia was pretty spectacular. Brown knows how to pick a good setting, that’s for sure. There’s always something terrifying about the idea of fleeing from a searchlight – some “flight” instinct, buried deep, from a time before flashlights when we ran, ducked and weaved to get out of eyesight of predators who were after our blood, perhaps. Those were always the levels in video-games that scared me the most (Zelda: Wind Waker, Metroid Fusion, Harry Potter etc). I digress. Brown’s assassin had a gun and had just killed a man with his bare hands, but that torch in his hands was his most frightening weapon by far. To survive, Langdon and Vidal had to keep in the shadows. Add that to their escape taking place within a cathedral as bizarre and unorthodox as the Sagrada Familia and it makes for a truly terrifying pursuit.

Favourite character:

Winston is far and away the standout success in Origin. Think HAL voiced by Stephen Fry. Educated, intelligent and eerily human, Winston is immediately likable from his first appearance. In fact, I found him such an interesting character that I felt a real sense of loss when Langdon and Vidal lost contact with him at a certain point in the narrative. I had my suspicions about the whole monte@iglesia affair, but the twist that he was the mastermind behind it all hit me like a sucker punch. I didn’t stop liking him for it. In fact, I found him an even more interesting character by far. And that recurring trait of his awkward laugh was a stroke of genius: endearing in its first appearance, terrifying in its last. Origin could be criticised for being a recycling of Brown’s old plots, but his Oxford-educated HAL makes it worth every page.

Favourite Quotes:

“The devout can always benefit from listening to non-believers. It is in hearing the voice of the Devil that we can better appreciate the voice of God.”

Zeus, more than any other god, resisted his own extinction, mounting a violent battle against the dying of his own light, precisely as had the earlier gods Zeus had replaced.

“I’ve been taking confessions for fifty years. I know a lie when I hear one.”

Creativity in the Classroom: A Step Too Far?

October 20, 2015October 20, 2015 / Benjamin Barnabas / Leave a comment

I´m falling into something of a routine out here, now. Three hours with the state school, two hours with the Catholic school, one hour´s private English lesson, one hour´s Spanish conversation with my flatmate, a couple of hour´s reading and then bed. That´s good. I like a routine. It lets me know what I´m doing. I tend to go a bit spare without exact orders.

As I guessed all along, the term ´language assistant´ is a very loose one, interpreted by different schools in different ways. Some of my companions are working as ´classic´ language assistants, taking individuals or small groups for short periods for conversation. Others attend class with an English teacher as a human dictionary, there to lend a hand whenever a native speaker´s touch is needed. In Spanish, the term ´language assistant´ gets shortened down to just one word – auxiliar – which leaves even more room for interpretation. And just as happened in the last two ´language assistant´ jobs I´ve had, I seem to be working a real teacher rota.

Granted, I had prior warning this time. The first time I was promoted, so to speak, I had no idea that I was supposed to be taking full classes on my own until I was told that the diminutive head of the French department had decided to benefit from my presence by taking a month´s holiday at short notice. This time I was given a couple of lessons´ observation to get the feel of it, and even though they mostly left me leading the events – a harbinger, I guess – it was good to know what I was getting myself in for in advance.

So I´m a sub-teacher. That´s not a problem. In fact, it´s exactly what I wanted. It´s just… well, it´s reassuring to know that it doesn´t matter where you go in the world, ´language assistant´ is always a very flexible term.

In one school I take entire classes on my own, from bawling primary level to studious upper sixth. In the other I also prepare an hour´s class for whichever groups of the twelve I have that day – equally widely-spread, but fortunately without the weekly terrors of the primaria – and these are almost always under the supervision and occasional assistance of one of the English staff. The irony there is that they´re probably doing what comes under my job description. The system in place is the one used by bilingual schools nationwide: one class where the language of conversation can only be English, to compliment the others which are spent on writing and grammar. Nobody likes grammar. So that means it´s my class that everyone looks forward to by default, which is something to smile about.

Taking a full class obviously means you need an hour´s worth of material, and with teenagers thrown into the mix, you need to be prepared for all eventualities. I´m learning what to do when they´re tired, and how to calm them down when they´re exciteable, without letting them know there´s a system to it all. I´m learning what ideas students wants to discuss and which ones turn them off, and which games work well, and which ones don´t. And though I should have seen it coming a mile off, I tried this week once again with what is and always has been the greatest stumbling block of all: tapping into the students´ creativity.

