It’s been raining all day again. I was out late with Tasha last night catching up on old times – neither of us could really believe that it’s been nearly eight years since I left – so I didn’t begrudge the downpour for a long and cosy morning in bed. You don’t have to be busy every day of the holidays, even when you’re abroad.
Luckily, I was all over Mérida yesterday with my conjunto histórico ticket, granting access to all the city’s Roman ruins, so the only thing I missed out on was the Alcazaba, which I might visit tomorrow with Tasha and her boyfriend Antonio, if he’s up and about. I don’t think I’ve seen the Alcazaba before – one tends to focus on Mérida’s Roman history rather than its Moorish past, and there are older and more impressive alcazabas (the Spanish rendering of the Arabic qasbah) in Andalucía: Sevilla, Córdoba and Granada, to name just the obvious ones.
Mérida isn’t unique in having a Roman amphitheatre either. There’s a pretty spectacular one (albeit less often seen) in Santiponce that I’ve often seen from the bus on the way in from the north. But there are a few more unique treasures to be found in Extremadura’s administrative capital, and I thought I’d tell you about one such gem below.
Let’s start with the lady of Mérida – because every Spanish city has its special lady. This one is Santa Eulalia.
Eulalia of Mérida stands tall above the other Christian saints of Spain, which is especially impressive as she only lived to around twelve years of age. A Roman Christian, she and her family were forbidden to worship God under the Persecution of Diocletian. Incensed, and unable to keep her faith to herself, Eulalia fled out of exile to the city of Emerita Augusta, where she openly challenged the local governor, Dacian, insulting the pagan gods whom she was commanded to worship. After a few desperate attempts to reason with her, Dacian had the girl beaten, tortured and burnt at the stake. According to legend, Eulalia is said to have mocked her tormentors until her dying breath, which came out in the form of a dove.
Eulalia was once a great deal more powerful than she is today. Before the rise of the cult of Santiago, it was Santa Eulalia de Mérida in whom the Christian soldiers placed their trust as they made war on the Muslims occupying the lands their ancestors had once held; and it was to her tomb in Mérida that thousands of pilgrims travelled during the Middle Ages, before Santiago Matamoros muscled her out of the picture.
At least one of my Protestant Christian friends has remarked at some point about the thin line between the Catholic Church’s veneration of saints and idol worship. Surely – they have reminded me – it is God and by proxy his son, Jesus Christ, to whom prayers should be made, not the pantheon of mortals who claim to be able to intercede on my behalf?
I can see the argument as plain as day. There are shops up and down this country selling nothing but saint souvenirs: votive candles, icons and fridge magnets, scented rosaries and car ornaments. I have a few myself – a family rosary from Villarrobledo and a more personal one from La Virgen del Rocío, which these days is on my person more often than not.
However, I don’t think it’s as simple as that. How frightfully urbane, to assume that the only true relationship with God is a detached and decidedly modern Western take on prayer. How tremendously big of us to assume that we can comprehend a force that it is, by its eternal nature, beyond our understanding. Community is a powerful agent – it seems only right that the spiritual world, Christian or no, has a network of pomps to streamline the neural network that binds us all together. On Earth as it is in Heaven, as they say.
Spain has a long history of wandering saints. Santiago journeyed beyond death to Galicia, sparking the most famous pilgrimage in Christendom. Guadalupe travelled from her mountain home to México to become one the most venerated Marian cults in the world. Eulalia was dug up and reinterred in Oviedo, where she became a figurehead of the Reconquista (I genuinely had no idea I was standing before her final resting place this summer). Teresa of Ávila’s body parts have travelled all over, most famously her Incorruptible Hand, which used to grace Francisco Franco’s desk.
Tomorrow, I make for Sevilla. Journey’s coming to an end. I’d better make sure I’m fully packed. BB x
Less than a week remains. I’ve been on the road for well over a month now. Thirty-six days, to be precise. Thirty-six days of the same morning routine, which I shall try to relate below.
Wake up at 4.45am. Sometimes an hour later. Pack away my sleeping bag and charger and scan the area to make sure I don’t leave anything behind. Go to the door and check for the essentials: passport, wallet, phone, sticks. Set out by 6am at the latest and have some kind of breakfast as I go: a Nakd blueberry bar, a Bolycao or a flat peach.
Some days I stop for breakfast. Some days I stop for a breather. And some days I don’t stop at all. Today was one of those days. Apart from a five minute pause in the shade, I walked pretty much without a break from A Fonsagrada to Castroverde – nearly forty kilometres over hill and fell.
But I always make a brief stop when I reach a church or sanctuary – or, failing that, a cross in the wilderness. Prayer is an important part of my Camino, as it’s one of the few times I really feel connected to my faith.
I pray for the dead: for my grandfather José and my great-grandparents, Mateo and Mercedes; and I pray for David, the father of a dear friend who passed away earlier this year, in honour of a promise I made.
I pray for the living: for my companions along the road, and for the communities through which I have passed, as is often the request in some of the smaller and more devoted villages along the Camino. I usually add an intention for somebody or something different every day: the Italian girl too ill to go on, an inspirational teacher who came to mind during the walk, or someone I crossed verbal swords with at some stage or another.
Finally, for myself, I ask only that my steps be guided to Her, wherever She may be – the woman who will love me as much as I love her. She’s proving rather difficult to find, but prayers can be good for the soul, even if they don’t always deliver.
It is easily to be contemplative along the Camino de Santiago. So many hours alone on the road, with nothing but the songs of birds and the whistling of the wind in the trees above. I’ve had the familiar company of the characters from the Lord of the Rings for the last four days, but that saga ended shortly before I reached O Cádavo and I needed silence for the last two hours after that.
The timing was apt. The last third of The Return of the King is all about saying goodbye. Today I said goodbye to the mountains, crossing Montouto – the last of the high sierras on the Primitivo – shortly before eight o’clock. My feet will be thankful, but I shall miss the awesome beauty of being up among the clouds in the early hours of the morning. There is a silent magic in the mountains, colossi of stone that have watched the world grow around them since time immemorial. The Camino is an ancient road, but the land is older still, and the Primitivo takes you through some of the best of it.
I wonder if it’s the silent prayers that are answered more readily than the spoken ones? I have never prayed for good fortune with the wild things along the Camino, or on any of my adventures for that matter, and yet I have had such luck this year: nightjars, otters, vultures, wolves and that magnificent lynx. Some of it you could chalk up to practice, knowledge and stealth, or even just luck, but I like to think it’s earned somehow. Despite the heartbreaks I have had, I still tend to go into relationships with my heart wide open – and that has always been the case in my relationship with nature.
Watching the ocean of clouds roll across the valley and through the trees was enough to lift my spirits this morning. I forgot to say thank you in my prayers then, so I shall tonight. It isn’t every day you get to see such beauty, and we should always be grateful for such things.
In a month’s time, I shall be back at my desk. Planning lessons. Responding to emails and Teams messages. Worrying about this or that task that needed doing yesterday. I have been able to shut myself off from it all on the Camino – in fact, I’ve hardly given it much thought until today. What a beautiful panacea the Camino is!
