18 | December | 2025 | The Book of Barnabas

Hotel Rambla Emérita, Mérida. 20.30.

The starlings have finished their shift for the night and turned in their timecards. The yappy dog has taken over the night shift and is busy barking at every car that goes past. What the appeal may be in such scrappy scamps I cannot guess. If I worked in a profession that allowed me the time to have a dog, I’d want one that looked like… well, a dog, I guess. A wolf, moreover. Like a sheepdog, a collie or a wolfhound.

I’m thinking out loud. But that, I guess, is what blogging is for. Anyway. Here’s my account of Mérida, capital city of Extremadura, former heart of the Roman province of Lusitania, and the seat of the king in my novels.

As you leave the bus station on the south bank of the Guadiana River, you’ll notice almost right away a cryptic row of sculptures on the riverbank. At first glance, they seem to spell out a word, but a closer look reveals that they aren’t letters at all, but rather figurative depictions of thrones (if they were letters, I suppose they might spell out “CEIOHAD”, which – besides looking more like Irish than Spanish – is about as easy to understand as the Muqattāt of the Qur’an).

They are the work of local sculptor Rufino Mesa, native son of Valle de Santa Ana, and they pay homage to one of Mérida’s most cherished legends: that of the Seven Chairs that once stood outside the city.

According to legend, these enormous block of stone were the seats of seven Muslim princes (or kings, depending on the teller), who sat upon these ancient thrones to discuss matters of state. Given the fractious nature of the various Berber tribes who occupied the Iberian peninsula during the period of the Muslim conquest and the ensuing Taifa period when Al-Andalus splintered into a network of warring states, it’s perfectly possible that such a drama might have played out at least once here.

Until the start of the 20th century, these seven chairs were still a visible feature of the city, sitting in a field a short distance from the edge of town: a strange but not entirely ignored feature of the city. The ring of stone had seen use as a bullring in the 18th century, and the story of the seven kings had evolved into legends of buried treasure, though no major excavation took place until the archaeological endeavours of Maximiliano Macías and José Ramón Mélida in 1910.

At the time, the site looked very different to how it does today:

Digging deep, Macías and Mélida uncovered the roots of the seven chairs, revealing an enormous Roman theatre that had lain hidden beneath the earth for around fifteen hundred years. Its remains had long since been scavenged by the Visigoths and their Muslim successors for use in other constructions – such as the Grand Mosque of Córdoba, where there can be little doubt that many of its original pillars may be found – but the greater part of the foundations remained preserved beneath the earth.

It’s not quite as well-preserved as the Roman complex at Jersey, but then, Mérida sits on the bank of a great river – the Guadiana – and has been the site of battles both ancient and modern since the Teatro Romano was first built, and has therefore been a frontline city for much of its existence.

The modern reconstruction is an impressive feat, but more impressively still, it has been partially restored as a working theatre, hosting the Festival del Teatro Romano every summer. I’ve yet to see the festival with my own eyes, so it remains a bucket list item.

I spent nearly two hours wandering around the remains of the Theatre and Amphitheatre. I’ve been here before, of course – twice, at least, as I seem to recall a brief visit with IES Meléndez Valdés – but this place loses nothing in the rediscovery.

I caught myself touching one of the ancient slabs of stone and wondering what it would be like to be hurled backwards in time to the moment it was first laid there. I’m sure I’m not the first to have had that thought and I know I won’t be the last. The plethora of books both fiction and non-fiction on the Romans are proof of our ongoing fascination with the Roman Empire – even if it does come at the detriment of our interest in any of the other periods that followed (seriously, I’ve been to several bookshops now and I can’t find even one book on Mérida’s history between the fall of Rome and the Civil War).

I’ve more stories to relate, but I think I’ll keep split them up – Mérida has more than one story to tell. As the Córdoban scholar Mohammed Ar-Razi once put it:

No hay hombre en el mundo que cumplidamente puede contar las maravillas de Mérida.

So I won’t try to do so in a single blog post – or several. Instead, like the Visigoths, the Muslims and nearly a hundred generations of Spaniards before me, I’ll take what I can and use its bricks and mortar as the foundations for my own stories. BB x

Andén 13, Estación de Autobuses de Cáceres. 13.29.