Now this is something I feel very strongly about, and I´ve already written one behemoth of a text this week, so I´ll tackle it as lightly as I can. The simple fact of the matter is that there isn´t enough emphasis placed on creativity in schools these days. To tell the truth, I´m not entirely sure there ever has been. One of my English teachers once announced at a parents´ evening that she was ´paid to teach, not to inspire´. I disagree entirely. Inspiration should be right at the front of teaching, if we´re not all to become mindless robots.

Ah, but this is beginning to smack of yesterday´s post. It´s vaguely related, primarily because the game I´ve been ending my technology lessons with – a simplified variation on the British radio show I´m Sorry I Haven´t A Clue´s “Good News, Bad News” – has, time and again, come up dead in the water. The reason? Because nobody´s able to tap into their own creativity. I don´t know whether it got stamped out of the education system in favour of textual comprehension or the study of presentational devices – the kind of stuff that actually comes up in an exam – but the art of coming up with stories seems to disappear once you hit secondary school level.

For a budding author, I find this nothing short of horrifying. I spent most of my school career writing stories, and yes, it probably did affect my grades, but I left with an impressive English mark, and it´s my English that has always saved my neck. I´d have been flat-out rejected from grammar school if it hadn´t been for my English, since my mathematical capability is comparable to that of a wet flannel. The only excuse I can think of is that I´ve never stopped writing: from short stories to novels, diaries to blogs, love letters to newspaper articles. It keeps me alive. More importantly, it keeps my brain alive.

The higher up the education system you go, the less you´re encouraged to think for yourself. At some point you have to start quoting other writers. Then you have to start referencing other texts you´ve read and basing your arguments on the standpoints of extinct luminaries. The result, of course, is that by the time you get to university and you´re suddenly encouraged to come up with your own argument, a lot of people are quite understandably left high and dry, because they haven´t been taught how to think that way.

Here´s the difficulty. Creativity cannot be taught. It can be encouraged, it can be inspired, but it cannot be taught. For starters, how do you mark creativity? This is a regular feature of the arts world, of course, but outside the tripartite kingdom of Art, Music and Drama, creativity doesn´t get all that much of a look-in. In a world where everybody is mark-centric, from pupils to parents to headmasters and the governors to whom they bow, that kind of question gets thrown out early on, and the baby with the bathwater. So me going headlong into a class of fifteen year-olds and expecting them to come up with a story in fifteen minutes of “Good News, Bad News” was the very height of foolishness, especially for somebody with two jobs´ worth of teaching experience under his belt. A different English teacher – one who certainly did know how to inspire – once told us that the truth of the matter is that there are those who can, and those who can´t. I´m still not entirely sure where I stand on that, since I´m none too keen to cut anybody off, but I acknowledge that there´s more than a kernel of truth in that statement.

Creativity, I believe, is something that we´re all born with. We all loved to listen to stories when we were children, and most of us will have tried our hand at making one or two, intentionally or no. Heck, it´s fuelled language growth, all the arts and technology for all human existence. The trouble is that so much of it disappears when we grow up, when we´re told we have to put fiction behind us and focus on the real world. Unless you´re a stubborn little bastard like me, and you decide early on to defy that and to hold on to your creativity and remain a child forever. Like a twenty-first century Peter Pan.

In short, it´s perhaps too much to expect every student to be able to create stories of their own, especially at secondary level. There are a few rogue elements – it´s not difficult to recognise your own characteristics in others – but on the whole it strays much too far into the awkward silence minefield. Well, I´ve learned my lesson (no pun intended). But I´m not about to concede defeat. Never. I doubt I´ll make story-tellers out of the lot of them, but if I can sow the seeds of a budding Cervantes or Lope amongst the drowsy horde, I´ll consider my job accomplished. At the end of the day, we´re all story-tellers in one way or another. All it takes is the courage to leave behind what is real and to dabble with what is not. I said right at the start that I like exact orders. True. But there´s enough of an anarchist in me to want to break free sometimes. I hope there´s a little anarchy in everybody. BB x