I met an old friend in Castroverde today: Teodor, a Romanian pilgrim who I had dinner with in Monreal, now all of four weeks ago. I didn’t recognise him at first, but he recognised me. Curiously, he’d heard talk of me on the road a few days prior. How is beyond my guessing, as I’ve done several double days, so whoever it is who had met me has obviously been racing ahead. The Camino can be like that: a one-thousand kilometre long bubble.
I went to the local pool with him and the small group of young men in his train, but I didn’t have dinner with them. Teodor and the Danish doctor among them made for fascinating conversation, but the others were more interested in smoking and talking about how many ‘b*tches’ they could have been ‘doing’ on the Camino between awkward attempts to get the waitress to linger. I’m not a big fan of rakish behaviour, so I politely excused myself and had dinner back at the albergue.
Tomorrow I make for Lugo. It’s only twenty kilometres or so, so it’s a really light day, but my feet might forgive me the release after two forty kilometre stints back to back. I do want to get to Santiago with functioning feet, after all. BB x
Albergue El Jardín del Camino, Mansilla de las Mulas. 22.20.
I’ve developed my first blisters of the Camino, but typically for unconventional me, they’re not on my feet at all. They’re on my lower back, where the frame of my rucksack has been rubbing, despite my best efforts to adjust the straps. If I adjust them any further, I won’t be able to fit my arms through the straps, or take them out for that matter. I’ve put some Compeed over them and that has helped a little, but it’s a bummer to have to slum it with the rest of the world after such a glorious blister-free run of it.
We left Sahagún early, lingering for half an hour later than yesterday to take advantage of the breakfast left out by the Benedictine sisters and their volunteers. It was still dark when we set out – not as pitch-black as yesterday, but still dark enough to warrant the use of torchlight to find the signs here and there.
We passed Bercianos early and most things were shut, after which I started to get itchy feet and took off ahead. Along the way I heard the strumming of a guitar in a slim stretch of forest – a brief oasis in the golden fields of the meseta – and there I found Steven, a Chilean-South African who we haven’t seen for about a week. He’d found a solitary spot beneath the trees where the orioles sing to play his heart out. That’s something I’ll admit I’ve been missing a bit in this fun but busy Camino.
I stopped a couple of times during today’s walk to appreciate the silence of the meseta. There’s not much like it. I imagine the Dakotas might have the same sound – or rather, the same total absence of it. I suspect it’s that all-encompassing stillness that leads some pilgrims to abandon the Meseta altogether, fleeing the self-imposed stillness that surrounds you from the moment you leave the city of Burgos and step up into the golden highlands. I am not even out of it yet and I know I shall miss it when it has gone.
Today, as I have done on my solo strike-outs, I allowed myself a moment to listen to some music. Mostly from my favourite musicals so I could sing along (Jesus Christ Superstar, West Side Story, The Prince of Egypt and Fiddler on the Roof), but also my recordings from my various musical endeavours with my students over the years.
Rutherford House’s Rolling in the Deep and their house band’s covers of Stayin’ Alive/Without Me and Thrillie Jean. My short-lived Gospel Choir’s Ain’t No Rock. My new funk band’s one-day run atLauryn Hill’s Doo-Wop. I forget more than half of the lessons that I teach, but every rehearsal and every performance stands out in my memory like an island in a wide, wide sea. The voices of the children I have taught surround me like a vortex in the Meseta and I am lifted up by the smiles on their faces as they experience the same giddy thrill that the music gave to me when I was their age. It makes the whole thing worthwhile – the long hours, the nerve-shattering email and Teams threads, the windowless flats and the social life that I have sacrificed upon the altar of my calling for the last nine years of my life.
Without the music, it would all be for nothing. It would all be a mistake.
There’s all sorts on the Camino. Sane and insane. Students and soldiers. Culture vultures and racists. Free spirits, free lovers, free thinkers and freeloaders. People who seem to think it’s ok to slap stickers advertising their YouTube channels on every flat surface and people walking so fast they don’t have time to read. And yes, while many pilgrims blanch at the idea of singing together (barring the Italians, these are frustratingly common), there are plenty of us who leap at the chance to connect with others through the medium of music, the truly universal language.
I’m a little disappointed that the most popular Camino-related song one encounters along the Camino (besides Ultreia, Suseia) is a mawkish folk song in English called The Way that is currently being aggressively marketed in sticker form wherever you go. By comparison, even the Taizé songs that have now sunk their claws into the Camino are a breath of fresh air – at least they respect the multilingual world of the Camino de Santiago (which I refuse on principle to translate as “the Way”).
I’m having a much more spiritual time on the Camino this year. I’ve managed to attend Mass most days, despite traveling with a group of non-Catholics, and all the pilgrim blessings have been very special. Yes, I’m still a little annoyed by the rampant secularisation of the Camino and the way it gets treated as a big and sociable walk across Spain, as though that’s all there is to it… But every day is an exercise in tolerance and I’m doing my best to listen and learn.
I miss Spanish food. I’ve sacrificed my usual diet to facilitate the dietary requirements of my fellow vegetarian and gluten free pilgrims and it’s meant a lot of bland and global meals for the last fortnight. But that’s just one more lesson the Camino has to offer: life is all about sacrifice, especially if you live to serve, as I believe we do. Sometimes we have to give up the things we want the most – a job, a lover or even just a plato combinado – to make sure that those around us can be the very best versions of themselves. It isn’t an easy path, but I know that it is the right one.
Faith in its most literal manifestation may not be as ubiquitous on the Camino de Santiago as it once was, but it can always be found in the small actions and interactions of others. That gives me hope. My back might be hurting from the friction of the weight I’m carrying, but my heart is light. BB x
Albergue El Alfar de Rosalía, Hornillos del Camino. 20.03.
I was up at 4am this morning, probably due to the racket put up by the Koreans snoring next door. In any event, they were up and about with headlamps on by five and, since I couldn’t get back to sleep, I figured I’d get ready for the day, too.
It was as well that I did so. I had to intervene with a frantic Spanish woman in her fifties who was weeping into her phone with frustration because she couldn’t find the emergency exit that would allow her to leave the albergue before the main doors opened at 6.30am. I calmly pointed out the stairwell and a minor outflow of five or six similarly lost pilgrims followed suit, including Gust, the young Belgian lad we encountered in Grañón, and Lur, an enigmatic Basque girl with raven-black hair who has hardly said a word but who has been a feature of the Camino since Puente La Reina.
We said farewell to Alex after a last breakfast together outside the albergue and set off just after seven o’clock. Burgos’ Cathedral looked as magnificent as ever in the morning light, its twin towers visible for nearly four hours on the horizon after we left the city.
Leaving the city of Burgos is almost as laborious as entering it, but the west side of the city is a residential district and thus makes for a much more pleasant walk. An old lady redirected us near Villalbilla de Burgos, and while I don’t think it would have made an awful lot of difference if we’d kept going the way we were going, it’s nice that everyone around here id so invested in the Camino that they’re out to help.