That last post was a bit lacklustre. I can’t be at the top of my game all the time, but I’ll admit it is hard to write convincingly about my favourite topic – nature – when the rain kept me indoors for most of the day. I got out for a bit during the evening to have dinner at Mesón Troya, one of the restaurants in the square (usually a place to avoid in larger towns, but not so here), but beyond my short sortie beyond the castle walls, I didn’t get very far yesterday. Instead, I contented myself with watching the stars from the hilltop and counting the towns and villages twinkling in the darkness of the great plains beyond: Monroy, Santa Marta de Magasca, Madroñera, and the brilliant glow of faraway Cáceres.

Morning summoned a slow sunrise into a cloudless sky. If I had brought walking clothes, I would have set out across the llanos on foot – but Chelsea boots, a smart winter coat and bootcut Levi’s jeans don’t exactly make for the most comfortable long-distance fare, so I erred on the side of caution and took a stroll into the berrocal – the rocky hill country south of Trujillo.

Idly, I set my sights on a restored 17th century bridge some five kilometres or so from town, but I was quite happy to wander aimlessly if the path presented any interesting forks.

My working life is so full of tasks that require forethought and planning that it’s nothing short of liberation itself to have that kind of absolute freedom that I crave: the freedom to do or not do, to turn back or to push on, to take this road or that, without any thought as to the consequences (beyond the need to get back in time for the bus). A freedom that becomes maddening when it’s taken away from me, like it was in Jordan, all those years ago. It’s a hardwired philosophy that I’ve become increasingly aware of as I’ve grown older, bleeding into my views on speech, movement and identity – and massively at odds with most of my generation.

Perhaps it’s an inherited desire for freedom from my Spanish side: I do have family ties to Andalucía, a region that once made a surprisingly successful bid for anarchy, and my great-grandparents quite literally put their lives on the line to make a stand for freedom of thought under Franco’s fascist regime.

Or perhaps that’s just wishful thinking. Either way, it’s hard to deny just how important that sense of total freedom is to me. Maybe I’m more like the Americans than I thought.

I didn’t make it as far as the bridge. The full day of rain from the day before had done more than dampen the sandy soil and form puddles and pools in the road. It had also swollen the Arroyo Bajohondo to the size of a small river. It didn’t look particularly bajo or hondo, but I didn’t trust the stability of the soil underfoot and didn’t fancy making way to Mérida with soaking jeans up to my knees for the sake of a tiny bridge, so I turned about and returned the way I had come.

Without a car at my disposal, I couldn’t make it out onto the plains, home to Trujillo’s more emblematic species (bustards, sandgrouse and stone curlews), but the berrocal was teeming with wonders of its own. Hoopoes, shrikes and stonechats watched my coming and going from the rungs of rusting farming stations, while woodlarks and skylarks ran this way and that along the stone walls that marked the boundaries of cattle stalls along the way. A flock of Iberian magpies kept me company on the way back, their jaunty black caps almost shining in the sunlight, and I nearly missed a lonely lapwing sitting in one of the fields – a curiously English sight in far-flung Extremadura – before it took off on powerful, bouncing wingbeats.

Speaking of powerful wingbeats, I was practically clipped on my way down to the arroyo by three hulking shapes that flew overhead. I clocked one as a griffon – there are few silhouettes I know better – but I had a feeling the other two might have been black vultures – something about their colossal size and the heaviness of their beaks. They seemed to have disappeared by the time I turned the corner in pursuit, which is hard to imagine for creatures with a wingspan of around 270cm.

A change in perspective always helps, however. I found all three on my way back, sunning themselves on a granite boulder not too far from where I’d first seen them. I suppose I’d have had my back to them on the way down. And what an impressive sight they are! Please forgive the photo-of-a-photo until I get home and can replace the image below with the real one from my camera, which always outperforms my phone when it comes to anything that requires distance.

Even with the full day of rain, I’ve scarcely had a moment out here where I’ve felt lost or alone. Spain works an incredibly potent magic upon me, whether it comes in the form of the music of its native language, pan con aceite y tomate, the immense blue skies of Castilla or the spectacular sight of its vultures, forever and always my favourite sight in the whole world.

I conveyed this jokingly to an old lady from Villafranca on the bus. She gripped my arm with a talon that the vultures might have envied and told me in no uncertain terms to “búscate un trabajo aquí”. It does feel like the universe is trying to help me to set things right and come back. But I have to get it right. I need this to work this time. So – fingers crossed.

If I could spend the rest of my life in the passing shadow of the vultures, I’d die a happy man. BB x