No Going Back

September 20, 2015September 20, 2015 / Benjamin Barnabas / Leave a comment

Saying goodbye is never an easy thing to do. I’m certainly not particularly good at it. In fact, there are quite a few goodbyes I’d like the chance to go over again, given the opportunity. You know the kind: the ones where it was all too fleeting, or maybe you didn’t quite say everything you wanted to say, or maybe the real goodbye never came around and you were left with a last meeting that wasn’t really a send-off at all. Most likely you’ve encountered that oh-so-very British awkward goodbye at least once in your lifetime: the one where you say goodbye to somebody, only to bump into them a few minutes later. Don’t you find that situation crops up a lot? It certainly does in Durham, anyway…

For a chatty gossip like me (you’ll just have to imagine the deep sarcasm there), I don’t suppose there’s much point in an elaborate farewell. It’s only really an issue if you’re going to be out of contact for an extended period of time, like stepping off the plane into the abyss and severing all connections with the outside world. Which is essentially what I do every time I step off the train at Three Bridges. I have a phone, true, but I rarely use it. I think I sent a grand total of three texts over the last three months, and all three of them last Sunday. Radio silence on my part doesn’t necessarily mean I’m traveling – I’m probably a lot more talkative when I’m on the road – but it doesn’t mean I’m inactive, either. I simply enjoy going for long periods of radio silence. Anything that needs saying can surely be said best face-to-face, and anything that’s worth saying is always worth waiting for. That makes me quite a distant person, I guess – and not the easiest to track down. For somebody who spent almost all of two years on teenage texting tenterhooks, it’s a policy I’ve guarded jealously for some time now. So in that sense, setting off on another long adventure isn’t really all that different from any other end of term break, as far as contact is concerned.

I’m going off topic. I suppose I’d better come out with it. I’m heading off to Spain in two days’ time – less – to spend nine months working in a secondary school… and I’m not coming back in between.

The idea first came to me when I had a look at the Spanish school calendar for the coming year. That projected end of term date on the twenty-second of December shocked me at first, despite having been schooled in Spain at Christmastime before. It’s all about the reyes magos out there, and that’s not until January. I must have got it into my head early on, but it wasn’t until saying farewell (successfully, mind!) to Andrew at Gatwick Airport that it hit me: I want to be out there for the long haul. Taking a year abroad isn’t just about honing your language skills to fluency, it’s about growing up – and Lord knows I’ve still so much more of that to do. What better way than to strike out on your own for an entire year? Because that’s what it’s set to be, with my second Arabic stint in Morocco striking up almost as soon as I’m done in Extremadura at the end of May, meaning I won’t see the green hills of England again until August 2016, at the very earliest. That doesn’t trouble me as much as it should.

I’m going to miss autumn in England. No, I’m really, really, really going to miss it

The last few days have been wonderful for a last taste of England. I consider myself extremely lucky to live in one of the most charming spots in West Sussex, overlooking a dream-sequence of rolling hills as far as the eye can see, right up to the point when they tumble into the sea to the south. Autumn’s in the air, the forest is full of mushrooms and the buzzards that nest deep in the woods are cartwheeling noisily through the skies as usual. Morpurgo described them ‘mewing’ in one of his books and I can’t think of a better way of putting it. This is England, and I’m going to miss it. But there’s something in the air, telling me it’s time I should be moving on. Maybe that’s autumn. The signs are everywhere. The leaves on the oak trees are going a gorgeous golden colour. Out on the school rugby pitches the odd wheatear sits taking a breather, whilst flycatchers and warblers hurry on through the hedgerows snatching a quick meal on their way home. But most telling of all are the great flocks of swallows and the martins streaming on southwards overhead, and in a couple of days I’ll be following them. Maybe I’ll even see some of the same individuals swooping by from Villafranca. Who knows?

Ten points if you can see the buzzard in this one

The hardest thing for me to leave behind – besides the monstrous tapestry, which is never going to be finished anytime soon – will be the growing mountain of books in my bedroom.

A year and a half, five metres in and still slaving away

A year and a half and still slaving away…

It’s pretty daft, but for an aspiring writer, I’m late into the fold as regards actually reading. I got it into my head once that if I never read any books that contained ideas similar to my own, I couldn’t get done for plagiarism, because I’d never have noticed the similarity. How very typically overcomplicated of me. The end result is that I haven’t read a decent book – besides Pavilions – in nigh on ten years. At least, one that hasn’t been prescribed by my course. Now I’m motoring through them at lightning speed, assisted by all the iBooks freebies, an immense library at home (courtesy of my equally bookish mother) that I never truly appreciated, and an all-too brief visit to a real bookshop over the weekend.