I found a couple of storks feeding in the Arlanzón river just after the crossing. They’re always so unaffected and untouchable in their nests atop the turrets and towers of Spain’s churches, so it’s not all that often that you encounter them in their “natural” habitat, where they are surprisingly wary and don’t let you get too close.
Tardajos’ church was open so I dropped in to collect the second stamp of the day, and a tip-off from pilgrims further ahead alerted us to a nun blessing pilgrims in Rabé de las Calzadas. The sister in question, a little old lady in her seventies dressed all in white from the Daughters of Charity, stood at the door of a little chapel on the edge of town, waving passing pilgrims over to approach. We went over for a blessing.
Spiritually, we’re a mixed group: a lapsed Catholic, a Reform Jew, an Agnostic and a Catholic who has found his way to God relatively recently. But for this last, this moment was one of the most magical of the entire Camino so far.
Taking us firmly by the hand, the Sister talked to us awhile about the spirit of the Camino and what it truly means to be a believer, in the least preachy way I have ever heard. Some of the would-be youth pastors I have worked with in the past would have learned much by her example. She quoted a poet who she could not remember (and I cannot locate) and asked us to go forward with the eyes of an owl, always searching, the heart of a child, always feeling, and the feet of a pilgrim, always walking.
Perhaps she was paraphrasing the Spanish poet Antonio Machado’s Olivo del camino, which has the following line:
Que en tu ramaje luzca, árbol sagrado, bajo la luna llena,
el ojo encandilado del buho insomne de la sabia Atena.
She gave us each a small token of the Lady of Charity, blessed us with a gentle hand on the forehead and sent us on her way. A purer soul on the Camino would be hard to find.
After Rabé de la Calzada, the Camino climbs up one last time and then the Meseta begins in earnest: a vast and unbroken expanse of gold beneath the immensity of the Castilian sky, pushed beyond the reach of man by a thousand generations of Castilian countryfolk.
It is hard to describe the true beauty of the Meseta when so many pilgrims describe it as the “hardest” stage. The “least interesting” stage. The “most boring” or even “the ugliest”. It is certainly true that the spectacular Pyrenean scenery of the first few days is now little more than a distant memory.
But to do so is to ignore the magic of the Meseta. The whistling wind in the golden fields. The gentle throb of the wind turbines on the hills all around. The near total absence of birdsong, interrupted only so often by the twitter of a linnet or the call of a quail. This is a road that can be walked with a companion, but is best walked alone.
For me, this is where the true Camino begins: the road inside, into your head and into your heart, with nothing between you and your thoughts but the sapphire sky.
I was going to spend the afternoon writing, but I heard the church bells ringing for the afternoon Mass so I set down my things and wandered over. It wasn’t an especially large gathering, and I was the only Spanish speaker present until a small group of pilgrims from Urgell arrived, so I was called upon by the priest to do the reading. I could certainly have dressed more modestly, even though my options are limited out here, but I wasn’t expecting to be delivering the Lord’s word this afternoon, so… a sports vest, toe socks and Hawaiianas it was.
The reading was from Exodus, 11:10 to 12:14 – by far my favourite book of the Bible. For perhaps the first time in my life, I felt something in that church. It moved me. Not just the sacred words, but… something. Like a voice I could only perceive, that spoke to me without words. For a moment, I felt as though my great-grandparents and my grandfather were right there beside me. It was nearly enough to move me to tears.
When Mass was ended, the priest called us up to the altar for the pilgrim’s blessing. Everyone read the blessing in their own language. I read twice – once in English, once in Spanish. Spanish feels more natural for prayer – after all, if they prayed at all, that’s the language my ancestors would have spoken. And isn’t this all about a closer walk in their footsteps?
I have been on the road for eighteen days now. Twenty, if you count the day and night it took me to reach Oloron-Sainte-Marie and the start of the Camino. It has taken this long to find the spiritual side of the Camino for which my heart has been longing so. I feel more fortunate than ever and my heart is full of hope.
The Meseta stage can be a trial. It can deter many weary pilgrims, especially in the heat of the summer. But I remain convinced that it is where the unspoiled heart of the Camino can be found, in every sense of the word.
The way ahead is clear and my eyes are wide open. I shall follow that road, wherever it may lead, and trust in His plan, whatever that may be. BB x
Well, first of all, dinner last night was phenomenal. Heidi, one of our hospitaleros, cooked up an absolute smorgasbord supper, and still under the banner of donativo. I hope the other pilgrims also tipped generously, because it must be really hard to whip up a spread like this without the generous donations of the pilgrims themselves. Remember, donativo doesn’t mean free – pay what you can, and what you feel the place deserves!
I was one of the last to leave this morning, as I was hoping I might score a few more stamps in churches along the way. as a matter of fact, they were all shut – every single one of them – so I needn’t have dawdled. I did only have 19km or so to go today, though, so I was in no hurry.
Leaving Canfranc behind, the Camino follows the river through the Valle de Aragón all morning, only turning away for the ascent to Jaca at the end of the road. What was only a mountain stream yesterday is already a powerfully flowing river, carving an impressive series of gorges in the granite along its course.
The next town along is Villanúa, where you are confronted with a strange sculpture in the shape of a many-limbed tree stump. On closer inspection, it’s actually an abstract representation of the women of Aragón who were persecuted for the crime of witchcraft during the Middle Ages. A single face carved into the structure drives the message home. There used to be a rope hanging from one of the branches, in a nod to one of the favoured methods of execution of witches, but it looks like that was removed.
During the Middle Ages, Aragón was knee-deep in tales of witchcraft. The Inquisition tasked itself with purging the region of heretics – a very broad umbrella that encompassed Protestants and “Judaizers” as well as witches – but such was the strength of belief in the occult in this remote and mountainous corner of Spain that witchcraft remained a talking point until as late as the 19th century, as can be seen in the pinturas negras of the Aragonese painter, Francisco de Goya.
The reason Villanúa comes into this can be found just off the Camino a hundred metres or so before entering the town. A series of steps cut into the rock lead up to a cave, accessible only via a guided tour. You can feel the chill of it as you climb towards it, and while there are plenty of perfectly reasonable scientific explanations for the drop in temperature near a cave mouth, it’s easy to see why such a place might have instilled a sense of fear in the ancients. The steps go deep, and in its heart is a large cavern lit by a great hole in the ceiling. It is believed that this was where the witches of Villanúa came to practice their akelarres – Witches’ Sabbaths – summoning evil spirits and bathing naked in the moonlight.
Of course, it’s just as likely that most (if not all) of those accused of witchcraft in the Middle Ages were completely innocent. Some local pedant seems to think so, anyway, adding a footnote to the information, claiming the accused were “too busy being burned and hanged by the misogynists of their time” (#romantizandomasacres).
It may well be true, even if it does take away from the mystery, but it’s worth bearing in mind that curanderos – folk healers – were frequently called upon throughout the Medieval period, especially in times of environmental stress. It’s plausible that some of the so-called witches really were trying to bring about some kind of change in their own way.