So many books, so little time…

I say real to distinguish it from your average WHSmith or Waterstones. Seriously, this place had everything. All the historical fiction you could shake a stick at. The entire Hornblower saga. Flashman in abundance. Sharpe, Iggulden and even the master of the art herself, M.M. Kaye. All beautifully spined, deliciously musty and lovingly second-hand. A new gadget may be a good thing, but there’s nothing better than an old book. Mum found a particularly beautiful pair of illustrated Arabic dictionaries – formerly the property of a military attaché, as stamped. Oh, I could have died and gone to heaven. I was in kid-at-Christmas mode. If I’d had this newfound book obsession just two years earlier, I might have given languages the boot and applied for an English degree. The only thing holding me back at the time was a general reading apathy…

Today’s been the downer of the month for no other reason than that every so often I have a lonely spell where it takes a lot to lift me up. Fortunately I’m in the best place for it: start of term or not, the grounds of Worth Abbey are no less than the finest place I’ve ever encountered for soul-healing. Alright, so the stone-pine copse along the Raya Real with its attendant black kites just comes up trumps, but that’s not on my doorstep every morning. Not yet, anyway. Besides, when the loneliness birds come flying in, the open world is always there. Nature’s an unpredictable lady at the best of times, but she’s never let me down. I’ve said that before, and I’ll say it as often as it takes to drive this funk of mine away. Everything will look better in the light of a new morning. It always does.

Waldeinsamkeit – the feeling of being alone in the woods!

These are curious things to dwell on when home will be so very far away for the next eleven months. But home is where the heart is, and mine has been in Spain for as long as I can remember, and that’s got to count for something. Maybe she’s out there, and maybe she’s not. That’s not for me to decide. If fate decides to cut me a break and give me a good turn, I’m ready to run with it. But one thing’s certain: I will leave Spain fluent. If I can leave the country at the end of the year as bilingual as the grandfather I never knew, I’ll have accomplished a dream two generations in the making. Being a quarter Spanish will mean so much more.

I will be fluent. And that’s a promise. BB x

The World’s Most Beautiful Women

September 5, 2015September 6, 2015 / Benjamin Barnabas / Leave a comment

Why am I doing this?

No, seriously. Why am I doing this? This isn’t Amman. This isn’t even vaguely Arabic. We’re halfway to Kiev on a bus that isn’t the Skybus that Google and Tripadvisor recommended. Come to think of it, I didn’t even ask the driver where we’re going. It might not even be Kiev. I’m going by the size of the city and the great big river we crossed earlier and assuming it is. Other than that, I really don’t know. I can’t read the alphabet. Any and all Russian I learned in those four after-school sessions has jumped clean out of my mind, except that the letter P becomes R and K, T and A stay the same. Ten points for effort for this worn-out linguist! I mean, there’s no escaping it this time: this is sheer lunacy, even by my standards.

‘We could be going anywhere right now,’ says Andrew. ‘We could literally be going anywhere.’

Well, this really isn’t Arabia anymore…

We really could. It all looks bleak and Soviet; pine forests, grey skies and grim skyscrapers with peeling walls. Even the hooded crows look seedy. But I do have £33 worth of Ukrainian hryvna in my wallet (or at least, I think I do) and I plan for us to be back at the airport for six o’clock at the latest. So there is some semblance of a plan beneath the anarchy. Blimey, but what I wouldn’t do to have fellow linguists and Russian speakers Shahnaz and Rosie here with me now, if just to have a vague idea of what’s going on.

Nope, I don’t understand any of this

If that whim decision to go for the twelve-hour layover bothered me slightly at four o’clock this morning, it was practically crucifying me by nine, when we’d touched down in Borispol Airport and navigated customs. Andrew managed a good couple of hours’ sleep on the journey from Amman; I did not, and it’s really beginning to kick in now, as I’m no longer constantly on the move. But fatigue is the smallest of barriers to the determined adventurer!

…once again I find myself picking up the mantle some two hours later. Two sentences later I woke up with the iPad slipping off my legs onto the floor of the bus. So I take that back. Apparently fatigue has other ideas.

I digress. After a minor financial confusion over the exchange rate of the Ukranian hryvna, Andrew and I made it to Kiev (it really was Kiev in the end) with six hours to kill. Cue at least half an hour of ‘wow’, ‘I can’t believe we’re doing this’ and ‘this is absolutely bonkers’ as Andrew patiently bears my childish enthusiasm. We took a wander into the old part in search of the Bessarabsky Market to grab a bite to eat. Every single stall inside, without exception, was manned by what can only be described as the stereotypical babuschka. And no, try as they might, Andrew and I didn’t understand a word of what they were saying. But an idea struck me at one of the aisles and I procured a tin of caviar from one of the stallholders who was anxious for us to try a spoonful of all of her wares, from sweet to tongue-zappingly salty, from lumpfish to Beluga sturgeon. And if you think I’m exaggerating, I point you towards the sequin-scaled monstrosity lying headless on a mound of ice near the market door, barbels removed. It hardly needs saying, but this is a world away from Amman. Period.

Concrete block for make unification of great Russian Power and Ukraine

The miracle of Kiev is that there is so much to see in so small an area. Like I said, a world away from Amman. In just under four hours we had covered almost everything there is to see. Beginning with St. Volodymyr’s Cathedral, an elaborate Orthodox affair in gold leaf and black-robed majesty, we set off an a tour of the old city. There’s something really special about Orthodox churches. At first glance it all looks a bit showy: giant crosses, bold block colours, gold used just about wherever there’s breathing space, not to mention all the icons. But it’s a great deal more complicated than that. It was Andrew who pointed it out to me. The congregation, outnumbering the sightseers by about nine to one, were mostly women, in varying states of dress, but the one thing they all had in common was the wearing of a headscarf. A kind of step-down for us from Jordan, perhaps.

‘Surely it doesn’t work like that,’ says Andrew, as a scarfed young woman in high heels leaves the cathedral after making the sign of the cross twice across her chest and bowing out, a lurid pink thong showing above the cut of her miniskirt. Apparently, it does. You know what they say about book covers…

Overloading on the blue, much…

One of the subjects that came up in conversation with Fahed and Massoud yesterday was the subject of Ukrainian women, whom Fahed believed, as ‘proved by science’, to be the most beautiful women in the world. I set out to test that theory today, both to conduct some kind of fair test in light of such a sweeping statement (especially when any suggestions of Spain and Colombia had been overruled just minutes before), and more so to justify this ridiculous little side-quest into Kiev at the end of our labours.

Or you could just cut out the middle man…

I’m going to surprise myself, but Fahed’s got a point. Ukrainian women are pretty stunning. They must be, or we wouldn’t have run into not one, not two, but a total of seven weddings in the course of our wanderings. There’s also a heck of a lot of them; more than the men, anyway, at least from my observations. A bit like Elvet Riverside, come to think of it. But seriously, those weddings we walked in on (there was hardly any avoiding them, they were all over the place…) Flowing white dresses everywhere on a backdrop of marble steps, spiralling turrets and Orthodox spires. My heart was on a serious flutter. Perhaps it’s the healthy skin tones, the raven hair, or the eyes that shelter a mixture of light and dark? Or even the fabulous dress sense? No, surely it’s the curled smiles most of them are wearing… (I wish Nizzar Qabbani could help me out here, I’m teetering on the edge of the villainy of objectivity)

Somebody stop me before I make a rash move!

Before I go too far, I’ll throw you the anecdote that tipped me over the scale of utter disbelief of Fahed’s claim to conceding a little ground to the guy. In the grounds of the St. Sophia Cathedral, Kiev’s jaw-droppingly beautiful UNESCO cathedral complex, Andrew and I stumbled upon an outdoor recital by a young Ukrainian student playing quite possibly the largest lute I have ever seen. I believe, if memory serves, that it is called a bandura? We still had a good three hours to kill so we stopped to listen, and am I glad we did! No sooner had she put her fingers to the strings than the girl began to sing, and in all my years as the son of two music teachers I have rarely heard a voice so magical. Like a siren, but sadder and more graceful. I was totally drawn in – so much so that it took me some time to realise that the bandurist and I had been staring at each other unflinchingly for almost a minute before I snapped awake, and she’d been singing all the way through.

‘You should have got her number or something,’ said Andrew, as we moved on to the Great Gates of Kiev twenty minutes later. ‘You haven’t got forever. Get them before they’re all gone, that’s what my godmother told me.’