For me, it’s never been about their innocence. Whether or not they were witches is of no consequence (though I’d rather believe they were). The real demons of the story are the ones who were so strangled by their own fear that they saw fit to send these unfortunate souls to their deaths.
Either way, peregrino, if you feel a chill on your approach to Villanúa, it might just be the lingering malice of the Cueva de las Güixas on your left.
I had to double-back today, not because I’d forgotten something, but because I’d missed something rather special. The boulder-strewn fields before Villanúa harbour more than just witches’ grottos. There are older and more mystical relics by far, though I’d wager the average pilgrim completely passes them by, fatigued as they are from their three-hour climb down from the mountains.
It’s a dolmen – an ancient burial site from the Stone Age. There are quite a few of these in the area – large stones (or megaliths) being plentiful in the Pyrenean basin – but at least one can be visited from the Camino without too much effort. Dolmens like these can be found all over Europe, from the islands of the Mediterranean to northwestern France and Britain. In a way, they are just as much a symbol of the Camino as the yellow arrows, since they mark the westward expansion of our earliest ancestors as they moved west across Europe, until they could go no further.
The remaining fifteen kilometres or so to Jaca are easy to follow, if a little rocky underfoot. I’d spent so much time exploring the caves, dolmens and ruins of long-abandoned villages that I now had quite a long march beneath the risen sun, and my feet were definitely starting to complain after yesterday’s exertions. So, for once, I plugged in and listening to an audiobook – William Golding’s The Inheritors – as a way to push on. I hoped I might pop in on a few churches along the way, but as I suspected, they were all shut, so I got to Jaca by midday without further delay. Mariano, the musical madrileño from the albergue in Canfranc, had got there just before me, but we still had a little wait before the dueña showed up to let us in.
I bought lunch for myself and Mariano (I’ve had an easy ride with others treating me so far, and it’s only fair to share), before giving myself an hour or so to explore Jaca. The cathedral is austere but impressive, as Spanish churches often are, but its real treasures were in its Diocesan museum. At 3€ for pilgrims – with a stamp for the credencial thrown in – it’s a steal, especially when you see what it contains.
These Halls of Stories are bewitching beautiful, recreating scenes from the Bible for the illiterate masses while the holy words were kept in the jealously guarded secret language of the elite, Latin. I’m not normally one for religious art – the Renaissance obsession with ecstasy in its subjects is a major turn-off for me – but anything Gothic or earlier and I’m all in. The world was a darker and more mysterious place back then – and doesn’t that make it so much more interesting?
Latterly, I’ve become a lot more interested in ancient depictions of monsters, and the Devil definitely falls into that bracket. It took me a little while to realise the crowned imp in the image above – a detail from the mural of Bagüés – is a representation of Satan. I wonder what their reference was? With the red skin, narrow eyes and the feather-like crown, he almost looks like a Taino Indian, but that would be anachronistic in the extreme – these paintings were created four hundred years before Columbus sailed to the Americas.
Are there elements of Pan, the pagan god of the wilderness? It’s no secret that the goat-legged minor deity had a huge impact on the Christian devil, with the early Christian scholar Eusebius of Caesarea claiming the two were one and the same in the 4th century. Pan represented all that Christianity sought to suppress: vice, sin and animal instincts, crystallised in Pan’s half-beast limbs.
It’s not always goats, either. Traditional depictions of the devil often feature scaly or bird-like legs, akin to a chicken or a hawk. Most paintings of Saint Michael feature the Archangel standing triumphant over the body of a demon, and it’s easy to see the inspiration in these paintings: pigs’ ears for greed, scaly skin for the deception of the serpent, and thick, knotted talons for the eagle, one of the most feared and respected predators of the ancient world (if you’re not convinced, just look at how many world flags feature an eagle).
The references are much clearer here, but what of the Red Devil from the Bagüés mural? He has neither the goatee beard nor the cloven hooves. Who was the artist’s muse? Perhaps we’ll never know.
As I worked my way round the exhibit to the exit, a solitary face caught my attention. Or rather, a pair of eyes. Amid a wall of depictions of a saintly and contented Mary – Inmaculada, Asunción, Madre de Diós – a little painting of Dolorosa follows you with its eyes, which are bloodshot and full of tears. Her Son, arrested by the religious authorities and sentenced to death for the crime of working miracles, was crucified before a baying crowd.
Over a thousand years later, the same story played out again and again across Europe, only now it was done in Christ’s name. There must have been a thousand Marys who watched their sons and daughters befall a similar fate. And still it plays on.
Critics may say the Catholic Church puts far too much emphasis on the doom, gloom and damnation, but there is wisdom in the Catholic acknowledgement of the darkness. We might have been created in God’s image, but that does not make us perfect, and history tells us that some of us stray very far from the path when we try to be perfect.
Mary’s grief is eternal: it ripples across time.
Wow, that got pretty heavy. Check back in tomorrow for some more light-hearted adventures across Aragón! BB x
Departures Lounge C, Malaga-Costa del Sol Airport. 9.18am.
My adventure is drawing to a close. In a matter of hours I will be back in the familiar settings of my flat. Sometimes, at the end of a holiday, I’d be feeling glum at this point. There’s a bit of that right now – I’m never overly happy to leave this country behind. But it’s been such an incredible three weeks that I have no regrets whatsoever, so I’m going back home with a full heart and a nauseatingly broad smile. Not even the British weather waiting for me when I get home could take that away from me.
I was up early this morning to check in to my last pensión of the trip. Nowhere is open for check-in at 8 o’clock in the morning, but I was suspicious about the link I’d been sent asking for confirmation payment up-front, and wanted to dot the I’s and cross the T’s in person. I was right to be cautious: their Booking.com account had been hacked, asking customers for a down payment that “might not be the same as on the website” – in my case, a fare ten times the amount agreed. Thank God I went in person to sort things out. God helps those who help themselves, or so the saying goes, but I’d like to think that La Virgen del Rocío is still watching out for me.
With my mind at ease, I had my last chocolate con churros of the trip and then set out to see the Legion, who had just disembarked and were on their way to their casa de hermandad west of the river. Once again, I was lucky to find a space to stand, since by the looks of things the entire city had turned out to welcome the troops.
La Legión, also known as the Tercio, is one of the most famous wings of Spain’s military. Though modelled on the French Foreign Legion, a similarly fearsome fighting force, la Legión is not as foreign as its name might imply: Spaniards comprise the vast majority of its troops, with Latin American and citizens of other Spanish-speaking countries making up the rest. This was the unit that Francisco Franco commanded, a mighty and highly professional unit used with devastating effect against the Republican forces during the Civil War. My allegiance should be straightforward – my great-grandparents were Republicans, and my great-grandfather Mateo was a victim of the regime that La Legión helped to put into power – but even I have to admit that I thought them impressive as they paraded through the city, belting their battle hymn, El novio de la muerte, at the top of their lungs.