I’m not running out of time yet – at least, I hope I’m not. Maybe I should have done or said something. As ever, I was lost in the music, I guess. Too lost to appreciate that we kept looking back at each other after her set was over. My obliviousness reigns supreme. At the very least I have a good three minutes of her set on video, so I can listen to that siren song again if ever the mood requires. And by that I mean, of course, sleep. Andrew fell asleep during her recital. If I hadn’t been so entranced, I guess I might have done so too.

It’s ok, as long as I have cats I’ll be just fine

Water under the bridge, hey? But what an adventure, and what a way to end my time in Jordan! It’s been a pleasure to live and work alongside you, Andrew, and I wish you all the best in France (knowing that you’ll be back in the comfort of your own home by the time you read this, and that Babette won’t have to check on how you’re getting on in this long-winded fashion anymore!) As for the rest of you, dear readers, I shall probably take a few days’ hiatus to catch up on sleep, as I’m dangerously behind, and to clear my head. Just a few minutes in one of Kiev’s parks was enough to recharge my batteries right the way up – green, green, GREEN, oh my God, the trees, the leaves, the grass and all of the GREEN – but I intend to set up stores for the winter, as it were. Villafranca’s not lacking in countryside, but I’ve learnt my lesson, and I’m not setting off into the open world without a well-supplied heart next time.

There’s still another hour to go until boarding begins for the flight back to London. Farewell, До свидания and I’ll catch you all later. Yours truly needs a well-deserved break from all this madness. Until the next time! BB x

Searching for God

August 10, 2015 / Benjamin Barnabas / Leave a comment

I’m not a Christian. At least, not in the truest sense of the word. Insofar as my upbringing is concerned, I guess I don’t fall under any category other than Church of England, but when the occasional questionnaire gets handed my way, I tick the box marked ‘agnostic’ without a second’s thought. Only if that’s not an option, and it usually is, Christianity gets my vote over the ‘no religion’ box. Why does this matter? Because today I found myself, once again, in a position where it made more sense to come down on one side of the fence. ‘Christian’ simply makes a lot more sense than ‘no religion’. Strong words for a not-so strong belief, don’t you think?

Let me explain (you’d better get comfortable). I was baptised as a Christian. Church of England. Standard fare. I had a fairly regular English upbringing. I attended a Church of England primary school. I went to church every Christmas and Easter, like almost everyone else. The only minor difference was that my parents both had various musical roles in their respective churches, which meant that I probably spent more time in church than most kids my age. It just so happened that one of them was Canterbury Cathedral, where my dad was a lay-clerk. I guess you get a little blasé about that kind of thing when evensong is a biweekly venture. Not to mention all the school carol services held there. It certainly made the local church back home seem a little small by comparison, though I have warmer memories of that. When I was little I went to church every other Sunday, or at least when Mum played the organ. The memories get a little fuzzy sometimes; this is reaching quite a way back into my childhood. I remember only that I used to sit behind the choir near the organ pipes, and you could hear the organ humming long after everyone had filed out of church and Mum took her hands off the keys. Between that and the old gas heater glowing a dim red in the corner, I have this musty image of your run-of-the-mill Church of England parish tucked away in my head. That’s my strongest memory of the early days, at least. Nothing particularly special. I wasn’t even old enough to sit in the choir then, but I knew most of the hymns well enough, especially the ones they used to roll out on the projector at school. Morning has Broken, for one.

Fast-forward on a few years and it gets a little more interesting. Moving back to England from a year abroad in Spain finds me singing in the church choir in my new home town. It’s nothing more than something to do, I suppose, as I have little else to do at the weekends but go birdwatching down at Stodmarsh or Sandwich Bay – I’m still too young to be thinking about girls or going out – but it pays my first wages, and it feels ‘sort of right’. Right enough to take that next C of E step and decide to get ‘confirmed’. It’s not as big a deal as it is over in Spain, with the sailor suits and all the bells and whistles that go with it, but like I said, it seemed like ‘the right thing to do’. And the other kids in the choir were a lovely bunch, too.

Then along comes my early teenage years, a girlfriend and the beginning of a new approach: evangelicalism. She got me into it, I suppose, but it was something I took to with relish. Prayer and worship, spiritual healing, speaking in tongues… It was a brand new world and I loved every second of it. Ever heard of Soul Survivor? That kind of thing. It was a far cry from ‘open your hymn-books to Hymn no. 348‘ or what-have-you, at the very least. I might even go so far as to say that, for a little while, I even believed it. But it was the people that really made it for me, not the spiritual side of it. Just like playing the violin, the practising of which I had come to loathe, it was more the sense of community that went with it that I craved: the orchestra over the recital, and the worship group over the prayers. I guess you could say I built my house on the sand. Little wonder, then, that it all came crashing down with the end of that relationship. Coincidentally, it was raining that night, too.