The past is the past. Hate has to find the hands that it knows, and I’m not one for grudges. I’m also a Catholic who bloody loves a good spectacle, and the Legión certainly provides.
In one last stroke of luck, when I came back to the pensión to check in, the receptionist asked if I would rather “dormir o ver la procesión”: somebody had cancelled just minutes before I arrived, and a balcony room had suddenly become available. As a good friend once said, “you can sleep when you’re dead” – so I snapped up the balcony room. My pensión of choice looked out over Calle Especería, which just so happened to be the primary conduit for all but one of the eight pasos making their way through the city. Not only would I be able to watch the processions from the comfort of my room, I would be able to do so without having to deal with the inevitable crowds, now at their greatest in number as Semana Santa reached its summit. I really couldn’t have been dealt a better card.
The first paso arrived shortly after half past five, at which point the street below became impassable. It’s just as well I had supplies, because one procession followed another – it would be past one o’clock in the morning before the last procession had come and gone, and the spectators walling the street with it.
From my vantage point on the second floor, I could see a lot of things I hadn’t noticed before. Like the old-fashioned jugs each paso carried with it, appearing suddenly from beneath the tronos every time the procession came to a halt to provide relief to the weary costaleros. As the night went on, the train on the dresses of the Virgin Mary got longer and longer, and many of the costaleros were entirely reliant on the sound of the llamador (the bell at the front of the trono) and the voice of the capataz (the man in charge of guiding the costaleros) to know when to stop and when to go.
The Legión arrived a great deal sooner than I expected. I’d just popped back inside for a drink when I heard the first verse of El novio de la muerte (literally, The Groom of Death) and had to double back. I must have only seen one of the four tercios (divisions) of the Legión this morning, because they seemed to have quadrupled in number. Led by their officers, the nazarenos of their brotherhood and a number of standard-bearers carrying golden flagpoles, it had all the trappings of a Roman triumph. I guess that’s part of the look they were going for. Either way, it was quite something to watch from on high – especially the way their marching steps fanned out in a perfectly synchronised wave from the left.
I experienced my first genuine saeta shortly before midnight. There is little that can compare to a proper saeta: it is, in essence, a religiously inspired solo piece, sung by a spectator who feels so moved by the emotion of the procession that they put their feelings into song. The origins of the saeta are unclear, but they’re thought to have derived from a fusion of Islamic calls to prayer and Jewish psalmodies with old Franciscan processional hymns. In Andalusia, the region most commonly associated with the practice, they have a strong connection to flamenco, which becomes immediately obvious when you hear the wailing style of the singer and their wild gesturing toward the paso, which must by tradition come to an immediate halt when a saeta begins.
I’ve seen saetas before, albeit slightly less impressive – the kind where somebody stands in front of the church and reads from a score. Not this one. This came from the heart and soul of a man in his sixties, who was leaning half off his balcony and crying out to both El Cristo and La Virgen with every ounce of duende that his spirit could muster. It was really something to behold, and it had the whole street in silent rapture – which, with hundreds of people lining both sides of the street below, only made it all the more impressive.
There’s something about the music of Semana Santa that is fundamentally powerful. It could be the wailing solos played on the keyed trumpets with that quality of vibrato that is so ineffably Hispanic, often associated with bullfights and Mexican standoffs. It could be the way that the drumbeats make your very heart tremble within you as they reverberate off the walls of the narrow streets, or the way that one of the drumrolls is alwaysdelayed, producing an effect that is almost hypnotic. But I think a lot of it comes down to the fact that the music is modal – that is, a music form phased out by the Protestant Church as it was felt to be “too ornate” for worship.
You can say what you like about the quality of modern Christian worship music, but as far as I’m concerned, the moment that this kind of music was deemed “too distracting” was the moment that the decay set in. In the opinion of this author, there’s nothing that Hillsong and its ilk could ever do to even come close. Semana Santa is an endless replay of the last week of Jesus’ life, with all of the grief and pain and none of the vapid Jesus-we-love-you-ness that marks a lot of modern Christian music. That’s one of the reasons I have a thing for Gospel music, too: while it also indulges in giddying joy, it draws on the shared pain of its creators to delve into the dark heart of suffering in ways that Hillsong just can’t. There are three hundred and sixty days in the year to celebrate the joy of Jesus’ resurrection, but Semana Santa focuses the lens on the five days where he suffered most terribly. It’s a memento mori, a reminder of the relatable human mantle that Jesus took to suffer and die for the sins of mankind, and of the grief of a mother over the death of her son. Christ the Lord is Risen Today seems almost farcical by comparison (especially if you’ve seen the infamous John Daker video, which I have far too many times). By making worship music more accessible by simplifying its structure, they ripped out its soul.
Spain is a country that has experienced a tremendous amount of religious rage and repression, arguably more than any other in Europe if you factor in the tumultuous conquest and reconquest by Christian and Muslim overlords and the religious persecution that followed over a period of seven hundred years. So the suffering evoked by their saetas and processional marches is very, very real. In some parts of the country, the music isn’t enough: there’s a town in Extremadura where the penitentes bind themselves to crosses in a simulation of the crucifixion and do some of the procession on their knees, while the most devout Spaniards will even follow the processions with crowns of thorns of their own, or whip themselves as they march down the street. The suffering becomes as much a performance as the music itself. Church attendance may be on the wane here just as much as it is everywhere else, but in Semana Santa, you’d be forgiven for thinking that the official statistics were wrong.
La Virgen de la Esperanza and her bearers returned home shortly after seven o’clock in the morning, almost an hour before sunrise and just before I walked past on my way to the train for the airport, after a nine hour march through the city. In a few days it will all be over, and the city will return to normality until the whole process starts all over again in a year’s time. But I have bottled as much of the magic as I can and am returning to England with my head and my heart ringing with the rattle of snare drums and the wail of trumpets. I have been reminded in no uncertain terms that it is here in Andalusia that it all began, when my parents made that mad decision to move out here for a year, and my future was lashed forever to this wild and passionate corner of a wild and passionate country.
There’s no two ways about it. I’m a total Semana Santa junkie. If it wasn’t for Semana Santa falling within the school holidays for the first time in years, I probably wouldn’t be here at all. Given the choice, I’d be nowhere else for Holy Week. Spain – and especially Andalusia – simply does Easter like nowhere else in the world. The only reason I haven’t followed a procession all night this time around is on account of being in a swarming city. One day, if God should see fit to grant me that privilege, I should like to take my uncle up on his offer and serve the family’s cofradía as a costalero. That would be the only way to put a seal on my obsession with this phenomenal custom.
I was only half an hour off the bus back from Gibraltar when I was back out on the streets to catch the Wednesday night pasos. I didn’t have to go far: the Brotherhood of Nuestro Padre Jesús “El Rico” y María Santísima del Amor had just left their parish and were looping back around the Plaza de Merced. The rank and file nazarenos were dressed in robes of deepest blue, but some of them wore white cloaks emblazoned with the red badge of the Order of Santiago.
In their train was a group of women in black, wearing the traditional mantilla, a gesture of solidarity with the grief of the Virgin Mary. Known as manolas, they are a relic of a time before women were allowed to participate in the usual Easter celebrations, such as wearing the capirote or carrying the pasos. Until as late as 1987, it was forbidden for women to don the hood, and it wasn’t until some time after that it became common practice for them to do so. These days, wearing the mantilla is something of a badge of honour for young women, knowing that they are keeping an ancient tradition within a tradition alive.
I allowed myself an hour’s respite – mostly to charge my phone – before heading back out into the night to see the processions by candlelight, when they truly come into their own. I was lucky to get a spot at all. Being such a major annual event, many malagueños know to stake out a spot early to get a good seat – quiet literally, in fact, as a number of the principal routes were lined with foldable deckchairs from eight o’clock in the morning!
Málaga’s guiris don’t seem to be huge Semana Santa junkies. By nightfall, they had mostly retreated to their hotels, leaving the streets to the locals. As such, with a couple of exceptions during the night, the dominant language in the street was that wonderfully ebullient andaluz, best spoken a gritos. My mother likes to collect sugar packets from cafés, and Spain has a quaint habit of decorating theirs with quotes. The only one that has always stuck with me is the incredibly Spanish ‘lo que vale la pena decir se dice a gritos’ (whats worth saying is worth shouting), which is probably one of the most Andalusian statements around. And to think I once found their accent impenetrable and annoying…! Heresy. Now it’s nothing short of music to my heart.
Another beautiful tradition of Semana Santa is that of the bola de cera. As the sun goes down, the nazarenos light their long candles – hardly necessary in a city as well-lit as Málaga, but an essential part of the spectacle. They need to be long to last the night, and it’s for this reason that the nazarenos all wear gloves, to stop the hot wax from dripping onto their hands.
In Andalucía, there’s another layer to it. Every time the procession comes to a halt, children run out into the street and ask the nazarenos for the wax from their candles.
They collect it on little sticks with a coin attached to the end – or using last year’s wax balls, if memory serves – and compete to see who can get the biggest ball of wax by the end of the night. It’s an old way of keeping the younger children entertained during the long hours of the processions, which usually go on well past midnight.
Honestly, it’s just incredibly endearing to see how wholesome this little game is. Sure, Spanish kids love their mobile phones just as much as (if not more than) English kids, but you don’t see a lot of English kids collecting wax or playing with spinning tops in the streets. I still have very fond memories of playing dodgeball and pilla-pilla in the streets with my friends when I was growing up out here. There’s just a bit more variety in the games that Spanish kids play. I want that world for my kids, if I should be so lucky to have children of my own someday.
There was a bit more of the behavioural policing tonight that I’m used to seeing in the pueblo: silver-staffed nazarenos striding over to give a ticking off to younger penitents who might have broken rank for a moment to gossip or talk with friends and family in the crowd. I’m always amazed by how quickly the nazarenos are recognised by their peers in the street, but then, if a ewe can tell its own lamb from its call alone, is it is so hard to imagine that a mother can tell their child from their eyes or gait? Perhaps not. We may not have the heightened senses of some of our animal friends but we are mighty indeed.
The one transgression that wasn’t being quite so closely monitored was the clustering of nazarenos around the glow of a screen at every stop – particularly in front of the Irish bar, where a large telescreen was playing the Real Madrid/Arsenal game. One nazarena was accompanied by her boyfriend, her black robes and his hoodie bathed in green light by the game on his phone, while a cluster of six nazarenos stopped to catch up on the replay, courtesy of one of the costaleros.
It was obviously an important game (what do you expect when Real Madrid are playing?) and it ended in a crushing 2:1 defeat for Real Madrid, but thanks to the greater task at hand of the procession, you wouldn’t have noticed. That said, I suspect that a Spanish victory might have been very noticeable: Spaniards don’t celebrate in silence.
To round out the night, a wing of the Spanish Army – specifically its Almogávar paratroopers – paraded by, accompanying their image of the Virgin Mary on her journey through the city. Lots of Spaniards come to town to see the Legion, but the Almogávares were a bloody good warm-up act, performing a number of impressive drills and acrobatics with their weapons as they marched.
Like a lot of military terms – including our own admiral – the word almogávar is Arabic in extraction, deriving from the word al-mughāwir, a light infantry raiding unit used by both the Moors and the Spanish during the Reconquista. Spain owes a lot to its Islamic past, from saffron and stirrups to rice pudding and the police. Slowly, I think the country is starting to appreciate its coloured past a bit more.
I’d better leave it there, or I’ll have bored you stiff with Semana Santa stuff – and I’ve still got one more night’s work to report! So stick around – the best is yet to come! BB x
Everything always looks better in the light of a new day. It also always feels better after a decent night’s sleep, which – bar a brief episode where the street sweeper went by at 4am this morning and woke everyone up – I most definitely had. With my inner city blues no longer making me want to holler quite like they did the day before, I set out into Málaga in search of somewhere green and quiet.
The street sweepers were still at work as I wandered across the old town, scouring the slabs outside the cathedral. There’s two reasons for this: one, to remove the wax from the dripping candles of the processions, and two, to remove the gum spat out by the thousands of spectators (especially the younger ones – almost every other guy and girl was chewing something last night).
I see a fair amount of gum-chewing as a teacher, but nowhere near as much as I do here. Spanish kids seem to be hooked on the stuff.
Gibralfaro is the antidote to the crowded streets of Málaga. An island of green in the busy seafront city, it allows for a rapid escape from the noise. Stick to the nature trails and you’ll leave even the rest of the foreigners behind. It might seem hard to believe, but there are corners of Gibralfaro where you can sit and imagine what this place was like a hundred years ago, before the coast was swallowed up by the leviathan of modern day tourism.
I came here looking for chameleons, primarily. They’re one of a number of strange African animals that can be found in Spain, alongside the genet, the mongoose, the Barbary macaque and the crested coot – all but the last of them introduced by the Moors, in all likelihood, though there is fossil evidence to indicate that some inhabited the Iberian peninsula in ancient times.
Looking for chameleons was something of a personal quest when I was a boy. They’re notoriously hard to spot, being both small in size and famously good at camouflaging themselves to blend into their surroundings, but that only made it more exciting. My parents took me on at least two abortive attempts along the coast of Cádiz, once to Barbate and once again to some other location whose name escapes me. Even with the knowledge that they have a preference for white broom bushes (perhaps on account of the insects they attract), they always managed to elude me.
It wasn’t until my last few days left in Spain, when my brief but life-changing year in Andalucía came to an end, that I finally struck gold. Hiding within the branches of a broom bush near the cliffs of Barbate, and not much longer than the span of my hand, was a chameleon. I had done it – I could leave Spain in peace.
It was, looking back, the first of the ‘great quests’ that I have set for myself. Finding a chameleon was the fulfilment of a boy’s dream just as finding my Spanish family was the accomplishment of an older, wiser wish.