I wandered for a while. I asked a lot of questions. I even stopped saying prayers at night, realising that most of them had been selfish anyway – especially the later ones. If not selfish, then love-blind at the very least. Eventually I returned, somewhat shame-faced, to my local church youth group, whom I’d abandoned for almost a year and a half. That was where I met Seth and Jenny Cooper, the Walmer Parish, and Katherine, that everlasting beacon, who showed me that there was more to life than a constant search for answers. For a little while longer, I continued to carry the flag, stronger than before. I was happy. But it was not to last. A series of unfortunate events came as the second hammer blow to my faith. I started to read about the Empire, and all the horrors that had been wrought in the name of God. My brother was assaulted on the way home from school. And Katherine, ever the kindling flame, went out of my life. A few weeks later, I gave up altogether.

As a true Christian, that was my final chapter. I had another fling with the Church in Uganda – ain’t no party like an African Baptist Prayer and Worship Party – but that was little more than a dalliance. Back in England, on the gap year that seemed like it would never end, faith eluded me. Mum, on the other hand, found her way to the Catholic Church and embarked upon what she has described as the ‘road her whole life had been leading towards’. I coveted that, I suppose. It wasn’t her new-found happiness of hers that I wanted, but that contented state of mind. Structured. Ordered. At peace. At one. Something that I’ve struggled with in all the hypocrisies of my life for the last seven years. Her faith gave her life a new meaning. I’d been looking for that meaning for a while with no such luck. People say that ‘finding yourself’ is the first step on the road to that level of understanding. If I could have ‘found myself in Africa’ as so many jokingly think I did, I’d probably have more of an idea as to where exactly I am right now. Unfortunately – or perhaps fortunately, as God knows how lost I’d have been – I didn’t, and the search continues. Right up until last night, when I found myself sitting in an Iraqi church, listening to a Californian preacher explaining the meaning of John 3:16 whilst a translator conveyed it to the congregation in Arabic. Talk about a new way of looking at things!

Now we come to the heart of the matter. I’m not a Christian, like I said at the start. I might have been once, but for a token gesture or two of late, I’m not labelling material at the moment. I can go through the motions like a mynah bird, of course, but that’s got more to do with habit and observation than anything else. That, and a burning desire to believe, whenever that day comes. Until it does, everything seems false. To pray to a God you don’t believe in with all of your heart, with all of your soul – does that not seem a bit ingenuous? That’s not to say I’m not religious, though. Given the choice I’d rather be spiritual than to disbelieve entirely. I’ll put it this way: there’s a hole in my heart that’s waiting for faith. I just haven’t found it yet.

I’ve had this discussion/argument with Andrew recently. I put it to him that I’d be happier not knowing all the answers; that sometimes it’s better to stop asking questions and to have a little faith in what you can’t see; that some things, like as not, are necessarily beyond our understanding. It goes against a great deal of my character, and I think he took umbrage at that, but it’s a principle I try to stick to, and as far as I’m concerned it’s connected to the most fundamental principle of all: hope. I swear by it. There is no greater sin in my book than despair. I might not have the staying power that others prize – indeed, if something is beyond my capability (or, more often, interest) I’m more likely than not to throw up my arms and walk away – but I never truly give up on the inside. And as long as that’s the case, I’d like to believe I still have a chance.

Faith lies somewhere along the road, of that much I’m sure. Wherever it may be is, for the time being, beyond my understanding. And that’s not a bad thing. I tried to find it out here, but for all the strength of the community and the goodwill of the people, it continues to elude me. Maybe I’m being picky. Maybe I’m looking too hard. I don’t know. I’ve just got to keep trying.

I leave you (and this gargantuan post, which is approaching essay length as the clock strikes twenty minutes to midnight) with the only Bible verse I’ve consigned to heart, as it speaks to me on much the same level as it ever did five years ago, when first I found it:

The light shines in the darkness, and the darkness has not overcome it.
John 1:5

I wonder whatever happened to Katherine? I hope her light is still shining brightly for the rest of the world, wherever she is. BB x