Most of my ‘great quests’ have centred on Spain. I suspect that they will continue to do so as long as my heart beats in time with the magnetic pulse of this beautiful country.
Well, I didn’t find any chameleons this time. They’re quite numerous in the Axarquía, the verdant sierras that stretch east along the coast from Málaga, but while there are supposedly a few to be found on Gibralfaro, I didn’t see any. Still, it was a fun way to kill some time and step back into the shoes of a younger version of me whose passion for Spain was only just beginning to burn.
I did have a couple of encounters with the mountain’s red squirrels, though. Like most of the mammals that inhabit the Iberian peninsula, their fur is streaked with darker colours to better match the terrain around them. The only obvious shades of red can be seen in their fingers and toes.
The invasive American grey squirrels that have driven our native reds almost to extinction in the United Kingdom are not to be found here in Spain, so the reds are a lot less fearful than they are back home. They do, however, seem to possess the same fiery temperament that is often associated with humans of their colouring, and are quick to sound the alarm when they sense a threat.
One species that has invaded Spain in the last century – almost as obviously as the tourists – is the monk parakeet. This South American species fulfils the same niche as the Asian ring-necked parakeet in the south of England, albeit with a much wider range: monk parakeets can be found in larger cities from Barcelona and Valencia all the way along the Mediterranean coast to Málaga and Cádiz, and even as far inland as Madrid.
They’re impossible to miss by even the briefest visitor to Spain’s cities, not least of all on account of the racket they make as they fly around the parks and gardens in search of fallen fruit, dried or otherwise. They made such an impact on the Spanish cityscape that the Japanese developers of the most recent Pokémon games, Scarlet and Violet, modelled an aggressive parrot-like Pokémon on them: Squawkabilly, whose appearance (and Pokédex description, for that matter) matches them exactly.
It was supposed to rain today, but it didn’t come down until late. Rain isn’t unheard of in Semana Santa. In fact it’s quite common, common enough for every hermandad to have a backup plan. And several backup plans were required this afternoon, as the heavens opened to a brief but torrential downpour.
I stayed inside for the worst of it, following the rescue attempts live on TV, and then set out to find a space in the brief respite provided by the rains – and, morbidly, perhaps, to see what damage had been done.
There’s usually the odd outpouring of grief from the spectators during the processions, sometimes in the form of a beautiful and spontaneous saeta (the traditional songs sung to the pasos, which requires the procession to come to an immediate halt), but there were a lot more tear-stained faces than usual. For some Catholics in Spain, this is the high point of the Christian calendar: publicly demonstrating their faith summa cum laude with their friends and family in the hermandad. When the conditions are just too poor, some pasos will be rained off entirely.
I counted at least five nazarenas in floods of tears being consoled by their families after dressing their best, only to be soaked to the skin and unable to continue their procession.
I’ve often wondered if the reason the Andalusians take Semana Santa to heart so much more than the other regions of Spain is that they once had far more to prove: being the region of Spain held longest by the Muslims, theirs was the shakiest of Christian bloodlines, and thus it must have behoved them to make twice as much of a show of being good Christians than their co-religionists in the north. It would go some way to explaining the unrestrained force of duende in the hearts of many an Andaluz costalero.
It’s just a theory, but I think it might have some grounding in truth.
Despite the threat in the clouds, the rain never returned. Jesus and Mary were taken out of the protective plastic coverings that had been hastily applied, the ornate candle-holders were emptied of all the water they had accumulated and those processions that had already made a start have now jumped the gun to make good for lost time. They will go on late into the morning, with the latest finishing around half past four. The crowds will be with them all throughout the night, but I need some sleep. Tomorrow brings another grand adventure – the last of this grand tour. I hope my legs are in good shape! BB x
Ending any stage of the Camino is always a sad experience. I think I’d managed to put it out of my memory last time, but it came back to bite this morning. I guess it’s the routine sense of purpose the Camino provides so effortlessly: wake up, eat, walk to your next destination, wash your clothes, eat, sleep and repeat. You never need to worry about planning ahead, and that allows you to focus on the small pleasures: conversations on the road, birdsong in the morning, the joy of taking off your sandals at the end of the walk. Life can seem a little lacking in purpose when you step out of it.
So, unwilling to surrender entirely to sorrow, I strapped my sandals back on and set out to explore the beautiful city of Burgos, city of Spain’s greatest hero of all time: Rodrigo Díaz de Vivar, El Cid.
I went to Mass in the cathedral. There were two celebrations taking place in the chapels at the front of the cathedral ahead of the misa solemne. I opted to attend one of the smaller ones. For my sins I haven’t always been to church on Easter Sunday since becoming a Catholic, so it was extra special to turn that around here in one of Spain’s most beautiful cathedrals. Even if it did mean staring up at one of the least subtle icons of Santiago Matamoros.
While soaking up the sunshine on the bank of the Arlanzón, I heard the sound of bells. A colourful procession was making its way down the Paseo Espolón, trailing a happy crowd of Sunday pedestrians. Gone were the solemn drums of the nightly pasos: the air was thick with the clean sound of hand bells and castanets. Gone too were the hoods that had so spooked the American pilgrims: these celebrants were welcoming the Easter season in with golden ribbons in their hair.
I’m a bit of a purist when it comes to Semana Santa. In the same way that I prefer enigmatic bulerías to happy-go-lucky sevillanas, I’ll always take the dark mystery of the nightly processions over the happier parades that bookend Semana Santa, Domingo de Ramos and Domingo de La Resurrección. Even so, the addition of an advance guard of local dances (in local dress) is a very nice touch: I don’t think I’ve ever been moved so by Easter Sunday’s celebrations.
Leaving the celebrants behind, I made for the Puente de San Pablo, which is, frankly, a less than impressive name for what should really be called the Puente de los Héroes. Watching the passing traffic from eyes of stone are the primary characters of the Cantar del Mio Cid, among them Alvar Fáñez, his lieutenant and nephew; Jimena Díaz, his wife; and Abén Galbón, his Muslim friend and lord. At their head on the north bank stands the Cid himself, an imposing figure astride his war-horse Bavieca with the sword Tizona in his hand. I’ve been obsessed with the legend of El Cid since I was a boy, and none of that has faded as I approach thirty. I still get a giddying kick in the guts at the sight of that statue. Whatever the real Rodrigo Díaz might have been – warlord, mercenary, king in all but name – I will always be a fan of the legend. It is, truly, one of the greatest stories to come out of Spain.
It occurred to me that I had not actually been inside the cathedral proper on my last visit ten years ago, so I decided to make good on that this time. After all, it isn’t every day you get to pay your respects at the resting place of a real-life legend – and at half the price, as a peregrino (5€ with a credential – that’s a steal!).
Now, I’ve spent my life in and out of cathedrals – I know Canterbury’s so well I could probably navigate it blindfolded – but Burgos is something else. I’ve heard people say it’s more impressive outside than in. While it’s easily one of Spain’s most breathtaking cathedrals to behold, the interior of Burgos’ cathedral is no slouch. Come for the tomb of El Cid (or what remains of his the French didn’t loot as trophies during the Peninsular War) but stay for the incredible stonework. There really is something to see at every turn, from starburst-like windows in the upper vaults to stone carvings of skulls, savage beasts and wild men.
The treasure rooms in the lower chambers also hold a number of interesting relics, including the Cid’s legendary chest of sand, the silver hand of Saint Thomas A’Beckett (of Canterbury, of all places!) and a beautiful Moorish cloak emblazoned with the motto “Glory to the Sultan”. I wasn’t expecting to see any Moorish treasures so that last was an unexpected bonus!
With my tour of the vaults complete I popped into one of the only food stores still open and had a snack dinner of mejillones en escabeche – a solo travel staple of mine – overlooking the cathedral. A pair of ravens circled the twin spires for about an hour, their usually impressive stature dwarfed by the Gothic masonry. I couldn’t get into the bottled tinto de verano I bought on a whim – foolishly, I didn’t think to check if it would need a bottle opener. It’s still sitting unopened on my beside table as I write.
Finally, I went out for a beer with Francisco, the Mexican from the hostel. He was keen to draw my attention to a mural near the bar, where the Cid once again leapt off the page of legend into life. I was most impressed to see one detail in particular: the moros watching from the corner were striking for how un-Moorish they looked. Why, without their turbans, they might just as easily have been as Castilian as the other citizens of Burgos.
Which is exactly the point. We can be fairly certain that, by the time of the Cid (the mid to late 11th century), many if not most of Iberia’s Muslims would have been native to the peninsula for generations, not the lean, bearded Syrian stereotype that is so often thrown about when painting this period of history. Major props to the artist – it’s a brave stroke but a necessary one.
I have now made landfall in Bilbao. I’ve scouted the bus and train stations and they seem navigable enough. Tomorrow, I strike out for the highlands that followed me all the way along the Camino. I’ve had two days to recover and my feet are feeling much better. One final challenge stands between me and my flight home. Let’s hope I’m up to it! BB x
Bloody hell, but that was unnecessarily early start. The trip to Fiumicino Airport (8€ on the shuttle bus from Via Crescenzio 2) was on time and completely hassle-free, so I arrived with four hours to go until my flight – a new record in caution. Still, better early than late! It gives me time to relax and put yesterday morning into words.
All I can say to start with is believe in your own luck for a change. Because Sunday morning’s adventure wouldn’t have happened at all if I hadn’t taken a chance.
One of the main reasons I came to Rome and stayed until this morning was because of the very real chance of seeing the Pope deliver his Palm Sunday Mass in St Peter’s Square. That’s not the kind of opportunity you pass up on if you can help it. Unfortunately, the information on the internet is vague, conflicting and genuinely quite hard to track down. Most of it implies you need to apply for a ticket directly to the Vatican via fax (!!), sometimes as early as three months in advance, to be in with a chance of securing a “coveted” ticket. At least, that’s what all the tour companies say. By Saturday night, I’d more or less given up on the whole affair and planned to go for a morning walk down the Via Appia instead.
Turns out the internet is wrong. So here’s me setting the record straight.
Contrary to what you may find online, you do not need a ticket to attend the Palm Sunday service in the Vatican City. It’s free and there’s no need to book!!!
I rocked up in my casual clothes with my picnic packed for the Via Appia and thought I’d check to see what was going on in VC and before I knew what I was doing I’d followed a whim and chanced the security barriers. They scanned my bag, found only a punnet of olives, a punnet of strawberries, breadsticks and some other snacks… and let me pass.
As it was still only 8.20am, St. Peter’s Square was still relatively empty. Thousands of chairs had been set up overnight, along with the temporary barriers raised around the central obelisk and the wind rose, but other than a small crowd settling into the first block of seats the pickings were good. I found a seat near the front of the second block, just two rows back from the barrier and strategically positioned behind two families who’d put their children in the seats directly in front, giving me a perfect view over their heads to the Papal seat. If I’d planned to come I could have arrived sooner and snagged the best seats in the house, but for a spur-of-the-moment decision I really lucked out.
By the time the warm-up Ave Marias were being chanted (in Italian, the real lingua franca of the Vatican), the seats on either side of me had been taken: by a diminutive group of Indian nuns on my right and a large Eurasian woman and her daughter on my left. I would have been squashed throughout the service had the nuns not seen on one of the telescreens that there were still five empty seats in the front block and gone charging off for a better seat, and my other neighbour left during the Communion after realising she was holding up the entire row by being the only one not going up for communion. By the end of the service, I had more room than I knew what to do with!
The Swiss Guard were quite a sight to see in their full regalia: plumed morion helmets, black capes worn about their landsknecht-esque striped uniforms and, at least in the hands of those guarding the cardinals’ seating area, impressive halberds, their tips flashing in the sun. I’m not sure if they’re more visible if you take a walk through St Peter’s basilica or the Musei Vaticani, but I certainly hadn’t seen them until now, so it was worth coming even if only for that!
And of course, Pope Francis himself, dressed in regal red until the end of the service. Since my wanderings tend to take me off the beaten track, the list of famous people I’ve encountered is downright pitiful, but this has got to rank right up at the top – like Pope Francis did in 2013’s Time Magazine. Seeing the warm smile of the humble head of the Catholic Church at such close quarters was a once-in-a-lifetime event, truly… I couldn’t help taking up the cry of ‘¡Viva el Papa!’ raised by the Colombian family in front of me. His humility is what makes him so inspirational to me – that a man in so important a position should have no qualms making apologies for centuries-old abuses of power by his institution, or reject the majesty of status outright while still holding true to the core values of the church. I might not have gone to such lengths for a different Pope, but for Francis, my feelings were genuine. What an inspiration!
I’ve also never seen a Palm Sunday service quite like it. Multilingual (there were readings in Spanish, English, French, Portuguese, Mandarin and Malayan, as well as Italian) and multifaceted: the song of Jesus’ arrest by Pilate and his Passion was performed by various cantors with the full choir as the voice of the crowd. Faith through storytelling through song… now that’s more like it! It was like watching a passion play of old – and in a very real sense, I suppose that’s exactly what it was. They’ve been doing the same thing here in this square for well over a thousand years.
The Pope ended the service with a reminder to care for the poor – ever at the heart of his urbi et orbi message. When I left, I saw that in the merry exodus from the square, some misguided pilgrims had smashed right through a street vendors’ wares, knocking them in all directions. As I approached, several strangers gathered round to help the man set his little stall back to rights. Just as there are those who profess to do good and look no further than their own backyards, so too are there people out there prepared to help their fellow man, whoever that may be. That gives me hope. To quote a famous film set in and around the Vatican City:
Religion is flawed, but only because man is flawed.
Dan Brown, Angels and Demons
I’ve made it to the pueblo and a much-needed week with my cousins. It’s been fun wrangling with Italian, but these lips were meant for speaking castellano, hombre. Until next time! BB x
The Book of Barnabas 